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Fu Baoshi in Chongqing: Some Paintings in European Collections
No full textVainker Shelagh. Fu Baoshi in Chongqing: Some Paintings in European Collections. In: Arts asiatiques, tome 67, 2012. pp. 89-96
Fu Baoshi and his paintings from trip to Europe in 1957
No full textThe bachelor thesis focuses on Fu Baoshi (1904-1965), a major figure in Chinese art, and his works from his European trip, which took place as part of a policy supporting cultural exchanges between socialist states in 1957, during which he visited Czechoslovakia and Romania. In the analytical part, I will focus on the analysis and interpretation of the paintings from the trip to Europe. I will characterize his distinctive style and painting techniques and will also pay attention to his earlier works, which I will compare with his paintings from the European trip. The main source is a collection of paintings that Fu Baoshi created during his visit to Czechoslovakia - Selected works from Fu Baoshi's trip to Europe (Fu Baoshi fangwen Jiekesiluofake xiesheng zuopin xuanji 傅抱石訪問捷克斯洛伐克寫生作品選集). Keywords: Fu Baoshi, chinese painting, cultural exchang
Fu Baoshi and his paintings from trip to Europe in 1957
No full textBakalářská práce se zaměří na významnou osobnost ínského umění, malíře Fu Baoshie (1904- 1965), a jeho tvorbu z doby jeho cesty po Evropě, která se uskutenila v rámci politiky podporující kulturní výměny mezi socialistickými státy v roce 1957, během níž navštívil eskoslovensko a Rumunsko. V analytické ásti se budu věnovat analýze a interpretaci obrazů z cesty po Evropě. Charakterizuji jeho osobitý styl a malířské techniky a budu také věnovat pozornost jeho ranější tvorbě, kterou porovnám s jeho malbami z evropské cesty. Hlavním pramenem je katalog Vybraná díla z návštěvy Fu Baoshie v eskoslovensku (Fu Baoshi fangwen Jiekesiluofake xiesheng zuopin xuanji 傅抱石訪問捷克斯洛伐克寫生作品選集). Klíčová slova: Fu Baoshi, ínská malba, kulturní výměnaThe bachelor thesis focuses on Fu Baoshi (1904-1965), a major figure in Chinese art, and his works from his European trip, which took place as part of a policy supporting cultural exchanges between socialist states in 1957, during which he visited Czechoslovakia and Romania. In the analytical part, I will focus on the analysis and interpretation of the paintings from the trip to Europe. I will characterize his distinctive style and painting techniques and will also pay attention to his earlier works, which I will compare with his paintings from the European trip. The main source is a collection of paintings that Fu Baoshi created during his visit to Czechoslovakia - Selected works from Fu Baoshi's trip to Europe (Fu Baoshi fangwen Jiekesiluofake xiesheng zuopin xuanji 傅抱石訪問捷克斯洛伐克寫生作品選集). Keywords: Fu Baoshi, chinese painting, cultural exchangeDepartment of SinologyKatedra sinologieFilozofická fakultaFaculty of Art
Raining, drowning and swimming: Fu Baoshi and water
No full textWater is a prominent element in the media of Chinese ink painting and, in the form of clouds, rivers, floods and mist, it is a major subject of Chinese painting. In the culturally distinctive modernist practice of Fu Baoshi (1904-1965), these two identities of water self-consciously encounter one another. The artist's attention to watery themes in his work is unprecedented, and he is one of the first painters to focus on the direct depiction of falling rain. The essay considers Fu's representations of rain, the theme of water in his images of the poet-statesman Qu Yuan and (after the founding of the People's Republic in 1949) in paintings illustrating the poems of Chinese leader Mao Zedong. Fu's water-themed works are examined here with reference to the inherited stock of Chinese cultural meanings as well as to recent artistic practice in the People's Republic and to the Maoist state ideology which informed it. The potential meanings of these water-themed works are considered, and politically subversive connotations are discovered. The essay concludes by reflecting on the theme of water in contemporary practice, particularly in Song Dong's performance art work of 1996, Printing on Water. © ASSOCIATION OF ART HISTORIANS 2006.link_to_subscribed_fulltex
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