148,035 research outputs found
G. Davies Jones
No full text"SX20396 Spr. G. Davies Jones. 2nd Field. Squadron. R.A.E. 3.11.92."SX20396 Sapper G. Davies Jones. 2nd Field Squadron. Royal Australian Engineers. 3.11.92
Penkridge: G. Jones Grave
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/247761171044
Item: [1981.0081.00156] "Penkridge: G. Jones Grave
Brief von A. G. Jones an Kurt Rothschild
No full textBRIEF VON A. G. JONES AN KURT ROTHSCHILD
Brief von A. G. Jones an Kurt Rothschild ([1]
Edgar Jones Collection
No full textUnited States Navy commissioned officers' mess membership card issued by Secretary Lieutenant G. M. Busey to Lieutenant junior grade Edgar Jones for use at the Pearl Harbor Navy Yard
Jones 6
No full textSign placed on the fence surrounding the driveway of Cynthia Jones' property in Lake Isle, Alberta. 2011
Interview with Wilbur D. Jones Jr.
No full textIn this interview, author and Wilmington notable Wilbur Jones discusses his childhood and adolescence in Wilmington, his experiences in the U.S. Navy, and his long political career, which includes doing advance work for the White House under the Nixon and Ford Administrations
“A Conversation Between Kip Jones and Patricia Leavy: Arts-Based Research, Performative Social Science and Working on the Margins.”
No full textThis paper reports a conversation between international pioneers in Arts-Based Research and Performative Social Science, Patricia Leavy and Kip Jones. They begin by delineating the differences between research and/or dissemination that use tools from the Arts in their production. Leavy turns to her fiction writing as an example, while Jones discusses the making of his research-based short film, Rufus Stone. The conversation then turns to how these novel approaches have changed the way in which they work and these efforts in relation to the academy. The concept of “audience” is raised. Both then give examples of taking alternative routes in their career paths and funding for this kind of work. Jones specifically talks about using creativity in all our approaches, including small-scale projects that rely on creativity rather than money. He suggests being creative in the ways in which we write for publication and present our work to other academics. Leavy ends the conversation by discussing taking risks and walking through fear. Jones recommends not working in silos, but letting all parts of our lives influence our outputs
School of Architecture Founder John G. Williams with Fay Jones and C. Murray Smart
No full textFrom Left to Right: John G. Williams, Euine Fay Jones, and C. Murray Smart.John G. Williams was the Founder of the Architecture Department. Jones and Smart both served as Deans of the School of Architecture.black and white glossy print; 8 x 1
Connecting Research with Communities through Performative Social Science
No full textA pioneer in Performative Social Science, Kip Jones makes a case for the potential of arts-based social science to reach audiences and engage communities. Jones contextualises both the use of the arts in Social Science, as well as the utility of Social Science in the Arts and Humanities. The discussion turns next to examples from his own work and what happens when Art talks to Social Science and Social Science responds to Art. The benefits of such interaction and interdisciplinarity are outlined in relation to a recently completed project using multi-methods, which resulted in the production of a professional short film. In conclusion, Performative Social Science is redefined in terms of synthesis that can break down old boundaries, open up channels of communication and empower communities through engagement
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