251 research outputs found
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Sic
No full textSolo exhibition of audio recording of 'Sic', a paragrammic rewriting of the first volume of 'Mein Kampf' (Hitler, 1925) by global microworkers; read by Annabel Frearson
Wollstonochlincraft 1791–1971 / Annabel Frearson
No full textWollstonochlincraft 1791–1971 forges compound neologisms from two emblematic feminist texts that are mirrored in their dates and message: A Vindication of the Rights of Woman (Wollstonecraft, 1791) and Why Have There Been No Great Women Artists? (Nochlin, 1971). Their historic argument recursively resonates in a digitised neoliberal realm to reflect a contemporary reality and dystopian future trajectory.Linda Nochlin has kindly selected the words for inclusion.
THE GOOD READER is a new series of booklets published by MA BIBLIOTHÈQUE. THE GOOD READER addresses reading, as both virtue and duty. The editor invites authors she considers to be good readers. She agrees with Nabokov that a good reader, a major reader, an active and creative reader, is a re-reader
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Remains
No full text'Remains' is a text composed by Annabel Frearson using the last words from the remaining books of a recently deceased artist. It was performed by the author at the launch event for the publication of Issue 2 of '...Or maybe it's the same for everyone' with contributing artists: Martin Westwood, Annabel Frearson, Patrick Coyle and Lizzy Kane.
A launch event was held with performances by the authors at Cafe Oto, London 6 May 2014
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Frankenstein economy
No full textAnnabel Frearson reads all the words from Frankenstein (Shelley, 1831) and their frequency of occurrence. Collated within a Frankenstein database, the words have been loosely categorised according to semantics, sounds, grammar, or length of word. Frearson performs situated readings of the Frankenstein database in key locations within proximity of her London home, including: the financial City of London, Royal London hospital, Tower Hamlets cemetery, Stepney city farm, Wapping beach, London City airport.
‘Frankenstein economy’ coincides with Frearson’s production of a limited edition of Frankenstein business cards and investigates the relationship between narrative, value, and landscape within a database economy of attention
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Resource: uncreative writing
No full textArtists and writers discuss using other people’s words as a resource for making new texts and art works. Featuring Rory Macbeth on translating Kafka without a dictionary and Annabel Frearson on her use of algorithms and Mary Shelley’s 'Frankenstein' and poet Sam Riviere
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Filmarmalade presents...
No full textFilmarmalade are proud to present Pil & Galia Kollectiv’s film work 'Suck The Living Labour', Roman Vasseur’s book work 'Dead Stock' and a presentation of 'Light In Dust Tree All' by Annabel Frearson
“Ghouls, ghosts, werewolves and vampires form a rich layer of imagery in Karl Marx’s Capital. These monsters continue to haunt discussions of capitalism as metaphors for consumerism, greed, the modern bureaucratic management of life and, mostly, systems of labour.
The event will explore these links between politics, art and the gothic imagination through presentations and screenings of work by Roman Vasseur, Annabel Frearson and Pil & Galia Kollectiv, followed by a discussion between the artists about spectres of the market and the demonology of Capital”
Filmarmalade presents...
No full textFilmarmalade are proud to present Pil & Galia Kollectiv's film work 'Suck The Living Labour', Roman Vasseur's book work 'Dead Stock' and a presentation of 'Light In Dust Tree All' by Annabel Frearson "Ghouls, ghosts, werewolves and vampires form a rich layer of imagery in Karl Marx's Capital. These monsters continue to haunt discussions of capitalism as metaphors for consumerism, greed, the modern bureaucratic management of life and, mostly, systems of labour. The event will explore these links between politics, art and the gothic imagination through presentations and screenings of work by Roman Vasseur, Annabel Frearson and Pil & Galia Kollectiv, followed by a discussion between the artists about spectres of the market and the demonology of Capital"
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..Or maybe it's the same for everyone
No full text...Or maybe it's the same for everyone is a print platform for artists' short fiction and experimental writing. It aims to provide a space for the diverse, text-based fallout from artistic practices.
Issue #2:
Featuring writing by: Martin Westwood, Annabel Frearson, Patrick Coyle and Lizzy Kane.
Designed by Pavilionary Press
Printed by Hato Pres
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Oh: link zone
No full textGroup exhibition and performances organised by artist-led record label and publisher, Oh (Mat Jenner and John Lawrence). Participating artists: Benedict Drew, Annabel Frearson, Jessy Jetpacks, Kate Liston, Luke McCreadie, Paul Purgas, Tom Richards (Mini-Oramics)
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Concrete plastic
No full textA group exhibition at LAM Gallery (Los Angeles, California, USA), curated by KollActiv (Kirsten Cooke, Ann Harezlak), with participating artists: Michael Bizon, Sinéad Bligh, Chris Cawkwell, Patrick Coyle, Dana Berman Duff, Annabel Frearson, Steve Klee, Anne Guro Larsmon, and Kim Schoen
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