1,030 research outputs found

    Sylvie Cotton : Capsule vidéo : Une bibliographie commentée en temps réel

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    "Sylvie Cotton is an interdisciplinary artist, author and curator. Her work is tied to performance, art action, drawing, writing-based practices and residencies, although installation forms are also regularly used to put together exhibitions. Her work involves the creation of situations that establish a relationship with another, or an infiltration of another person’s personal world. She is an active member of the Centre Clark and was the Director of SKOL Centre des arts actuels in Montreal. Her work has been presented internationally including a recent retrospective at the Joyce Yahouda Gallery in Montreal. In 2013 she co-published with Nathalie de Blois Moi Aussi. She is a doctoral candidate in the Études et pratiques des arts program at UQAM." -- Publisher's website

    Tradurre il tempo. Umberto Eco traduttore del cronotopo in Sylvie di Nerval

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    To the question "what does translation mean?", Eco responds translating. In Dire quasi la stessa cosa (Saying Almost the Same Thing) he resorts above all to his own "experiences in translation," as recites the subtitle of his book. Of his experiences particularly important is his translation of Nerval's Sylvie. The central problem is what the translating text must render. In Sylvie Eco contends with "rendering" its specific chronotope. The story begins in the imperfect recounting an irreparable loss which is only communicated to the reader at the end. Translation must experiment with this special temporal organization of the story. This is presented in first person and by naming the "narrating voice" Je-rard Eco ingeniously distinguishes it from the author Gérard Nerval. "Almost" in the title announces Eco's position formulated towards the end of his book: fidelity in translation consists in recognizing that it is never final. In fact, the translated text is always the same, but other: the same other

    Chemical interaction, space-charge layer, and molecule charging energy for a TiO2/TCNQ interface

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    Three driving forces control the energy level alignment between transition-metal oxides and organic materials: the chemical interaction between the two materials, the organic electronegativity, and the possible space charge layer formed in the oxide. This is illustrated in this study by analyzing experimentally and theoretically a paradigmatic case, the TiO2(110)/TCNQ interface; due to the chemical interaction between the two materials, the organic electron affinity level is located below the Fermi energy of the n-doped TiO2. Then, one electron is transferred from the oxide to this level and a space charge layer is developed in the oxide, inducing an important increase in the interface dipole and in the oxide work function.Peer reviewe

    Histoire orale des femmes (04) - face B

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    Séminaire organisé et enregistré par l' IHTP (Paris), entre 1982 et 1984 ; sous la direction de Sylvie Van de Casteele-Schweitzer et de Danièle Voldman

    Histoire orale des femmes (04) - face A

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    Séminaire organisé et enregistré par l' IHTP (Paris), entre 1982 et 1984 ; sous la direction de Sylvie Van de Casteele-Schweitzer et de Danièle Voldman

    Histoire orale des femmes (01) - face A

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    Séminaire organisé et enregistré par l' IHTP (Paris), entre 1982 et 1984 ; sous la direction de Sylvie Van de Casteele-Schweitzer et de Danièle Voldman

    Histoire orale des femmes (02) - face A

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    Séminaire organisé et enregistré par l' IHTP (Paris), entre 1982 et 1984 ; sous la direction de Sylvie Van de Casteele-Schweitzer et de Danièle Voldman

    Histoire orale des femmes (05) - face A

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    Séminaire organisé et enregistré par l' IHTP (Paris), entre 1982 et 1984 ; sous la direction de Sylvie Van de Casteele-Schweitzer et de Danièle Voldman

    Histoire orale des femmes (06)

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    Séminaire organisé et enregistré par l' IHTP (Paris), entre 1982 et 1984 ; sous la direction de Sylvie Van de Casteele-Schweitzer et de Danièle Voldman

    Histoire orale des femmes (09) - face B

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    Séminaire organisé et enregistré par l' IHTP (Paris), entre 1982 et 1984 ; sous la direction de Sylvie Van de Casteele-Schweitzer et de Danièle Voldman
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