1,721,037 research outputs found
Barokova homiletyka u schidnoslov ́janskomu kul ́turnomu prostori
No full textThe author analyses common features and specificities of some of the most important homiletic works written in Ukraine in the 17th century, with refernce to works of the same genre in Russia and Poland
Nieopublikowany wiersz Stefana Jaworskiego?
No full textThe author publishes a poem dedicated to the Virgin Mary, found handwritten in a book belonging to Stefan Javors'kyj, and brings evidence of his authorship
Renesansni istoriohrafichni mify v Ukrajini
No full textThe author analyses some common places of Ukrainian historiography in comparision with similar motives in the history writing of Renaissance and Baroque authors in Poland, Dalmatia and Italy
Chy isnuje kanon ukrajinskoho baroku?
No full textThe author discusses about the need of considering the Ukrainian literature of the Baroque time as a complex structure which represents an autonomous system of linguistic, stylistic, ideological and religious values, though being strictly connected to and partially overlapping with the systems of the neighboring peoples of the Polish-Lithuanian Commonwealth and of Russia
Arte della predicazione nellÚcraina del Seicento : la ́Mowa duchowna ́ di Pietro Mohyla e la variante del ́Trebnik ́
No full textThe author analises how the preacher elaborates his sermon in the theoretical treatise and in the practical application during a wedding service. Text analysis and general observations
Myr z Bogom Choloviku jak systema moral'noji filosofiji
No full textThe author puts Innokentij Gizel's work "Mir z Bogom choloveku" in the context of the "theory" of sacraments initiated by Petro Mohyla. The sacrament of repentance is analyzed taking into account the historical situation of the period (when the jurisdictional status of the Kyivan church was not yet decided and even the political situation was still fluid), the heritage of Counterreformation and of Evangelical trends
La lingua letteraria in Ucraina : ieri e oggi
No full textIn the last few years the “language question” has gained momentum in the scholarly debate and social life in Ukraine. The Author suggests that multilingualism, as an expression of multiculturalism, is a distinctive feature of Ukraine through all its historical developement. On the basis of evidence drawn from texts of the 17th-18th centuries (epistolography, panegyric literature) the Author aims at showing that multilingualism was one of the main characters distiguishing Ukraine from the Russian tradition; multilingualism testified to the close ties between Ukrainian culture and western Renaissance and Baroque, at the same time contributing to the creation of original literary forms with peculiar features. For the 19th century it is impossible to consider Kyiv’s culture without taking into account the contribution given by writers and intellectuals who used Russian language. While Kyiv was certainly a Ukrainian city, its culture exhibited different linguistic and cultural layers (Ukrainian, Russian, Jewish, Polish, German) that coexisted both in parallel streams and in reciprocal contacts. To reconstruct the peculiar and very complicated “Kyivan text” of culture in the 19th-beginning 20th century is one of the main desiderata for future research.
The multilingual tradition – with its positive and negative characteristics – cannot be ignored in contemporary civil and scientific work. However, in our days Ukrainian language has reached such a high level of developement and perfect modern functionality that its use and universal diffusion in public and private life is a priority for the future developement of Ukraine and its culture. The existence of an extremely interesting literature and a lively cultural life makes Ukrainian a prestigious literary language, a perfect means of communication for private and state life. The Ukrainian government should give its strongest support for the consolidation of Ukrainian language, for the developement of Ukrainian-language literature, press and mass-media, and for the diffusion of knowledge about Ukrainian language and culture in European countries. The prestige of a nation is increased also by the image a country succeeds in transmitting to other countries, a fact which – in its turn – contributes to the strengthening of internal stability and self-consciousness. The author analyses the continuity of plurilingualism in Ukraine and considers this a fundamental feature of Ukrainian cultural tradition and national identity. In the present time, however, the Ukrainian literary language has reached such a high level of expression in any kind of linguistic communication that the incrementation of its use in all the regions of the Ukrainian State should be guaranteed and fostered by cultural and economic means
The Hetman and the Metropolitan : cooperation between State and Church in the Time of Varlaam Jasyns'kyj
No full textJasyns'kyj was the Metropolite of Kyiv in the time of Ivan Mazepa. The author analyses the available documents and the circumstancies of his ecclesiastical and political dealing and comcludes that the ides of symphony between state and church dominated the Ukrainian intellectual milieu of the time. Jasyns'kyj was a defender of the authonomy of the Kyivan Netropolitan chair from the Moscow Patriarchate for the continuation of the aleagence to Constantinopole. When this was no loonger possible after 1686, he certainly hoped that the authonomy of Ivan Mazepa's Hetmanate might guarantee the specificity of the Metropolitanate. Fortunately enough for him, he died before Mazepa's tragic end
Myr z Bogom čoloviku jak systema moral’noji filosofiji
No full textThe author examines the book by I. Gizel dedicated to the sacrament of pentance as a document of the historical period and the social context in which it was written
La poesia di Taras Ševčenko : prove di lettura
No full textThe Author examines the poem Oj, čoho ty počornilo. In the first part she uncovers echoes of the Ukrainian cultural tradition of the 17th-18th centuries: they permit to have a deeper insight into the signification of the poem. In the second part the Author focuses on some open issues concerning the interpretation of the text. Indeed, as shown by previous literary criticism, the apparently clear text contains several ambiguities. How should be understood the last two lines? Do they defi nitely condemn the Ukrainians of the 19th century to eternal loss of hope about the possibility of ever having a state and freedom? Or is there a possibility of future rescue? Some of the interpretations suggested by Smal’-Stoc’kyj are – at least partially – convincing. Nonetheless, the Author maintains that to really penetrate it, one needs to read any poem of Ševčenko’s in the context of the whole of his poetical corpus. Moreover, the ‘poetics of fragment’, that was widely spread in Russian and other European literatures of Romanticism, may offer useful tools for further investigation of this poem and of Ševčenko’s poetry in general
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