43,084 research outputs found

    Religion in the work of Frantz Fanon

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    This thesis explores Frantz Fanon's engagement with religion, and its impact on his theories of race and racism. As a cultural theorist and political activist with strong Marxian-humanist sympathies, Fanon asserted that, as an irrational force, religion anaesthetised the oppressed and inhibited the recovery of the black self. In this study I draw on critical and analytical work in the fields of religion, African studies, and postcolonial theory to interrogate the significance of the black body in the production of his aesthetic of transformation. To understand Fanon's engagements with religion I examine the social and political contexts of his native Martinique and his adopted Algeria, both countries which are defined by strict social and religious hierarchies. Through this focus on his engagement with Christianity, Islam and indigenous traditions in both Martinique and Algeria I argue that, while Fanon was ambivalent about the usefulness of religion in the anti-colonial struggle and the recovery of the black self, he nonetheless came to recognise the role of religion in producing narratives of the sacred that would cohere and motivate the colonized in their struggle against racist oppression. Finally, I argue that Fanon circumvents his ambivalence towards religion by elevating the significance of the enslaved and colonized body, as a sacred instrument of revolt and recovery. This thesis concludes that it is only through the production of such narratives of the sacred that Fanon is able to expel religion from the recovery of the black self and the inauguration of the new nation, while retaining traces of the sacred in his aesthetic of transformation

    The David W. Fentress Family Letters, 1856-1969

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    Transcript of a letter by an unidentified author to David Fentress regarding sharing federal newspapers and the banning of federal newspapers in some areas. The author passes on the news of the war including the destruction of the Federal merchantmen by the Confederate fleet. He passes along world news: Russia preparing to go to War with Europe and how that could negatively affect the Confederacy. There is also speculation on the future of the war

    Le fantôme de Frantz Fanon

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    Duster Troy, Wellman David. Le fantôme de Frantz Fanon. In: Actes de la recherche en sciences sociales. Vol. 71-72, mars 1988. Penser la politique-1. pp. 135-136

    Portrait of author David Foster at the National Library of Australia, Canberra, 8 June 2011 /

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    Title from acquisitions documentation.; Part of the collection: Portraits of author David Foster at the National Library of Australia, Canberra, 8 June 2011.; Acquired in digital format; access copy available online.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia

    Author David Foster with academic Jeff Doyle at the National Library of Australia, Canberra, 8 June 2011 /

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    Title from acquisitions documentation.; Part of the collection: Portraits of author David Foster at the National Library of Australia, Canberra, 8 June 2011.; Acquired in digital format; access copy available online.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia

    Author David Foster and academic Jeff Doyle at the National Library of Australia, Canberra, 8 June 2011 /

    No full text
    Title from acquisitions documentation.; Part of the collection: Portraits of author David Foster at the National Library of Australia, Canberra, 8 June 2011.; Acquired in digital format; access copy available online.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia

    David Braithwaite at White Waltham Steam Fair

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    David Braithwaite, fairground enthusiast and author photographed at White Waltham Steam Fair, August 1964

    David Zimmer Christmas letter

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    This Christmas letter written November 30, 1999, by David Zimmer is titled "Season's Greetings from the last of the Red-Hot-Santas!" It features an illustration of Santa Claus with a guitar, and a summary of Zimmer's year. David Zimmer (1929-2005) was born in Harrisburg, Ohio. He enlisted in the U.S. Army and served for two years during the Korean War at the Brooke Army Medical Center in San Antonio, where he performed in drag for wounded soldiers. After the war, he returned to Ohio. Zimmer performed as Dolly Divine, a name inspired by the song "Hello Dolly." In 1964, he established the Berwick Ball with Orn Huntington, another important early gay activist in Central Ohio. The Ball began as a formal Halloween costume ball that provided a safe space to gather and enjoy drag shows for the gay community each year; over the years, it grew into an annual Halloween tradition and an important fundraiser for the AIDS movement and other charities. During the 1970s, Zimmer was also known for hosting lavish parties at his Harrisburg home. In 1989, he moved to the German Village area of Columbus where he remained active in the community. During the 1990s, Zimmer continued to perform in and out of drag and commissioned costume designer Dick Frank to make elaborate outfits. Zimmer worked for Huntington National Bank for 39 years and was a member of the Harrisburg United Methodist Church, Veterans of Foreign Wars and the German Village Society

    David Zimmer Christmas letter

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    This Christmas letter was written December 7, 2004, by David Zimmer. It features a small illustration of Santa Claus, a summary of Zimmer's year, and a clipping from the Village Crier recognizing his 75th birthday celebration. David Zimmer (1929-2005) was born in Harrisburg, Ohio. He enlisted in the U.S. Army and served for two years during the Korean War at the Brooke Army Medical Center in San Antonio, where he performed in drag for wounded soldiers. After the war, he returned to Ohio. Zimmer performed as Dolly Divine, a name inspired by the song "Hello Dolly." In 1964, he established the Berwick Ball with Orn Huntington, another important early gay activist in Central Ohio. The Ball began as a formal Halloween costume ball that provided a safe space to gather and enjoy drag shows for the gay community each year; over the years, it grew into an annual Halloween tradition and an important fundraiser for the AIDS movement and other charities. During the 1970s, Zimmer was also known for hosting lavish parties at his Harrisburg home. In 1989, he moved to the German Village area of Columbus where he remained active in the community. During the 1990s, Zimmer continued to perform in and out of drag and commissioned costume designer Dick Frank to make elaborate outfits. Zimmer worked for Huntington National Bank for 39 years and was a member of the Harrisburg United Methodist Church, Veterans of Foreign Wars and the German Village Society
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