380 research outputs found
Reineke Fuchs nach Karl Simrod, Preis 10 Pf, Deutsche Jugendbücherei, Nr. 42, Hermann Hillger Verlag, Berlin-Leipzig
No full textREINEKE FUCHS NACH KARL SIMROD, PREIS 10 PF, DEUTSCHE JUGENDBÜCHEREI, NR. 42, HERMANN HILLGER VERLAG, BERLIN-LEIPZIG
Reineke Fuchs nach Karl Simrod, Preis 10 Pf, Deutsche Jugendbücherei, Nr. 42, Hermann Hillger Verlag, Berlin-Leipzig ( -
Surgical Technique and Difficult Situations from Karl-Hermann Fuchs (Laparoscopic Resection Rectopexy)
No full textDer Essay als Kraftstation. Walter Benjamins „Karl Kraus“
No full textWithin the extensive textual typology of Walter Benjamin's work, the essay acquired pivotal significance. The author portraits - from Hebel to Keller, from Leskov to Proust and Kafka - turn out as attempts to mirror the critic's inner doubts in the persona of another. In particular, Benjamin's renowned 1931 essay on Karl Kraus can be read as his effort to intellectually and ideologically position himself within a crucial transition phase. This tripartite work portrays Karl Kraus first as “universal man” (Allmensch), a tireless defender of the purity of language and the dignity of every single creature; then as “demon” (Dämon), a satirical and violent mime; and finally as “inhuman 1” (Unmensch), an unwitting revolutionary able to overcome both demon and universal man. In order to pinpoint the telos of this revolution, a “power station” (Kraftstation) in needed, as a cryptic note by the author himself suggests. Benjamin's essay, it is argued here, is just such a power station
Karl Reiser. - Christoph Scheiner. - Leonhard Fuchs. - Josef Alois von Frölich. - Jacob Hübner. - Joseph von Weber. - Hans von Euler-Chelpin. - Johann Deisenhofer
No full textKarl Reiser. - Christoph Scheiner. - Leonhard Fuchs. - Josef Alois von Frölich. - Jacob Hübner. - Joseph von Weber. - Hans von Euler-Chelpin. - Johann Deisenhofer. - In: Gelehrtes Schwaben / [Red.: Gerhard Stumpf]. - Augsburg : Hofmann-Dr., 1990. - S. 57 f., 93-95, 103 f., 107-112, 154-15
Von Frühling zu Frühling: Lesebuch für die Volksschulen in Baden-Württemberg: Zweites Schuljahr
No full textHere is a lovely second-grade reader from Germany in the 1950's. It contains a wealth of stories with lovely simple multi-colored illustrations. I find several fables among the stories. "Der Fuchs und der Hase" by Ludwig Bechstein (125-6) has two phases. The fox and hare work together to get the young woman's bread-basket when the hare plays dead on the road and the fox steals the basket. But the fox does not want to share. Then the hare recommends catching fish with the fox's tail. Once he is frozen in place, the hare eats all the semmels in front of him and urges the fox to wait until the spring thaw. Another fable is "Der Elefant und der Schneider" by Johann Josef Liessem (128). The tailor always treats with a piece of fruit the elephant passing by to get water. One day the tailor is in a bad mood and sticks the elephant instead with his needle. The elephant makes no response but comes back and douses the tailor with a trunk's worth of water! "Die beiden Ziegen" by Albert Ludwig Grimm has a particularly strong illustration (129). Both goats fall into the rushing mountain stream and barely survive. "Kater und Sperling" by Karl Plenzat has the caught sparrow advising the cat to clean his mouth before he eats the sparrow (132). Of course the sparrow flies away as the cat cleans its mouth. Ever since then, cats eat first and then clean their mouths. The publishers seem to be a consortium of three in three cities: Gemeinschaftsverag: Badenia-Verlag; Paul Christian Lehrmittelverlag; and Union Verlag.Here is a lovely second-grade reader from Germany in the 1950's. It contains a wealth of stories with lovely simple multi-colored illustrations. I find several fables among the stories. "Der Fuchs und der Hase" by Ludwig Bechstein (125-6) has two phases. The fox and hare work together to get the young woman's bread-basket when the hare plays dead on the road and the fox steals the basket. But the fox does not want to share. Then the hare recommends catching fish with the fox's tail. Once he is frozen in place, the hare eats all the semmels in front of him and urges the fox to wait until the spring thaw. Another fable is "Der Elefant und der Schneider" by Johann Josef Liessem (128). The tailor always treats with a piece of fruit the elephant passing by to get water. One day the tailor is in a bad mood and sticks the elephant instead with his needle. The elephant makes no response but comes back and douses the tailor with a trunk's worth of water! "Die beiden Ziegen" by Albert Ludwig Grimm has a particularly strong illustration (129). Both goats fall into the rushing mountain stream and barely survive. "Kater und Sperling" by Karl Plenzat has the caught sparrow advising the cat to clean his mouth before he eats the sparrow (132). Of course the sparrow flies away as the cat cleans its mouth. Ever since then, cats eat first and then clean their mouths. The publishers seem to be a consortium of three in three cities: Gemeinschaftsverag: Badenia-Verlag; Paul Christian Lehrmittelverlag; and Union Verlag.This is a hardbound book (hard cover)This is a hardbound book (hard cover)Language note: GermanLanguage note: GermanMit Holzschnitten von Hermann BurkhardtMit Holzschnitten von Hermann Burkhard
Festspiele im Düsseldorfer Stadttheater / Agnes Bernauer : Dienstag, den 8. Juli 1913, abends 6 1/2 Uhr ; ein deutsches Trauerspiel in fünf Aufzügen
No full textv. Friedrich Hebbel. [Personen:] Adolf Klein, Kurt Ehrle, Rudolf Fuchs, Hermann Paris, Paul Hermann, Kurt Brink, Albert Luckardt, Wilhelm Chandon, Gerhard Tandar, Walter Buek, Arthur Schetter, Robert Weberg, Fritz Odemar, Charlotte Maren, Rudolf Aicher, Karl Platen, Karl Eichholz, Toni Rupprecht, Ingeborg Schmidt, Karl Zander, Karl Dostal, Heinrich Gärtner, Willi Placke. Rheinischer Goethe-Verei
Festspiele im Düsseldorfer Stadttheater / Agnes Bernauer : Montag, den 7. Juli 1913, abends 6 1/2 Uhr ; ein deutsches Trauerspiel in fünf Aufzügen
No full textv. Friedrich Hebbel. [Personen:] Adolf Klein, Kurt Ehrle, Rudolf Fuchs, Hermann Paris, Paul Hermann, Kurt Brink, Albert Luckardt, Wilhelm Chandon, Gerhard Tandar, Walter Buek, Arthur Schetter, Robert Weberg, Fritz Odemar, Charlotte Maren, Rudolf Aicher, Karl Platen, Karl Eichholz, Toni Rupprecht, Ingeborg Schmidt, Karl Zander, Karl Dostal, Heinrich Gärtner, Willi Placke. Rheinischer Goethe-Verei
Festspiele im Düsseldorfer Stadttheater / Agnes Bernauer : Sonntag, den 6. Juli 1913, abends 6 1/2 Uhr ; ein deutsches Trauerspiel in fünf Aufzügen
No full textv. Friedrich Hebbel. [Personen:] Adolf Klein, Kurt Ehrle, Rudolf Fuchs, Hermann Paris, Paul Hermann, Kurt Brink, Albert Luckardt, Wilhelm Chandon, Gerhard Tandar, Walter Buek, Arthur Schetter, Robert Weberg, Fritz Odemar, Charlotte Maren, Rudolf Aicher, Karl Platen, Karl Eichholz, Toni Rupprecht, Ingeborg Schmidt, Karl Zander, Karl Dostal, Heinrich Gärtner, Willi Placke. Rheinischer Goethe-Verei
Festspiele im Düsseldorfer Stadttheater / König Ottokars Glück und Ende : Sonntag, den 26. Juni 1910, abends 6 1/2 Uhr ; Trauerspiel in fünf Aufzügen
No full textvon Franz Grillparzer. [Personen:] Alex Otto, Elsa Friedhoff, Hermann Vallentin, Georg Molenar, Hans Marr, Friederike Petermann, Gustav Kober, Max Hiller, Marga Alesius, Rudolf Fuchs, Fritz Alberti, Kurt Wenzel, Artur Schetter, Willy Porth, Adalbert Herzberg, Max Winter, Karl Uhlig, Helga Bally, Karl Eichholz, Adolf Rehbach, Ottilie Nesper, Rose Lichtenstein, Hermann Paris, Hermann Hardy ... Rheinischer Goethe-Verei
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