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Sämtliche Werke
No full textFingerprint nach Ex. der ULB Sachsen-Anhalt und der SUB GöttingenVorlage des Erscheinungsvermerks: Berlin, bey Christian Friedrich Voss, 1766. - Kolophon: Halle, gedruckt bey Christoph Peter Francken.Titelvign. (Kupferst.
Christian Blackshaw, Semi-finals (Selections), 5th Van Cliburn Competition (1977)
No full textBallade, op. 46 / Barber -- Prélude, choral et fugue, FWV 21 / Franck
Christian Blackshaw, Semi-finals (Selections), 5th Van Cliburn Competition (1977)
No full textBallade, op. 46 / Barber -- Prélude, choral et fugue, FWV 21 / Franck
Christian Blackshaw, Semi-finals, 5th Van Cliburn Competition (1977)
No full textToccata in D major, BWV 912 / J. S. Bach -- Prélude, choral et fugue, FWV 21 / Franck -- Ballade, op. 46 / Barber -- Piano sonata no. 7 in B-flat major, op. 83 / Prokofiev -- Piano quintet in F minor. Molto moderato quasi lento - Allegro / Franck
"Cronica der Turckey" Sebastian Franck's Translation of the "Tractatus de Moribus, Condicionibus et Nequitia Turcorum" by Georgius de Hungaria
Full text linkThe Tractatus de moribus, condicionibus et nequitia Turcorum is one of the most important first-hand accounts of life in fifteenth-century Turkey known to modern scholarship. It is the work of a Christian former slave of the Turks, writing after his return to the West. Although the author does not name himself, he can be identified as a
Dominican priest, Georgius de Hungaria, who died in Rome in 1502. His Tractatus is conceived as a work of anti-Islamic polemic, yet it contains a surprisingly unbiased appraisal of Turkish customs.
First printed c.1480 when European apprehension in the face of Ottoman expansion was at its height, the Tractatus was reprinted in numerous editions, and was widely used as a
source by other authors. Luther edited the text in 1530, using the positive account of Turkish customs and religious observance as a weapon in his polemic against the Roman
Catholic Church: if heathens could perform such exemplary works, who could fail to doubt the efficacy of works as a means of salvation?
Sebastian Franck in his German translation of the Tractatus went further: replacing Georgius' commentary with his own, he used the text to attack institutional religion as a
whole and to promote his concept of a non-dogmatic, spiritual Church of individuals united with each other only through their union with God -a Church which was not closed to Moslems or members of any other creed. This translation or adaptation, the Cronica der Türckey, marks Franck's decisive break with the Lutheran cause and the beginning of his lonely path as a 'spiritual individualist'. Franck reworked his translation of the Tractatus for his major geographical work, the Weltbuch of 1534.
This thesis concerns itself primarily with Franck's Cronica, providing the first modern critical edition of this text, in a near-diplomatic transcription with an extensive glossary. The thesis also includes transcriptions of the Tractatus; of Türckei, an anonymous translation of the Tractatus, and of relevant additional material from Franck's Weltbuch. None of these texts has been published in full in a modern edition.
In the Introduction Franck's Cronica is compared in detail with the Tractatus, highlighting the changes that occur in translation; the character and the significance of these changes are then discussed. It is established that Franck, whilst being unwilling to reverse any of Georgius' value judgements on Islam and Turkish culture, is highly selective in his choice of material for translation, and frequently gives the text new nuances and adds his own
comment. The question of the Tractatus' influence on Franck's further development as a writer and thinker is also raised.
The investigation then turns to Franck's use of the Tractatus material in his Weltbuch. His eclecticism becomes apparent in this text, in which Georgius' account is juxtaposed - but not synthesised - with material from other sources, often of lesser veracity and greater anti-Islamic bias. Franck's distortion of the Tractatus material to suit his own line of argument is clearly discernible: from the unique phenomenon presented in the Tractatus the Turks
become one more example of the general human tendency to externalise and dogmatise faith.
In addition, the transmission of Cronica and Türckei is examined, and the relationship between these two translations is clarified: Franck certainly used Türckei in writing his Cronica, but is unlikely to be the author of the anonymous work
Towards a Christian Philosophy
No full textAuthor did not sign the LAC Non-Exclusive License form.The relationship between philosophy and Christianity has, of course, a long history, as do the discussions of that relationship. My own position is not dissimilar to that of many of the early Church Fathers, though of course that position must be elaborated differently for various historical and personal reasons, and hopefully enriched by attention to the history of Western philosophy. As with all such relations, one's understanding of this relation has a lot to do with one's understanding of the terms involved. To promote the possibility of "Christian philosophy" is also to comment on that "and" which might be understood to relate two otherwise distinct and irreconcilable terms. In the end I claim this "and" must be understood as that "love" which defines philosophy as the "love of wisdom" (and finally, the wisdom of love), and does so in terms which (almost) merge-with the surprising assistance of such thinkers as Martin Heidegger, Jacques Derrida, and Paul Ricoeur-with those of the Church Fathers cited. On the one hand, I intend nothing but the historical, orthodox, and catholic understanding of Christianity, especially with regard to the central figure of Jesus the Christ, the Trinitarian God whom He embodies, represents, and reveals, and the Scriptures given as The Bible. On the other hand, I present the specifically philosophical pertinence of this unique Person as such emerges from the texts of the "philosophers" considered, and in a manner which I claim does not force the issue by reading into their texts what is not there. Attending to a (Christian) philosophical reflection on (Christian) philosophy also offers elaborations of inherited doctrines, both Christian and philosophical, including a way to read and think unique to the outcome. Such is the adventure of this current work
The Christian Right and US Foreign Policy in the Twenty-first Century
Full text linkThe thesis discusses the role of the Christian Right in the US foreign policy decision making process. The research revealed that the Christian Right has long been fascinated with some international issues in general and US foreign policy in particular. The Christian Right’s interest in international issues increased markedly during years of the George W. Bush presidency. It successfully widened its activities from domestic social conservative issues to foreign policy issues by participating in, articulating and lobbying for its religious version of American foreign policy. In assessing the role of the Christian Right in US foreign policy making, this dissertation examines three aspects of US foreign policy, namely Israel, international religious freedom and global humanitarianism. Based on these aspects, the Christian Right is seen as skilled in framing and defining issues. The Christian Right seems effective in selecting and prioritizing international issues that have a reasonable chance of being selected by foreign policy decision makers, especially in Congress. Moreover, the Christian Right has shown its maturity in seeking engagement and cooperation with other organizations, secular and religious, in order to advance its international goals. Finally, in pursuing and conveying its international agenda, the Christian Right has adopted a more moderate and less overtly religious approach. Instead of using its traditional religious rhetoric, the Christian Right has successfully projected its foreign policy preferences into the conventional realist discourse of American foreign policy that is largely based on the objective of national interest and national security. Nevertheless, this study does not, in any way, conclude that the Christian Right was able to influence or determine the direction of US foreign policy and its outcomes; however, it does suggest that the Christian Right did contribute and have an impact on the formulation of some US foreign policy. As such, the research contends that the role of the Christian Right is similar to other interest group lobbies and that its perceived influence on US foreign policy should not be exaggerated. Finally, the research suggests that the emergence of the Christian Right as an actor in asserting its global agenda through US foreign policy can possibly provide an example of how religious beliefs and values can become a potential source of “soft power”. Together with the “climate of opinion” of the American public during the Bush administration, the “soft power” at domestic level could serve as a valuable new explanatory variable in understanding how the US foreign policy was formulated in the early 21st century
Hagenbucher (Franck). — Les Arabes dits « Suwa » du Nord-Cameroun. 1973
No full textBouquet Christian. Hagenbucher (Franck). — Les Arabes dits « Suwa » du Nord-Cameroun. 1973. In: Cahiers d'outre-mer. N° 111 - 28e année, Juillet-septembre 1975. p. 303
Sabbath, Psalms and Eucharist: Christopher Southgate considers Christian perspectives on the climate emergency
Full text linkThis is the author accepted manuscript. The final version is available from Green Christian via the URL in this record In this brief article I want to explore what resources Christian thought might offer the
climate emergency, and those challenged by the slowness with which the generation
with the power (my own) are addressing the huge challenges that are ever more
evidently unfolding on our planet
The structure of Franck's D minor symphony and its historical antecedents
No full textIncludes bibliographical references (p. 121-123).César Franck has often been regarded as the composer who most systematically applied the cyclic principle in composition. This study defines the various applications of this principle before describing specific instances in the works of Mozart, Beethoven, Schubert, Berlioz, Schumann and Liszt, as the historical antecedents to Franck's Symphony in D minor (1888). After an investigation of the motivic derivation and inter-relationships of the cyclic themes in Franck's Symphony, the manner in which the cyclic principle is applied in this work is discussed. Finally the overall formal structure is considered and a detailed analysis of the symphony follows to show the manifold ways in which thematic material is utilised to create an organically unified work
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