19,532 research outputs found
I'm here, Performance as part of The Listening
No full text“Performances by Adam Gallagher, Go Sing, Mataio Austin Dean, Euan Francis Gubbins, and East Anglia Records. Happening to mark the final night of Joe Davies and Grace Black’s installation The Listeners.”
Performed I'm here, reading across Special Category Status and What did I do to deserve this? in virtual reality whilst standing in an ionic footbath holding two bitter melons
Adam Gallagher and Solomon Garçon as Jogmode, Performance as part of Fake Barn Country at Jaguar Shoes
No full text"Join us for an event accompanying the exhibition Fake Barn Country at Raven Row, with readings, performance and music by Sophie Sleigh-Johnson, Stuart McKenzie, Rachal Bradley, Adam Gallagher and Solomon Garçon as Jogmode, and The Rebel.
Adam Gallagher / LULU THE TOOL, Performance as part of Asta Lynge’s 22, Overgaden, Copenhagen
No full text“On 4 August, to mark the ending of the solo exhibition 22 by Asta Lynge, Adam Gallagher will repurpose works from the Audience series with Lynge and turn them into a makeshift public address system/ Gallagher will be joined by his unselfish double LULU THE TOOL to perform a musical communiqué about the freedom of movement in global, national, local, and personal terms. As part of the performance, he will recount his self-published pamphlet Mock Chicken, Mock Ethics, Mock London which is part of the EARF series.”
The public-address-system-sculpture was made from repurposing Lynge’s sculptures and combining them with several different guitar amps and speakers. The sculpture was constructed within the duration of the performance.
Javon Bennett read Funeral Rites: Burying Symbols or The Daughters of Revolutionary Women as I did an ionic footbath detox.
I read across my own British passport and Mock Chicken, Mock Ethics, Mock London
ADAM SMITH'S OPTIMISTIC TELEOLOGICAL VIEW OF HISTORY
No full textAdam Smith's four-stage theory provides the framework for his writings on history. The fourth stage is the commercial epoch; the culmination of history in this stage is a key component in the conventional interpretation of Adam Smith as a prophet of commercialism. In two historical case studies Smith shows the capacity of commercial society to regenerate itself. This potent capacity suggests that commercial society is inevitable. At a certain point in time it also overcomes the major obstacles to its permanence. Smith's philosophy of history anticipates the end of history views of Kant and Hegel.Political Economy,
An I for an I, (two person show)
No full textTwo person inaugural show of the Existers artist run space.
Adam Gallagher and Ruth Angel Edwards.
Work installed:
Time Shard, 2024 - Soap sculpture foam, dimensions variable.
My shopping list, 2024 - 6 minute loop, sound piece on sampler with headphones
How Might Adam Smith Pay Professors Today?
No full textAdam Smith’s proposal for paying professors was intended to induce increased faculty knowledge. If students have imperfect information about what they learn, and universities can only imperfectly measure the input of faculty time in student learning, publications may be used to measure faculty knowledge. If professors’ ability to publish is positively related to their ability to produce student learning, which universities can imperfectly measure, publications may be necessary to attract more able professors. Since research signals faculty knowledge, schools that do not value publications per se could require higher publication standards and pay higher wages than schools that value only publications.
Come Back, relaunch event of The Horse Hospital, London
No full textThe Horse Hospital has been closed since late 2024 for renovations - our first shows are on the 21st and 22nd March: come back.
Friday will feature performances from Germ Lattice, Meat Strap, Luisa D. Rozo, Anastasia Freygang, George Lynch & Andy Wyatt ( stella ), and Adam Gallagher. Saturday will feature Jesse Darling, Gentle Stranger, Jackson Burton, Hannah Taverner, Mr Aka Amazing, and Labake Sabbath
ADAM SMITH'S VIEW OF HISTORY: CONSISTENT OR PARADOXICAL?
No full textThe conventional interpretation of Adam Smith is that he is a prophet of commercialism. The liberal capitalist reading of Smith is consistent with the view that history culminates in commercial society. The first part of the article develops this optimistic interpretation of Smith's view of history. Smith implies that commercial society is the end of history because 1) it supplies the ends of nature that he identifies; 2) it is inevitable; and 3) it is permanent. The second part of the article shows that Smith has some dark moments in his writings where he seems to reject completely such teleological notions. In this more civic humanist mood he confesses that commercial society does not supply the ends of nature, nor is it inevitable, nor is it permanent. Both views exist in Smith and the commentator is forced to choose between passages in Smith's work in order to support a particular interpretation of the former's view of history.Political Economy,
worried_orange_young_person_1.doc, Performance as part of Joseph Noonan Ganley - Our bed with friends
No full text“On the occasion of Joseph Noonan-Ganley’s current exhibition Our Bed we have invited three artists, George Bularca, Avril Corroon, and Adam Gallagher to share work as part of this performance, reading and screening event.”
I read across Devoted to Life 1 and Devoted to Life 3 with worried_orange_young_person_1.doc thermochromic print
Modernization, (group show)
No full textGroup show with Philippe Daerendinger, Adam Gallagher, Morag Keil, Lawrence Leaman, Kate Mackeson, Sara MacKillop, Marta Riniker-Radich and Richard Sides
“Bill and Charlie Tensegrity Structure, Adam Gallagher’s sculptural proposition for Modernization, consists of two cuboid structures made of vintage chimney sweep rods and one 80 meter length of Swiss branded climbing rope. Tensegrity, the structural principle this sculpture is based on, is a portmanteau word for “integrity in tension”. Structural stability is found in the fine tuning of the tension network holding its elements together.”
Bill and Charlie Tensegrity Structure – bamboo and lead chimney sweep rods, 80m climbing rope, jubilee clips, mixed dimensions (approximately 3m x 3m x 4m)
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