199,596 research outputs found

    Danse des fantômes

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    Fantastic dance = Danse des fantômes, Op. 200 / Sydney Smith, edited and fingered by M. Greenwald.1841-10; 1841

    Charge des Amazons

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    Ride of the Amazons (Charge des Amazons). Op. 321 / Fritz Spindler, edited and fingered by M. Greenwald. (From Selected compositions from the works of Spindler.185

    Costume

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    An overview of the important part 'Costume' plays in Opera centred around a case study of W.S. Gilbert and Arthur Sulivan's 1881 operetta 'Patience'. Part of a wider exploration of Opera, edited by Helen M. Greenwald, Professor of Music History and Musicology, New England Conservatory

    Operation above the Greenwald density limit in high performance DIII-D negative triangularity discharges

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    The density limit in strongly-shaped negative triangularity (NT) discharges is studied experimentally in the DIII-D tokamak. Record-high Greenwald fractions f G are obtained, using gas puff injection only, with values up to near 2, where f G is defined as the ratio of the line-averaged density over n G = I p /(π a 2), with I p [MA] the plasma current and a[m] the plasma minor radius. A clear higher operational limit with higher auxiliary power is also demonstrated, with the ohmic density limit about two times lower than with additional neutral beam injection heating. The evolution of the electron density, temperature and pressure profiles are analyzed as well. The core density can be up to twice the Greenwald density and keeps increasing, while the value at the separatrix remains essentially constant and slightly below n G. The edge temperature gradient collapses to near zero and NT plasmas are shown to be resilient to such profiles in terms of disruptivity. We also present the time evolution of the inverse electron pressure scale length with the value at the last closed flux surface (LCFS) decreasing below the value at the normalized radius 0.9 near the density limit, demonstrating the clear drop of confinement starting from the edge. This inverse scale length "collapse" at the LCFS also defines well the characteristic behavior of the kinetic profiles approaching a density limit.SPC-THSubmitted to: Plasma Physics and Controlled Fusion. ISSN 1361-658

    [bust portrait of Aaron Greenwald].

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    Photo Div C.3 .Jewish Philadelphia.23. Bust portrait of Aaron Greenwald. Member of the Philadelphia Jewish community.; Photographer: Frederick Gutekunst (Philadelphia).; Handwritten on verso, "Aaron Greenwald."; Individual and group studio portraits, likely of members of the Philadelphia Jewish community, most identified by manuscript notes on mounts.; Subjects include: Adolph Rosenheim, Dr. Arnold, Mrs. Goldsmith, Sidney M. Stern, Jacob S. Frank, Simon Fleisher, Mayer Fleisher, Rachel Carvalho, Sally Greenwald, Aaron Greenwald, Morris Goldsmith, Isadore Weil, Charles Hoffman, Leo Loeb, Adolph Rosenheim, Eva Friend, Lawrence Friend.; Photographers include: Abraham Bogardus (N.Y.), Frederick Gutekunst (Philadelphia), Gilbert & Bacon (Philadelphia), Peterson Bros. (Chicago), Riker (N.Y.), Draper & Husted (Philadelphia), Frank Jewell (Scranton, Pa.), Henszey & Co. (Philadelphia), J. Brill (N.Y.), E.H. Canfield (Milwaukee), H. & A. Krull (Neustrelitz, Germany), Broadbent & Phillips (Philadelphia), J. Goldin (Washington, D.C.)

    Tulip time [music] : piano duet /

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    B.5581 (Publisher number). Pl. no.: B.5581.; Also available online http://nla.gov.au/nla.mus-vn1857393; MUS: N, MUS/187 ; A, GE 304/2/6

    [bust portrait of Sally Gimbel Greenwald].

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    Photo Div C.3 .Jewish Philadelphia.21. Bust portrait of Sally Gimbel Greenwald. Member of the Philadelphia Jewish community.; Photographer: Frederick Gutekunst (Philadelphia).; Handwritten on verso, " Sally Gimbel Greenwald, wife of Aaron."; Individual and group studio portraits, likely of members of the Philadelphia Jewish community, most identified by manuscript notes on mounts.; Subjects include: Adolph Rosenheim, Dr. Arnold, Mrs. Goldsmith, Sidney M. Stern, Jacob S. Frank, Simon Fleisher, Mayer Fleisher, Rachel Carvalho, Sally Greenwald, Aaron Greenwald, Morris Goldsmith, Isadore Weil, Charles Hoffman, Leo Loeb, Adolph Rosenheim, Eva Friend, Lawrence Friend.; Photographers include: Abraham Bogardus (N.Y.), Frederick Gutekunst (Philadelphia), Gilbert & Bacon (Philadelphia), Peterson Bros. (Chicago), Riker (N.Y.), Draper & Husted (Philadelphia), Frank Jewell (Scranton, Pa.), Henszey & Co. (Philadelphia), J. Brill (N.Y.), E.H. Canfield (Milwaukee), H. & A. Krull (Neustrelitz, Germany), Broadbent & Phillips (Philadelphia), J. Goldin (Washington, D.C.)

    Questions of Professional Practice and Reporting on State Secrets: Glenn Greenwald and the NSA Leaks

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    In 2013, journalist Glenn Greenwald met with Edward Snowden, who leaked the most documents in the history of the U.S. National Security Agency (NSA). Greenwald reported on these documents and proved that the NSA spied on millions of American citizens. However, he also provided commentary about the state of journalism and argued that journalists are often complicit in the keeping of state secrets. Using a rhetorical analysis of Greenwald\u27s writings in The Guardian and his later book, this essay argues that journalists function as a technical audience that debates professional standards for leaking secrets. In Greenwald\u27s case, journalists were involved in the re-secreting of NSA behavior as they focused their coverage on Greenwald. This essay finds that secrets are communicatively revealed and concealed using different rhetorical appeals. In an age of political hostility toward journalists, the success of leak journalism in starting public discussion has significance for democratic deliberation

    Reviews

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    Jesse Rosenberg\u27s review-essay of the book Verdi 2001: Atti del Convegno internazionale / Proceedings of the International Conference, Parma-New York-New Haven, 24 January- February 2001. Edited by Fabrizio Della Seta, Roberta Montemorra Marvin, Marco Marica. Florence: Leo S. Olschki, 2003. Helen M. Greenwald\u27s review-essay of the compact disc Verdi Discoveries, Jean-Yves Thibaudet, piano, Orchestra Sinfonica de Milano Giuseppe Verdi, Riccardo Chailly, conductor (Decca B10001090-02, 2003)

    Proximal tarsal attachments of the levator aponeurosis: implications for blepharoptosis repair

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    Paper presented at: American Academy of Ophthalmology Annual Meeting, October 23, 2011, Orlando, Florida.Abstract not availableMarcus M. Marcet, Dale R. Meyer, Mark J. Greenwald, Steven Roth, and Dinesh Selv
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