1,628 research outputs found
Edith (Lichtenstein) Freese collection 1910s – 2016
The collection is comprised of correspondence, a friendship book, a family tree, and family photographs, which pertain to the life of Edith (Lichtenstein) Freese.Edith (Lichtenstein) Freese was born on September 23, 1920 in Steinheim, Germany to Julius Lichtenstein and Johanna Lichtenstein, née Herz. Edith’s father and her brother Herbert were killed by the Nazis in Belgium in 1939. Edith was able to escape to England before immigrating to the United States in circa 1949. She was married three times: once in England and twice in the United States. With her husband, Fred Greene, Edith had one son, Jeffrey A. Greene, who was raised in New Rochelle, New York. Edith died in Coconut Creek, Florida, on December 26, 2015.Finding aid available onlineProcesseddigitizedDigital Imag
[News Clip: Edith Deen]
Video footage from the WBAP-TV television station in Fort Worth, Texas, to accompany a news story about author, columnist, and lecturer Edith Alderman Deen receiving an honorary Doctor of Letters degree from Texas Women's University
Conversations with authors: Edith Pearlman
A 2011 conversation with the author Edith Pearlman about her life and the inspiration for her work
Interview with Major Edith Vowell Part 2
Anna Maria Island author included Major Edith Vowell in his book, Combat Nurses of World War II. Here she tells her story, with adventures in Brisbane, Australia, on ships and a GI troop train. She also lists her postwar nursing postings
Dangerous Domesticity: Gossip and Gothic Homes in Edith Wharton's Fiction
In the United States of the late nineteenth century, the home was increasingly discussed in terms of privacy and the domestic was viewed as a protected “feminine sphere.” Focusing on the work of an author almost synonymous with the literary depiction of homes, Edith Wharton, this article questions domestic myths of the US home. As a vehicle for its critique, it relies on a mode of communication that is firmly located in the domestic sphere and yet destabilizes its premises of privacy and sanctity: gossip. By analyzing the depiction of homes and the reliance on “idle talk” as both content and narrative technique in “The Lady's Maid's Bell,” The House of Mirth, The Custom of the Country, and Summer, the article shows how Wharton exposes the feminine sphere as a dangerous place. To this end, she combines elements of Gothic fiction that subvert the domestic ideal with depictions of homes that are porous to gossip, which both uncovers abuses and invites them. Concentrating her attention on female protagonists (rather than enfranchised white men), Wharton paints a drastically different picture of the home and the possibility of shielding the private from economic or public concerns than evoked in contemporary legal and journalistic discourses.https://www.jstor.org/stable/10.5325/editwharrevi.35.1.0022?seq=1Copyright © 2019 by The Pennsylvania State University. This article is used by permission of the Pennsylvania State University Press
Edith Södergran
Short presentation of Finland-Swedish author Edith Södergran and translation of four poem
Edith Jordan
Photograph - Edith Jordan, member of the Book Sub-Committee, part of the Town of Athabasca 75th Anniversary Committee, Athabasca, Alberta. The Book Sub Committee produced the book "Athabasca Landing: An Illustrated History
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