348 research outputs found
Intorno alla Politica Economica. Saggi per Gian Cesare Romagnoli
No full textIl volume raccoglie alcuni saggi di politica economica dedicati a Gian Cesare Romagnoli e presentati nella Giornata in suo onore all'Università Roma Tre. I lavori, preceduti dai messaggi del Preside della Facoltà, del Direttore del Dipartimento di Scienze Politiche e del Magnifico Rettore di Roma Tre e dalla Laudatio di Giovanni Ferri per l'assegnazione del Premio Donato Menichella al festeggiato, sono stati divisi in quattro parti, riassunte nell'introduzione di Luciano Milone.
La prima, con i saggi di Guido M. Rey e di Gaetana Trupiano, è dedicata alla contabilità economica italiana ed europea. La seconda è dedicata alla politica economica dell'ambiente, con i lavori di Francesco Forte, di Maria Carmela Aprile, Maria Carratù, Bruno Chiarini. La terza parte, con i saggi di Lilia Cavallari, di Rossella Bardazzi, di Cosimo Magazzino e di Maurizio Ciaschini, Stefano Deriu, Rosita Pretaroli, Francesca Severini, Claudio Socci, contiene una trattazione metodologica e applicata del ciclo economico, del commercio internazionale, della sostenibilità fiscale del debito pubblico e dello stato del benessere per l'infanzia.
La quarta parte è dedicata a temi della politica dei trasporti e della politica economica regionale, rispettivamente con i saggi di Valerio Gatta, Ila Maltese, Edoardo Marcucci e di Ferdinando Ofria
Table_4 – Supplemental material for Circulating endothelial and progenitor cells in age-related macular degeneration
No full textSupplemental material, Table_4 for Circulating endothelial and progenitor cells in age-related macular degeneration by Dario Pasquale Mucciolo, Rossella Marcucci, Andrea Sodi, Francesca Cesari, Vittoria Murro, Angela Rogolino, Stanislao Rizzo, Betti Giusti, Gianni Virgili, Domenico Prisco and Anna Maria Gori in European Journal of Ophthalmology</p
Domestication process of two Solanum (section Lasiocarpa) species among Amerindians in the Upper Orinoco, Venezuela with special focus on Piaroa indians
No full textVolpato, Gabriele, Rossella Marcucci, Noemi Tornadore, and Maurizio G. Paoletti (Department
of Biology, University of Padua, 325100 Padova, Italy; email corresponding author:
[email protected]). DOMESTICATION PROCESS OF TWO SOLANUM SECTION LASIOCARPA SPECIES
AMONG AMERINDIANS IN THE UPPER ORINOCO, VENEZUELA, WITH SPECIAL FOCUS ON PIAROA
INDIANS. Economic Botany 58(2):000–000, 2004. Two semi-cultivated Solanum species (S. sessiliflorum
Dunal and S. stramonifolium Jacq.) are utilized by the Amazonian Indians of the
Upper Orinoco Basin in Venezuela. The manner by which they have become partially domesticated
by the Piaroas and other native tribes of this rain forest region is elucidated in the
following text. Both species have two varieties, with and without prickles, the latter the result
of human selection. Patterns of indigenous utilization of these species by the selection of morphologic
forms and to the differentiation of karyotypes of varieties, and exploitation of the
species reflects also in the perception of them among users. S. sessiliflorum is cultivated in
swiddens and has an economic role, whereas S. stramonifolium is grown in dooryards. This
difference is detectable to the Piaroas, as they recognize in their folk taxonomy three different
varieties of the S. sessiliflorum and one of S. stramonifolium, this according to the stage of
domestication of the species and the way in which they are utilized
Survey on the fungal flora of the cloaca of healthy pet reptiles
No full textThe aim of this survey was to identify the fungal flora colonizing the cloaca of healthy reptiles kept in a pet shop to be sold as pets. The examined reptiles were belonging to the sub-orders Sauria (n=140) and Ophidia (n=17) or to the order Testudines (n=61). Following culture, the samples showed the presence of fungi in 75.2% of them. Fourteen genera of filamentous fungi, including 8 Aspergillus species, were identified as well as 6 genera of yeasts, including 13 species of Candida, 1 of Cryptococcus, and 1 of Pichia. A great number of the fungi isolated were known to be opportunistic agents of mycosis both in reptiles and humans. Therefore, the possible role of pet reptiles as carriers of opportunistic fungi into the human environment should be carefully evaluated
L’uso del Catasto Ferdinandeo-Leopoldino per la lettura del paesaggio apuano versiliese della prima metà del XIX secolo.
No full textThis article explores the use of the Ferdinandeo-Leopoldino Cadastre to reconstruct the Apuan-Versilian (Stazzema, Italy) landscape in the first half of the 19th century. Through the creation of a Historical GIS, the research team from the MAPPA Lab at the
University of Pisa vectorized the road network, buildings, and cadastre parcels, providing a foundation to analyse agrarian and settlement structures. The study area, located above 500 m asl in the Apuan Alps, reflects socio-economic dynamics of the period, highlighting changes due to political-economic strategies.
The digitisation of the Ferdinandeo-Leopoldino Cadastre provides insights into property, land use, and agrarian structure. This work is
part of a broader study aimed at analysing the processes of “abandonment” that have affected the Versilian slope of the Apuan Alps, at least since the post-World War II period. The vectorization of the Ferdinandeo-Leopoldino Cadastre provides a picture of the landscape in the first half of the 19th century, to be used not only as the oldest informational layer in the development of an Historic Landscape Characterisation but also as a tool to understand, in a diachronic perspective, the ongoing processes of renegotiation between humans and the environment that have led to the formation of the current landscape
Maschile e femminile nei videotape di Ketty La Rocca
No full textUno sguardo d'insieme sull'interesse di Ketty La Rocca per l'immagine elettronica, dalle collaborazioni con Luciano Giaccari a quella con Gerry Schum, fino all'incontro con Carlo Francesco Crispolti. Tale produzione risalente agli anni 1972-73, viene messa a paragone con la diversa curiosità di Lucia Marcucci per le pellicole commerciali, da cui realizza negli anni 1966-67 alcuni montaggi, noti come cinepoesie
Vincoli intertestuali-intersemiotici in Naked People di A. Astvacaturov. Analisi, percezione, scelte traduttive
No full textThis study aims to continue research on cinema “intexts” (Torop 1995, It. Transl. 2010, also known as crossmedial relations (Fateeva 2007)) in Russian contemporary literture, focusing on their translation and underlining the primary importance of their analysis and function in the source text. The current research develops from previous work centered on cinema intertextuality in M. Elizarov’s novel Cartoons (Marcucci 2015a) and, secondarily, in E. Popov’s Internet novel Arbeit. A broad canvas (Marcucci 2015b). The current study follows up on this research by investigating Andrey Astvatsaturov’s novel Naked People (translated by the author) and pursuing three aims. 1. Analyze the types of intexts (which films does the author refer to? From which period? Of wich genres?) and the strategies used by the author to insert in his text references to other texts belonging to the cinema semiotic system, in which iconic signs have a primary role. 2. Explore the functions of these intexts. 3. Reflect on the operations to carry out when such texts are translated into a different linguacultural universe, specifically the Italian one. Here, the main focus will shift onto the translator’s role and task.
Ponzio, Orazio Censore, Montano, Rainaldi per la cappella Colonna in S. Giovanni in Laterano
No full textLa cappella del coro d'inverno venne costruita nell'ambito della ristrutturazione della "nave trasversa" di S. Giovanni in Laterano patrocinata da Clemente VIII (Aldobrandini, 1592-1605), intrapresa appena dopo l'elezione al pontificato. Introdotta, dal deambulatorio – poi demolito – attraverso la sagrestia dei Beneficiati, già costruita nel 1594, anche la cappella del coro d'inverno, poi anche dei Colonna, deve risalire a quegli anni. E' attribuita, in base alle parole di antichi biografi e all'analisi critica di F. Fasolo, a Girolamo Rainaldi e l'esecuzione viene ricondotta agli anni del gran contestabile del Regno di Napoli Filippo Colonna che la ebbe nuovamente in assegnazione nel 1623 per costruirvi il monumento funebre della moglie Lucrezia Tomacelli, morta l'anno prima.
La documentazione edita e quella inedita rintracciata ha dimostrato che le vicende costruttive e decorative della cappella sono state lunghe e complesse, vedendo impegnati più artisti; lo "stile" di Rainaldi riconosciuto da Fasolo è in realtà comune anche ad altri artisti attivi negli stessi anni o poco prima, come Flaminio Ponzio, ricordato quale architetto della basilica nel 1597 in una annotazione di G. Zander e redattore di una stima sui lavori eseguiti nella cappella del 1613, dalla quale si sa che l'opera architettonica e decorativa era in quell’anno in gran parte eseguita.
Alla cultura di maestranze dell’entourage di Montano si è attribuito il progetto del coro ligneo per i canonici, di cui si è scritto nel commento al saggio precedente; Orazio Censore, noto fonditore di metalli, è richiamato da Baglione come autore della cappella – ma probabilmente solo per le numerose opere bronzee che la decorano -; Girolamo Rainaldi fu probabilmente solo l'autore della fase finale di completamento di opere impostate da altri, ma che hanno indotto la storiografia ad individuare e ricercare uno "stile" rainaldesco in più architetture del periodo.
The winter choir chapel was built within restoration of the “transverse nave" of the Basilica of St. John Lateran sponsored by Clement VIII (Aldobrandini, 1592-1605), which he started as soon as he became Pope. Connected through the ambulatory – then demolished – to the Sacristy of the Beneficiaries, already built in 1594, the winter choir chapel – named also the Colonna chapel later on – must date back to those years, too. In accordance with old biographers and the critical analysis of F. Fasolo, it was ascribed to Girolamo Rainaldi while the erection was related to the years of the Grand Constable of the Kingdom of Naples Filippo Colonna, to whom it was assigned again in 1623 for building in there a memorial of his wife Lucrezia Tomacelli, dying the year before.
Pursuant to both the published and unpublished documentation found, the construction and decoration aspects of the chapel were long and complex, with several artists at work; the "style" of Rainaldi, recognised by Fasolo, was in fact shared by other artists operating in those years or a little earlier, too, such as Flaminio Ponzio, mentioned as architect of the Basilica in 1597 in a note by G. Zander, and author of a survey on the works carried out at the chapel in 1613, through which it is known that the architectonic and decorative work was almost finished in that year.
The project of the wooden choir for canons was assigned to the workers from the Montano entourage; that project was mentioned in the commentary to the previous essay; Orazio Censore, well-known caster of metals is recalled by Baglione as the creator of the chapel, probably just for the numerous bronze works decorating it; Girolamo Rainaldi is likely to have carried out just the final phase, the completion of works planned by others, nevertheless inducing historiographers to identify or look for the Rainaldi style in several architectures of the period
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