7,493 research outputs found
R. Vernon Boyd Collection
No full textInterview with Samuel and Mattie Garner, members of the Church of Christ from Tennessee. The interview includes the Garners' experiences with, the Pleasant Union congregation, the Church of Christ, and their time in Detroit, Michigan. The interview also includes their views on a controversy involving the Church of Christ and O. L. Trone
R. Vernon Boyd Collection
No full textInterview with Samuel and Mattie Garner, members of the Church of Christ from Tennessee. The interview includes the Garners' experiences with, the Pleasant Union congregation, the Church of Christ, and their time in Detroit, Michigan. The interview also includes their views on a controversy involving the Church of Christ and O. L. Trone
Samuel Dorris Dickinson papers
No full textThe Samuel Dorris Dickinson papers contain the professional and personal records of archaeologist, journalist, and author Samuel Dorris Dickinson
Samuel and Mattie Garner Interview - Tape 1
No full textSamuel Garner (1915- )
Mattie Garner
The interview begins with Samuel Garner. Mrs. Garner enters later. Both were born in Tennessee and moved to Detroit after they were married. Mr. Garner worked for the Packard Plant until he was drafted into the Army during World War II and Mrs. Garner worked at the plant during the war. Both were involved in the trouble at the Joseph Campau Church and the disagreement over the role of elders that resulted in a court trial. Most of the interview centers around their memories of the problem and their role in the resolution of the dispute. The file consists of three audiocassettes and both a verbatim and a summary transcript of the interview
Samuel and Mattie Garner Interview - Transcript
No full textSamuel Garner (1915- )
Mattie Garner
The interview begins with Samuel Garner. Mrs. Garner enters later. Both were born in Tennessee and moved to Detroit after they were married. Mr. Garner worked for the Packard Plant until he was drafted into the Army during World War II and Mrs. Garner worked at the plant during the war. Both were involved in the trouble at the Joseph Campau Church and the disagreement over the role of elders that resulted in a court trial. Most of the interview centers around their memories of the problem and their role in the resolution of the dispute. The file consists of three audiocassettes and both a verbatim and a summary transcript of the interview
Portrait of author David Foster at the National Library of Australia, Canberra, 8 June 2011 /
No full textTitle from acquisitions documentation.; Part of the collection: Portraits of author David Foster at the National Library of Australia, Canberra, 8 June 2011.; Acquired in digital format; access copy available online.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia
Author David Foster with academic Jeff Doyle at the National Library of Australia, Canberra, 8 June 2011 /
No full textTitle from acquisitions documentation.; Part of the collection: Portraits of author David Foster at the National Library of Australia, Canberra, 8 June 2011.; Acquired in digital format; access copy available online.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia
Author David Foster and academic Jeff Doyle at the National Library of Australia, Canberra, 8 June 2011 /
No full textTitle from acquisitions documentation.; Part of the collection: Portraits of author David Foster at the National Library of Australia, Canberra, 8 June 2011.; Acquired in digital format; access copy available online.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia
Portrait of Paul Ham at the National Library of Australia, 15 November 2011 /
No full textTitle from nformation supplied by photographer.; Part of the collection: Podcast photograph of author Paul Ham at the National Library of Australia, 15 November 2011.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia
Ohio impromptu, genre and Beckett on film
No full textSamuel Beckett’s choice of the title Ohio Impromptu to name the play first performed to an audience of academics and scholars at Columbus Ohio in 1981 is one manifestation of its author’s interest in the question of literary genre; more generally, in Beckett’s dramatic works one encounters a meticulous attention to the activity of categorisation, even if the energy is often directed toward the creation of phantom genres for spectral exemplars. This essay concerns itself with Ohio Impromptu in particular because by means of elements specific to this play (including the context in which it was first performed) it comments upon its own very failure to occupy its designated genre co-ordinates (these include its identity both as a play and as an ‘impromptu’). This play, which is so apt to incorporate other genres, however, is presided over by a stage direction which locates it firmly in the theatrical context. It is in its deliberate failure to attend to this stage direction that the Beckett on Film version of the play goes beyond the mere treacherous fidelity that is inevitably a feature of any adaptation. In arguing this, the essay analyses the foregrounding in the play of questions that can be said to pertain to genre (in several senses). Its more specific intention is to suggest that, via a combination of casting and special effects, the adaptation succeeds not only in cancelling the critical reflection on the ‘genre gesture’ that is lodged in Ohio Impromptu, but also in eradicating the very disjunction between Reader and Listener upon which the play depends
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