1,878 research outputs found
Graduates of Newberg High School, currently attending George Fox University
Graduates of Newberg High School, currently attending George Fox University
(front row, from left) Sara Rosenau, Wendy Clark, Matthew Olson, Adrienne Gerick, Emily Hobbs, Annette Lappi, and Amy Mitchell; (second row) Nate Macy, Joe Thouvenel, Janice Van Tassel, Corrie Larson; (third row) Hannah Macy, Connie Leasure, Janna Kingery, Elaina Roshak, Tami Burton, Shawn Cooke, and Aaron Routon; (fourth row) Nathanael McIntyre, Michael Hampton, Heidi Johnson, Jonathan Rickey, Austin Taylor, and Andy Rosen; (back row) Micah Routon, Keith Schneider, and Matthew Bertrand
Sept 1996https://digitalcommons.georgefox.edu/gfu_photos_1995_1999/1027/thumbnail.jp
Annette Harvey Diary, 1906-1910
Annette Harvey, of Arkansas, West Virginia, and Ohio, recounts events of her daily life in this 'Line a Day' diary. She was the daughter of William Hope Harvey, aka 'Coin' Harvey, a well-known businessman, politician, author and founder of the resort of Monte Ne and the Ozark Association. Annette's brief entries record visits, housework, dances, parties, a train trip to New York, weather, church services and socials over a 5 year period, 1906-1910. Addresses and miscellaneous thoughts, quotations, poems, are recorded at the end of the volume. A photograph of her home made in 1906 is tipped in at the front of the diary
Interview with Annette Lareau
Annette Lareau is the Stanley I. Sheerr Professor in the Department of Sociology at the University of Pennsylvania. She is the author of Unequal Childhoods: Class, Race, and Family Life (University of California Press). Unequal Childhoods won the best book award from three sections of the American Sociological Association: Sociology of the Family, Sociology of Children and Youth, and Sociology of Culture (co-winner)
Metal Dish
Silver metal dish with the names of the Dionne quintuplets around the rim. The names around the edge read, Annette, Yvonne, Marie, Emilie, Cecile. The bottom of the dish has five images of babies.https://digitalcommons.georgefox.edu/museum_oregon/1435/thumbnail.jp
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Annette Polan- ART CART Oral Histories
Annette Polan is internationally known as a portrait artist living in Washington DC. Ms. Polan is the mother of Courtney Van Winkle Fox and Arthur Lowell Fox III. Born in Huntington, West Virginia, graduated from The Baldwin School in Bryn Mawr, Pa. and Hollins University in Va. where she was honored with the Distinguished Alumnae Award, she is also Dipolmée from the École du Louvre in Art History. Her portraits include photographed and painted the official portraits of Justice Sandra Day O’Connor and other leaders of industry and government. In addition to painting, Professor Polan is Professor Emerita from the Corcoran College of Art + Design at George Washington University and Principal of Insight Institute, a non-profit that promotes innovation, cititical thinking and creative problem solving through visual intelligence in a variety of educational and professional contexts from military, law enforcement, and medical training to business management.
Professor Polan has taught and lectured on her work and contemporary American portraiture in Europe, Asia, and Australia, and has had numerous solo and group exhibitions in the United States and abroad. She is a participant in the U.S. Department of State’s Art in Embassy Program. She was Chair and Founder of Faces of the Fallen, an exhibition of 1323 portraits by 230 American artists, honoring American servicemen and women who died in Afghanistan and Iraq between October 10, 2001 and November 11, 2004. In recognition of her leadership on that project, she was awarded the Chairman of the Joint Chiefs of Staff Outstanding Public Service Award.
Keywords: studio, work ethic, inspiration, Hollins class reunion, invisibility, women, Faces of the Fallen, the Corcoran, portraiture, importance of showing work, Balzak
Big Cypress fox squirrel (Sciurus niger avicennia) ecology and habitat use in a cypress dome swamp-pine forest mosaic
Kellam, John O., Jansen, Deborah K., Johnson, Annette T., Arwood, Ralph W., Merrick, Melissa J., Koprowski, John L. (2016): Big Cypress fox squirrel (Sciurus niger avicennia) ecology and habitat use in a cypress dome swamp-pine forest mosaic. Journal of Mammalogy 97 (1): 200-210, DOI: 10.1093/jmammal/gyv170, URL: http://dx.doi.org/10.1093/jmammal/gyv17
Fig. 1 in Big Cypress fox squirrel (Sciurus niger avicennia) ecology and habitat use in a cypress dome swamp-pine forest mosaic
Fig. 1.—Color phases of Big Cypress fox squirrels captured from 2007 to 2011 within the Raccoon Point area of Big Cypress National Preserve, Florida. A) Orange phase BCFS (n = 17); B) Black phase BCFS (n = 6); C) Tan phase BCFS (n = 1). Photos copyright Ralph Arwood. BCFS = Big Cypress fox squirrels.Published as part of Kellam, John O., Jansen, Deborah K., Johnson, Annette T., Arwood, Ralph W., Merrick, Melissa J. & Koprowski, John L., 2016, Big Cypress fox squirrel (Sciurus niger avicennia) ecology and habitat use in a cypress dome swamp-pine forest mosaic, pp. 200-210 in Journal of Mammalogy 97 (1) on page 203, DOI: 10.1093/jmammal/gyv170, http://zenodo.org/record/783263
Interview with Annette J. Smith
Interview in seven sessions, December 2010 to January 2011 with Annette J. Smith, visiting professor of French at Caltech from 1970 to 1982, appointed associate professor with tenure in 1982, promoted to professor of French in 1985, and Professor of Literature emeritus since 1993.
Family history, childhood and education in Algiers, Algeria. Family history and background of late husband, Caltech Professor of Literature David R. Smith (1960-1990). Bachelor’s degree in Classics (1948) from Sorbonne in Paris. Attended the School of Professors of French Abroad at the Sorbonne and taught at the University of Wales in Swansea. Master’s degree in English. Marriage to D. Smith and move to the United States.
Teaches at Scripps College and Claremont Men’s College [now Claremont McKenna College], where she had tenure position. Caltech hires D. Smith as professor and A. Smith as lecturer in French language. D. Smith as Joseph Conrad scholar. Doctorate degree (1964) and dissertation on author Nicole Védrès. D. Smith made Master of Student Houses (1969-1975); life in Virginia Steele Scott house. Descriptions of faculty and atmosphere within Division of Humanities and Social Sciences (HSS), beginning when Hallett Smith was chair. Friendship with Max and Manny Delbrück. Cultural life at Caltech; D. Smith brings poets, actors, directors and musicians to campus. Life as professor’s spouse and efforts to improve working conditions and salaries for female staff. Sexual discrimination in HSS and support for Jenijoy La Belle. History and founding of Baxter Art Gallery (1970), significant exhibitions organized by D. Smith, closing of Baxter Art Gallery (1985). Important relationships with Caltech professors, postdocs and staff: R. Sperry, R. Feynman, A. Hibbs, J. and F. Audouze, D. and C. Cesarsky, J.-P. Bibring, and N. and C. Corngold.
Elevated to associate professor (1982). Literature courses she taught and impressions of students. Two books accepted for publication: one on Arthur de Gobineau and translation of poems by Aimé Césaire. Explanation of racial theories of Gobineau and discussion of his fiction; impact of Gobineau’s racist writings and theories, including appropriation by Nazis. Discussion of Darwinism. Comments about translating poetry and working with poet Clayton Eshleman on four books of Césaire’s poetry. Description of Césaire’s life and politics and his importance as a leader and author. Reads her translations of Césaire’s poems.
Impressions of foreign language study at Caltech and further descriptions of HSS, including some unfortunate hires and tension in the division. D. Smith’s illness and death. Teaching in Papeete, Tahiti, 1990-1991. Circular nature of her life and work. Purchase of land and building of second home in Point Dume, Malibu, (1980-1981) and celebratory party there. Expressions of gratitude for Caltech and its brilliant scientists and community
The censor without, the censor within: the resistance of Johnstone’s improv to the social and political pressures of 1950s Britain
Keith Johnstone's improv, popularly known through the Theatresports format, was forged in the cultural and historical context of 1950s Britain. In this paper I will argue that Johnstone's incarnation of theatrical improvisation was defined by its reaction to the normalising forces exerted by the social elite upon the broader population and by civilised society upon the individual.
Johnstone's improv was a reaction against the Lord Chamberlain’s power to censor the British stage and a challenge to the internalised 'censor' British society of the time implanted in the minds of his students, stunting their creative imaginations. Johnstone borrowed elements of professional wrestling to break down the regimented conventions of the theatre space and enliven the spectator-performer relationship. As well as echoing Roland Barthes’ idealistic analysis of professional wrestling (Barthes, 1984: n.p.), Johnstone’s improv shares Barthes’ critique of the authority of the author and allows meaning to be generated out of the encounter between performers and spectators in the instant of the performance’s emergence. Through these processes, Johnstone’s improv defies the censor without (The Lord Chamberlain) by rooting out the censor within (the socially learnt inhibitions to the creative imagination).
By delineating the political and social pressures at play in the historical context of 1950s Britain and the ways that the stylistic conventions of Johnstone's improv resist and subvert these forces, I will demonstrate the emancipatory power latent in this mode of popular performance. This is a particularly timely analysis given the increasing authority of free market economics to dictate what appears on contemporary British stages, and the internalised censor that panoptical CCTV and social media is implanting within the minds of British citizens today
Willard Fox Dowd
1 black & white imageWillard Fox Dowd was born August 12, 1870 in Hartford, Michigan. He would attend Kalamazoo College and graduate with the class of 1897. He married fellow 1897 graduate Muriel Annette Massey. Together, the couple sailed to Assam, India in 1900 to serve as missionaries under the direction of the American Baptist Missionary Union. They served in India from 1900-1907, and again from 1914-1920. He would have to return to the United States on account of illness. Tragically, Willard F. Dowd would never fully recover and died December 11, 1923
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