10,148 research outputs found
Major Patrick A. Gallagher
No full textMajor Patrick A. Gallagher was stationed at Fort Douglas during the time as General Patrick Edward Connor
Gallagher, Charles David Patrick, Papua
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/386694Surname: GALLAGHER. Given Name(s) or Initials: CHARLES DAVID PATRICK. Military Service Number or Last Known Location: PAPUA. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 17160.208464
Item: [2016.0049.18987] "Gallagher, Charles David Patrick, Papua
Mr. and Mrs. Patrick McMurray and Mary E. Gallagher Sheeran
No full textPhotograph shows Margaret Gallagher McMurray (left) and Mary Ellen Gallagher Sheeran seated, with Patrick McMurray standing behind them.Note on album page: "Pat McMorrow / Mary E. Sheeran - Maggie McMorrow at a wedding" See Margaret Frances Goynes Olson, FOX NATION, Issue three, Jan. 15, 1981:".McMorrow, Margaret (Gallagher). Born Nov. 23, 1851. Died Dec. 3, 1886 (Husb. Patrick McMurray, McMorrow changed name after Margaret died from McMurray to McMorrow. McMorrow, Patrick (Changed name from McMurray to McMorrow about 1900) Born May 17, 1839. Died Feb. 14, 1922 - Born in County Leitrim, Ireland." and Issue Five, July 1, 1981:".Sheeran, Mary E. (Mary Ellen Gallagher) Born 1856 Died 1934 (Husb. Tom Sheeran)";The McMurray and Gallagher families were among the early settlers in the area near Gussettville, Texas
Data set for the publication 'Mechanically axially chiral catenanes and noncanonical chiral rotaxanes'
No full textThis dataset supports the publication: Mechanically axially chiral catenanes and noncanonical chiral rotaxanes
AUTHORS: John R. J. Maynard, Peter Gallagher, David Lozano, Patrick Butler, Stephen M. Goldup,*
JOURNAL: Nature Chemistry
This dataset contains:
Characterisation data (NMR, MS, x-ray) for all the compounds reported in the manuscript
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Letter from Bishop John Gallagher to Hagan
No full textHolograph letter from Bishop John Gallagher, Bishop's House, Goulburn (Australia), to Hagan, in thanks for the report about his students; enclosing draft to pay for two students sent by other bishops for his diocese. At the centenary celebrations in Sydney Monsignor [Cattaneo] told him that the full place in Propaganda could not be obtained for him. - Now enclosed fragment [copy] letter from (Hagan), Rome, to [Bishop Gallagher, Goulburn] (seemingly the report about the students Gallagher mentions): brief account of Goulburn students Mr. O'Donnell, Patrick Carroll, and Mr. Dillon. Also stating that the news from Ireland is very grave - 'the terms offered for settlement by Lloyd George are regarded as altogether insufficient, and ...the struggle [must] begin anew. All forecasts go to show that in this event all previous experience will but [be] a shadow of the new realities.
Neurotoxicity following intracerebral injection of mercury compounds
No full textMercury is a potent neurotoxin, but the clinical patterns of organic and inorganic mercury poisoning are very different. Methyl mercury produces a neurological disease; consistent signs include ataxia, dysarthria and constriction of visual fields. Inorganic mercury affects the gastro-intestinal, renal and nervous systems; gingivitis, stomatatis, tremors and psychiatric changes are common. Despite these apparent differences, recent systemic toxicity experiments suggest that the changes in dorsal root ganglia neurones are identical with the two compounds. To test this hypothesis, between 10-` and 10-~ mol of mercuric chloride and methyl mercuric acetate were injected directly into the cerebrum of rats. The histological changes were similar with the two compounds. Neuronal necrosis and cerebral oedema were the most prominent features. Control injections of sodium chloride, distilled water and buffers produced no significant changes. Ultrastructurally, neurones showed pronounced cytoplasmic swelling, suggesting a defect at the cell membrane level. Similar changes were seen with injections of ouabain, glutaraldehyde, mercury mixed with cysteine and blood from animals poisoned systemically with methyl mercury. This form of neuronal necrosis differs from that of systemic methyl mercury toxicity where the earliest changes are in the endoplasmic reticulum. This difference may be related to the higher local concentration and rate of accumulation of mercury after intracerebral injection. The comparative size of lesions was estimated anatomically, and by reference to blood brain barrier dysfunction. Inorganic lesions were only slightly larger than those produced by equimolar amounts of organic mercury. It has been suggested that the toxicity of organic mercurials is the result of biotransformation to inorganic mercury. If this is so, it is surprising that inorganic mercury lesions were not far larger.</p
Art, Biography, Sexuality: Patrick Procktor and Keith Vaughan
No full textThis critical review forms a reflection on the research published within the following publications:
Patrick Procktor: Art and Life (Unicorn Press, 2010)
Keith Vaughan: The Mature Oils 1946-1977, (Sansom & Co., 2012)
The research is on two artists, Patrick Procktor (1936-2003), and Keith Vaughan (1912-1977). The monograph on Procktor – previously one of the least documented of the generation of artists who came to prominence in London in the Sixties – positions him in a history of art from which he had been notably absent. The research on Vaughan asserts a new reading of his work, one that is both deeper and more nuanced in its analysis of the ways in which personal experience and sexuality are encoded autobiographically within his work. Crucially, in both artists biography and work are symbiotically linked; the research therefore examines the links between life and art.
Revisionary in intent, the work examines trajectories of experience of gay British (or rather, English) artists in the twentieth century, artists who sought to express themselves and forge careers within the constraints of a heteronormative society, albeit one in which attitudes to sexuality were undergoing change. As gay men, both were constrained by the social mores of their times, and each used painting as a means to affirm personal and sexual identities. A key research interest is in the ways in which sexuality and persona are reflected in critical responses to the artist’s work: in Vaughan, Procktor and other gay male artists of the period. The writing on both Procktor and Vaughan examines the relationship between their personal and professional/artistic lives, framed within a broader socio-political and art historical context. It asserts the place of biography as a means to understand and form new readings of the work. The work adds substantially to the literature and wider discourse on post-war British painting and social history
Thorns, Kilmartin, Wild, Gallagher, 1985
No full textPhotograph originally appeared in the 'Swinburne Newsletter', 9th May 1985. Left to Right: David Thorns, Les Kilmartin, Ron Wild, Patrick Gallagher at the launch of a book by David Thorns, Les Kilmartin and Terry Burke - "Social Theory and the Australian City" Mr Patrick, George Allen and Unwin and Prof. Wild attended as the editor of 'studies in society' series
Patrick Chamoiseau Recovering Memory
No full textThis timely new book skillfully examines the work of the award-winning writer Patrick Chamoiseau. Considered by many as one of the most innovative writers to hit the French literary scene in over 40 years, Chamoiseau made his name with his book Texaco (published in 1992 and winner of the highest literary prize in France, the Prix Goncourt). His books have gone on to sell millions and his work has been translated by a number of academic presses. McCusker sets the author in context, providing a valuable contribution to 'memory studies' by looking at literary representation of memory in Martinique, a society founded on slavery but now politically assimilated to the metropolitan centre, France.Title Page -- Contents -- Introduction -- 1: Beginnings: The Enigma of Origin -- 2: 'Une tracée de survie': Autobiographical Memory -- 3: Memory Re-collected: Witnesses and Words -- 4: Memory Materialized: Traces of the Past -- 5: Flesh Made Word: Traumatic Memory in Biblique des derniers gestes -- Afterword -- Notes -- Bibliography -- IndexThis timely new book skillfully examines the work of the award-winning writer Patrick Chamoiseau. Considered by many as one of the most innovative writers to hit the French literary scene in over 40 years, Chamoiseau made his name with his book Texaco (published in 1992 and winner of the highest literary prize in France, the Prix Goncourt). His books have gone on to sell millions and his work has been translated by a number of academic presses. McCusker sets the author in context, providing a valuable contribution to 'memory studies' by looking at literary representation of memory in Martinique, a society founded on slavery but now politically assimilated to the metropolitan centre, France.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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