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Presentazione libro di G. Vacca, Il riformismo italiano. Dalla fine della guerra fredda alle sfide future.
No full textPresentazione libro di G. Vacca, Il riformismo italiano. Dalla fine della guerra fredda alle sfide future
Un Solutore TVD Efficiente per le Equazioni di Navier-Stokes Comprimibili su Griglia non Strutturata
No full textA tridimensional implicit finite-difference formulation for heat conduction in presence of phase change
No full textAn original implicit finite-difference numerical procedure is given for tridimensional heat conduction in the presence of solid-liquid phase change and vice versa. The technique has been successfully tested by simulating the freezing of foodstuffs, for which experimental data and other numerical results are available in the technical literature for comparison
Form and Content: The irreconcilable contradiction in the Song-Writing of Ewan MacColl
No full textAn analysis and a discussion of the songwriting of Ewan MacColl, the "architect" of the British folk revival and probably the most outstanding songwriter of the British isles. The essay shows how, MacColl did not limit himself to draw inspiration from the folklore but employed in his songs forms and themes derived from the avant-gardes of the 20th century which, notably the techniques of Soviet cinema and of the Brechtian theatre
Silvio G. Vacca e La Uerra noscia (La Guerra nostra, 1915). Fra Grande Patria e 'impaesamento'
Full text linkEnF.A. D'Amelio and G. De Dominicis were the 'tutelary deities' in Salento area and their dialectal poetry was enriched by the poet's creations Silvio G. Vacca (1893-1937) from Surbo, near Lecce the capital of Terra d'Otranto. Vacca thought it was necessary to redesign ideological solicitations, collective emotions and lyrical suggestions, between village and nation, between his Terra d'Otranto and the young Italy. On the eve of the first World War, he wrote an extraordinary little poem, La Uerra noscia (Our War, 1915). In this poem he tried to awaken sentimental memories and love for his country, blocked by the general disappointment of political scandals; he considered the war as the final act of the Risorgimento: the first World War was a 'Great' War, because it was the fourth War of Independence. So the wealthy of his cultural background, his young enthusiasm and his civil and 'national' engagement brought Vacca to a powerful poetry, with colloquial and popular verses, according to authentic feelings and deep mood. These were also the characteristics of his following dialectal lyrics.ItSulla scia dei 'numi tutelari' F.A. D'Amelio e di G. De Dominicis, la lirica dialettale salentina si arricchì delle creazioni poetiche di Silvio G. Vacca (1893-1937) di Surbo. Vacca rielaborò sollecitazioni ideologiche, emozioni e suggestioni, fra borgo e nazione, fra la sua Terra d'Otranto e la 'giovane' Italia, dinanzi alla Guerra del 1915 e scrisse un poemetto straordinario La Uerra noscia (La Guerra nostra, 1915). Egli tendeva a risvegliare un amor di patria sopito con le delusioni di una politica di scandali e compromessi, per indicare la guerra come ultimo atto di un Risorgimento finalmente completato: era una guerra 'Grande', anche perché 'quarta' guerra di indipendenza. Così il ricco retroterra della sua formazione culturale, il fermento giovanile e l'orizzonte d'impegno civile e 'nazionale' spinsero Vacca alla sintesi in poesia, in una versificazione coinvolgente, affabile, secondo una misura colloquiale, dai toni popolareggianti, ma nutrita di attese e umori autentici. Erano le caratteristiche anche della sua lirica dialettale successiva
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