297 research outputs found
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A Year on Angel Island: A Project of Future Histories Lab and Berkeley Arts+Design--90-second trailer
A Year on Angel Island: A Project of Future Histories Lab and Berkeley Arts+Design--90-second traile
Recommended from our members
A Year on Angel Island: A Project of Future Histories Lab and Berkeley Arts+Design---9-minute documentary
A Year on Angel Island: A Project of Future Histories Lab and Berkeley Arts+Design---9-minute documentar
Recommended from our members
A Year on Angel Island: A Project of Future Histories Lab and Berkeley Arts+Design--6-minute documentary
A Year on Angel Island: A Project of Future Histories Lab and Berkeley Arts+Design--6-minute documentar
Recommended from our members
Rethinking Place in Asian American Histories of the United States | Catherine Ceniza Choy (Lecture, 79 minutes)
Rethinking Place in Asian American Histories of the United States | Catherine Ceniza Choy (Fall 2022 Speaker Series)Lecture, 79 minutes; Part of the Fall 2022 Speaker Series (Landscapes of Migration, Incarceration and Resistance)Click the title and scroll to the gray box below to access the video.Recording of presentation at @BAMPFA Osher Theater; free and open to the public Friday, October 14, 2022Speaker:Catherine Ceniza Choy, Professor, Asian American and Asian Diaspora Studies, UC BerkeleyCatherine Ceniza Choy discusses her new book, Asian American Histories of the United States, in which she argues that Asian American experiences are essential to any understanding of US history and its existential crises of the early twenty-first century. She’ll discuss her work on pandemics, medical labor, and the role of the arts in resistance to dehumanization.Catherine Ceniza Choy is Professor of Asian American and Asian Diaspora Studies, Comparative Ethnic Studies at UC Berkeley. She is author of Empire of Care: Nursing and Migration in Filipino American History, Global Families: A History of Asian International Adoption in America, and co-editor of Gendering the Trans-Pacific World, with Judy Tzu-Chun Wu. She received her Ph.D. in History from UCLA and her B.A. in History from Pomona College. The daughter of Filipino immigrants, she was born and raised in New York City.UC @Berkeley Arts + Design Fridays: Landscapes of Migration, Incarceration, and Resistance is a lively series of talks by artists, performers, scholars, and activists exploring themes of global and US migration, exclusion, and belonging. It is also a UC Berkeley course offered as Humanities 20: Explorations of Art + Design. Organized by Susan Moffat, Creative Director of Future Histories Lab and Executive Director of the Global Urban Humanities Initiative and by Lisa Wymore, Professor of Theater, Dance and Performance Studies and Faculty Advisor of Berkeley Arts + Design. Hosted by Susan Moffat.--This speaker series is part of a program of music and dance performances, exhibitions, public conversations, and courses called A Year on Angel Island (futurehistories.berkeley.edu/angel-island/), using the historic Angel Island Immigration Station in San Francisco Bay as a jumping-off point to consider landscapes from China to Australia to Mexico as sites of memory and meaning.A Year on Angel Island is organized by Future Histories Lab and the Arts + Design Initiative. UC Berkeley departmental cosponsors include the Departments of Music; Theater, Dance, and Performance Studies; Ethnic Studies; History; and American Studies. Campus partners include the Arts Research Center, the Berkeley Interdisciplinary Migration Initiative, On the Same Page, Othering and Belonging Institute, Center for Race & Gender, Worth Ryder Gallery, and BAMPFA. Our community partner is the Angel Island Immigration Station Foundation
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Indigenous Memory and Nature Interact: Native Californian Stories | Greg Sarris and Beth Piatote (Lecture, 75 minutes)
Indigenous Memory and Nature Interact: Native Californian Stories | Greg Sarris and Beth Piatote (Fall 2022 Speaker Series)Lecture, 75 minutes; Part of the Fall 2022 Speaker Series (Landscapes of Migration, Incarceration and Resistance)Click the title and scroll to the gray box below to access the video.Friday, September 2, 2022 Recording of presentation at @BAMPFA Osher Theater; free and open to the publicSpeakers:Greg Sarris, Tribal Chairman, Federated Indians of Graton Rancheria (Coast Miwok) and Author In conversation with Beth Piatote, Associate Professor of Comparative Literature and English, UC Berkeley; Director, Arts Research CenterDescription:Indigenous leader and author Greg Sarris joined Assoc. Prof. of Comparative Literature and English Beth Piatote to discuss how literature and nature intersect with stories of Bay Area Native American history. Sarris shared insights from his memoir Becoming Story, which explores Coast Miwok culture. Centering Native lands, such as Angel Island (Coast Miwok territory) can frame a dialogue about Native American resistance and persistence in the face of settler colonialism and global migration.UC Berkeley Arts + Design Fridays: Landscapes of Migration, Incarceration, and Resistance is a lively series of talks by artists, performers, scholars, and activists exploring themes of global and US migration, exclusion, and belonging. It is also a UC Berkeley course offered as Humanities 20: Explorations of Art + Design. Organized by Susan Moffat, Creative Director of Future Histories Lab and Executive Director of the Global Urban Humanities Initiative and by Lisa Wymore, Professor of Theater, Dance and Performance Studies and Faculty Advisor of Berkeley Arts + Design. Hosted by Susan Moffat.—This speaker series is part of a program of music and dance performances, exhibitions, public conversations, and courses called A Year on Angel Island (futurehistories.berkeley.edu/angel-island/), using the historic Angel Island Immigration Station in San Francisco Bay as a jumping-off point to consider landscapes from China to Australia to Mexico as sites of memory and meaning.A Year on Angel Island is organized by Future Histories Lab and the Arts + Design Initiative. UC Berkeley departmental cosponsors include the Departments of Music; Theater, Dance, and Performance Studies; Ethnic Studies; History; and American Studies. Campus partners include the Arts Research Center, the Berkeley Interdisciplinary Migration Initiative, On the Same Page, Othering and Belonging Institute, Center for Race & Gender, Worth Ryder Gallery, and BAMPFA. Our community partner is the Angel Island Immigration Station Foundation
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Undoing Time: Art and Histories of Incarceration | Julio Morales (Lecture, 75 minutes)
Undoing Time: Art and Histories of Incarceration | Julio Morales (Fall 2022 Speaker Series)Lecture, 75 minutes; Part of the Fall 2022 Speaker Series (Landscapes of Migration, Incarceration and Resistance)Click the title and scroll to the gray box below to access the video.Recording of presentation at @BAMPFA Osher Theater; free and open to the public Friday, November 4, 2022Speaker: Julio Morales, Artist and CuratorDescription: Curator Julio Morales talks about his current BAMPFA exhibition, Undoing Time: Art and Histories of Incarceration, which considers the cultures and institutions of confinement that have been centuries in the making. The exhibition features newly commissioned works based on art historical images of incarceration. The twelve contemporary artists in the exhibition—Carolina Aranibar-Fernández, Juan Brener, Raven Chacon, Cannupa Hanska Luger, Ashley Hunt, Sandra de la Loza, Michael Rohd, Paul Rucker, Xaviera Simmons, Stephanie Syjuco, Vincent Valdez, Mario Ybarra Jr.—invest in community collaboration, work in an expansive range of media, and rethink traditional archival research to consider how artistic expression reveals the underlying logics of criminality and correction.Julio César Morales, by deploying a range of media and visual strategies, investigates issues of migration, underground economies, and labor on the personal and global scales. Morales’ practice explores diverse mediums specific to each project or body of work. He has painted watercolor illustrations that diagram human trafficking methods, employed the DJ turntable, produced video and time-based pieces, reenacted a famous meal–all to elucidate social interactions and political perspectives.Morales’ artwork has been shown at venues internationally, including; San Francisco Museum of Modern Art, CA; Museo Rufino Tamayo, Mexico City; Los Angeles County Museum of Art, CA; Hammer Museum, Los Angeles, CA; MUCA Roma, Mexico City; Prospect 3 Biennale, New Orleans, LA; Lyon Biennale, France, and Istanbul Biennale, Turkey. His work is in private and public collections including The Museum of Modern Art, New York; Museum of Fine Arts, Houston, TX; Pérez Art Museum, Miami, FL; The Los Angeles County Museum of Art, CA; The Kadist Foundation, San Francisco and Paris, and Deutsche Bank, and among others. In May 2018, Morales was awarded the Phoenix Art Museum’s Arlene and Morton Scult Contemporary Forum Award, which culminated in a major solo exhibition in 2019. In 2021, a solo exhibition of Morales work will be presented at the Museum of Contemporary Art, Tuscon, AZ.--This speaker series is part of a program of music and dance performances, exhibitions, public conversations, and courses called A Year on Angel Island (futurehistories.berkeley.edu/angel-island/), using the historic Angel Island Immigration Station in San Francisco Bay as a jumping-off point to consider landscapes from China to Australia to Mexico as sites of memory and meaning.A Year on Angel Island is organized by Future Histories Lab and the Arts + Design Initiative. UC Berkeley departmental cosponsors include the Departments of Music; Theater, Dance, and Performance Studies; Ethnic Studies; History; and American Studies. Campus partners include the Arts Research Center, the Berkeley Interdisciplinary Migration Initiative, On the Same Page, Othering and Belonging Institute, Center for Race & Gender, Worth Ryder Gallery, and BAMPFA. Our community partner is the Angel Island Immigration Station Foundation
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Border-thinking Through Wartime Incarceration Environments | Lynne Horiuchi and Anoma Peris (Lecture, 87 minutes)
Border-thinking Through Wartime Incarcerations Environments | Lynne Horiuchi (Fall 2022 Speaker Series)Lecture, 87 minutes; Part of the Fall 2022 Speaker Series (Landscapes of Migration, Incarceration and Resistance)Click the title and scroll to the gray box below to access the video.Recording of presentation at @BAMPFA Osher Theater; free and open to the public Friday, September 30, 2022Speakers:Anoma Peris and Lynne HoriuchiDescription: Anoma Pieris and Lynne Horiuchi will talk about their new book, The Architecture of Confinement: Incarceration Camps and the Pacific War. The design and location of prisoner of war camps in Singapore and Australia and of concentration camps for Japanese American civilians in the U.S. such as the one at Manzanar tested cultural boundaries and prompted resistance by incarcerated soldiers and civilians alike.Lynne Horiuchi is an architectural historian whose work is cross-disciplinary, examining concepts of imprisonment, race, space, mobility, everyday racism, and civil justice.Anoma Pieris is a professor of Architecture at the Melbourne School of Design.UC @Berkeley Arts + Design Fridays: Landscapes of Migration, Incarceration, and Resistance is a lively series of talks by artists, performers, scholars, and activists exploring themes of global and US migration, exclusion, and belonging. It is also a UC Berkeley course offered as Humanities 20: Explorations of Art + Design. Organized by Susan Moffat, Creative Director of Future Histories Lab and Executive Director of the Global Urban Humanities Initiative and by Lisa Wymore, Professor of Theater, Dance and Performance Studies and Faculty Advisor of Berkeley Arts + Design. Hosted by Susan Moffat.--This speaker series is part of a program of music and dance performances, exhibitions, public conversations, and courses called A Year on Angel Island (futurehistories.berkeley.edu/angel-island/), using the historic Angel Island Immigration Station in San Francisco Bay as a jumping-off point to consider landscapes from China to Australia to Mexico as sites of memory and meaning.A Year on Angel Island is organized by Future Histories Lab and the Arts + Design Initiative. UC Berkeley departmental cosponsors include the Departments of Music; Theater, Dance, and Performance Studies; Ethnic Studies; History; and American Studies. Campus partners include the Arts Research Center, the Berkeley Interdisciplinary Migration Initiative, On the Same Page, Othering and Belonging Institute, Center for Race & Gender, Worth Ryder Gallery, and BAMPFA. Our community partner is the Angel Island Immigration Station Foundation
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Porch Stories: Conversations About Urban Change | Karen Chapple, June Grant, Carolyn Johnson, Susan Moffat, and David Peters (Lecture, 103 minutes)
An architect, two theater directors, a scholar of displacement, and two Oakland community leaders joined Future Histories Lab Creative Director Susan Moffat for a wide-ranging conversation about gentrification, community agency, municipal reparations, and the power dynamics of the transitional spaces known as porches. Listen to architect June Grant; Aurora Theater Associate Artistic Director Dawn Monique Williams; Aurora Theater Artistic Director Josh Costello; University of Toronto Professor Karen Chapple; CEO of the Black Cultural Zone CDC Carolyn Johnson; Founder of the Black Liberation Walking Tour David Peters. Co-sponsored by Future Histories Lab and Aurora Theater. In association with the Aurora Theater production of Dael Orlandersmiths’ Stoop Stories. Watch the recording here
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Illegal: the Theater of the Angel Island Immigration Station’s Paper Sons | Skyler Chin, Jeffrey Lo, and Sita Sunil (Lecture, 73 minutes)
Illegal: the Theater of the Angel Island Immigration Station’s Paper Sons | Skyler Chin, Jeffrey Lo, and Sita Sunil (Fall 2022 Speaker Series)Lecture, 73 minutes; Part of the Fall 2022 Speaker Series (Landscapes of Migration, Incarceration and Resistance)Click the title and scroll to the gray box below to access the video.Recording of presentation at @BAMPFA Osher Theater; free and open to the public Friday, October 21, 2022Speakers: Skyler Chin and Sita Sunil, Playwrights of Illegal; Jeffrey Lo, Director of The Paper Dreams of Harry Chin, PlaywrightOne island, two plays: Skyler Chin and Sita Sunil will discuss their new musical Illegal with Filipino-American playwright Jeffrey Lo, who recently directed The Paper Dreams of Harry Chin, which like Illegal dramatizes the family traumas created by racially exclusionary policies carried out at Angel Island. Skyler Chin was inspired to co-write Illegal by his own ancestors’ experiences at Angel Island, and Sita Sunil’s work as an artist is also shaped by her family’s history of immigration. In addition to his directing work, Jeffrey Lo’s playwriting often deals with issues of Asian American identity. This will be a stimulating conversation across generations and genres.UC @Berkeley Arts + Design Fridays: Landscapes of Migration, Incarceration, and Resistance is a lively series of talks by artists, performers, scholars, and activists exploring themes of global and US migration, exclusion, and belonging. It is also a UC Berkeley course offered as Humanities 20: Explorations of Art + Design. Organized by Susan Moffat, Creative Director of Future Histories Lab and Executive Director of the Global Urban Humanities Initiative and by Lisa Wymore, Professor of Theater, Dance and Performance Studies and Faculty Advisor of Berkeley Arts + Design. Hosted by Susan Moffat.--This speaker series is part of a program of music and dance performances, exhibitions, public conversations, and courses called A Year on Angel Island (futurehistories.berkeley.edu/angel-island/), using the historic Angel Island Immigration Station in San Francisco Bay as a jumping-off point to consider landscapes from China to Australia to Mexico as sites of memory and meaning.A Year on Angel Island is organized by Future Histories Lab and the Arts + Design Initiative. UC Berkeley departmental cosponsors include the Departments of Music; Theater, Dance, and Performance Studies; Ethnic Studies; History; and American Studies. Campus partners include the Arts Research Center, the Berkeley Interdisciplinary Migration Initiative, On the Same Page, Othering and Belonging Institute, Center for Race & Gender, Worth Ryder Gallery, and BAMPFA. Our community partner is the Angel Island Immigration Station Foundation
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Preventing Erasure: How the Angel Island Immigration Station Was Saved | Ed Tepporn (Lecture, 76 minutes)
Preventing Erasure: How the Angel Island Immigration Station Was Saved | Ed Tepporn (Fall 2022 Speaker Series)Lecture, 76 minutes; Part of the Fall 2022 Speaker Series (Landscapes of Migration, Incarceration and Resistance)Click the title and scroll to the gray box below to access the video.Friday, September 16, 2022 Recording of presentation at @BAMPFA Osher Theater; free and open to the publicSpeaker:Ed Tepporn, Executive Director, Angel Island Immigration Station FoundationDescription: Angel Island in San Francisco Bay is a crucial spot marking the history of exclusionary, race-based immigration policy. Its immigration station has sometimes been called “the Ellis Island of the West.” But Angel Island was an ambivalent gateway, a place of incarceration and exclusion for migrants as well as an entry for half a million newcomers from 80 countries, mostly from Asia. Despite its significance, this important historical site was almost lost. Ed Tepporn will discuss how activists saved this site, current day efforts, and its meaning for the future.UC @BerkeleyArtsDesign Fridays: Landscapes of Migration, Incarceration, and Resistance is a lively series of talks by artists, performers, scholars, and activists exploring themes of global and US migration, exclusion, and belonging. It is also a UC Berkeley course offered as Humanities 20: Explorations of Art + Design. Organized by Susan Moffat, Creative Director of Future Histories Lab and Executive Director of the Global Urban Humanities Initiative and by Lisa Wymore, Professor of Theater, Dance and Performance Studies and Faculty Advisor of Berkeley Arts + Design. Hosted by Susan Moffat.--This speaker series is part of a program of music and dance performances, exhibitions, public conversations, and courses called A Year on Angel Island (futurehistories.berkeley.edu/angel-island/), using the historic Angel Island Immigration Station in San Francisco Bay as a jumping-off point to consider landscapes from China to Australia to Mexico as sites of memory and meaning.A Year on Angel Island is organized by Future Histories Lab and the Arts + Design Initiative. UC Berkeley departmental cosponsors include the Departments of Music; Theater, Dance, and Performance Studies; Ethnic Studies; History; and American Studies. Campus partners include the Arts Research Center, the Berkeley Interdisciplinary Migration Initiative, On the Same Page, Othering and Belonging Institute, Center for Race & Gender, Worth Ryder Gallery, and BAMPFA. Our community partner is the Angel Island Immigration Station Foundation
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