5,365 research outputs found

    G. Gregory Rodgers, stage actor

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    G. Gregory Rodgers, stage actorTo order a reproduction, inquire about permissions, or for information about prices see: http://www.lib.washington.edu/specialcollections/services/reproduction/reproduction Please cite the Order NumberScanned at 600ppi with an Epson 20000 flatbed scanner. Image then rotated, cropped, level-adjusted, and sharpened using Photoshop CS3. Converted to a JPEG2000 image upon ingest into CONTENTdm

    The campaign for democratic socialism 1960-1964.

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    PhDIn early 1960 it seemed likely that the official Labour Party defence policy would be defeated by a unilateralist resolution at the Scarborough Conference. In response to this possibility the Campaign for Democratic Socialism, or CDS, was established. The CDS projected the image of a grass-roots movement inspired by Gaitskell's "fight and fight again" speech. But it was run by a Campaign Committee which included leading members of the Party like Tony Crosland, Roy Jenkins and Patrick Gordon Walker, as well as less well known members like Bill Rodgers, Dick Taverne, Philip Williams, Brian Walden, Denis Howell and David Marquand. This highly talented group launched an elaborate and successful lobbying, publicity and briefing operation which was influential in overturning the unilateralist vote at the Blackpool Conference of 1961. After Blackpool the Campaign helped many of its leading members find seats in the House of Commons while continuing to put the "revisionist" case through its newspaper Campaign. The importance of the CDS in the history of the Labour Party is, primarily, as the first internal pressure group organised by the right of the Party. It was also the first internal Party group to use such sophisticated lobbying techniques. Moreover, the subsequent careers of the leading members of the Campaign influenced the development of the Labour Party. The CDS was an important formative political action for many of them. Finally many of the CDS supporters set-up or joined the SDP when it was launched

    Creative work beyond the creative industries: an introduction

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    Creative workers are employed in sectors outside the creative industries often in greater numbers than within the creative field. This is the first book to explore the phenomena of the embedded creative and creative services through a range of sectors, disciplines, and perspectives. Despite the emergence of the creative worker, there is very little known about the work life of these ‘creatives’, and why companies seek to employ them. This book asks: how does creative work actually “embed” into a service or product supply chain? What are creative services? Which industries are they working in? This collection explores these questions in relation to innovation, employment and education, using various methods and theoretical approaches, in order to examine the value of the embedded creative and to discover the implications of education and training for creative workers. This book will be of interest to practitioners, policy makers and industry leaders in the creative industries, in particular digital media, application development, design, journalism, media and communication. It will also appeal to academics and scholars of innovation, cultural studies, business management and labour studies

    Crossover to self-organized criticality in an inertial sandpile model

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    We introduce a one-dimensional sandpile model which incorporates particle inertia. The inertial dynamics are governed by a new parameter which, as it passes through a threshold value, alters the toppling dynamics in such a way that the system no longer evolves to a self-organized critical state. A range of mean-field theories based on a kinetic equation approach is presented which confirm the numerical findings. We conclude by considering the physical applications of this model, particularly with reference to recent experimental results

    J. Allen Zak and William G. Rodgers, Jr.

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    This report summarizes selected subsets of the meteorological data collected during the Memphis 1995 Field Deployment in order to examine temporal and spatial variations in atmospheric boundary layer properties. These subsets of data are from a 45 m instrumented tower, a manual combination of multiple source temperature and wind observations (described in ref. 1 as the atmospheric profiles), and an instrumented NASA OV-10A aircraft (ref. 3) flying approaches to Memphis International Airport runways 36 and 27. The purpose of this investigation was to analyze measured atmospheric variability, as it relates to determining approach corridor weather that may influence wake vortex behavior, from sensors sampling the atmosphere at different locations

    The Anisotropic Bak-Sneppen model

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    The Bak-Sneppen model is shown to fall into a different universality class with the introduction of a preferred direction, mirroring the situation in spin systems. This is first demonstrated by numerical simulations and subsequently confirmed by analysis of the multitrait version of the model, which admits exact solutions in the extremes of zero and maximal anisotropy. For intermediate anisotropies, we show that the spatiotemporal evolution of the avalanche has a power law `tail' which passes through the system for any non-zero anisotropy but remains fixed for the isotropic case, thus explaining the crossover in behaviour. Finally, we identify the maximally anisotropic model which is more tractable and yet more generally applicable than the isotropic system
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