310,489 research outputs found
Canzone sacra di Monsignor conte Francesco Florio, preposito della Metropolitana di Udine, di chiara memoria che ora si pubblica per la prima volta nella ricorrenza della festività dei Santi Martiri Protettori Ermagora, e Fortunato, XII. luglio MDCCCXIII.
No full text"Per il ricchissimo busto di Santo Ermagora ... sonetti tre del conte Daniello Florio"--P. [25]-29.Mode of access: Internet
MAED Materioteca fisica e virtuale per l'Architettura e per il Design
No full textLo scopo fondativo del progetto MAED è la creazione di una banca dati virtuale interrogabile ed interattiva e l’allestimento di un correlato museo fisico di materiali rivolto in maniera specifica all’architettura e al design che abbiano quale finalità precipua la creazione di una struttura universitaria permanente, e continuamente in progress, per la ricerca e per la didattica.
La ricerca muove dalla constatazione del ruolo fondamentale assunto dai materiali nei processi progettuali, attuativi e di recupero dell’architettura e del design e studia le connessioni esistenti tra i molteplici aspetti e ambiti di interesse dei materiali, per ottimizzarne una conoscenza, allo stesso tempo particolare e globale, da trasmettere attraverso i dispositivi di esplorazione posti in essere dal progetto MAED. Gli esiti della ricerca sono rivolti in particolare a ricercatori e studenti e indirizzati ad un approccio di tipo integrato verso i materiali, specificamente all’interesse verso la complementarietà tra dimensione fisica e dimensione percettiva dei manufatti architettonici e degli oggetti di design
La materioteca fisica e virtuale per l'Architettura e per il Design_MAED. Presupposti metodologici, criteri di classificazione e struttura delle relazioni
No full textThe primary purpose of MAED project is the creation of an interactive virtual database which can be consulted, and the staging of a correlated physical museum of materials. This museum is mainly focused on the architecture and the design that have the main purpose of creating a permanent and continuously in progress university structure for research and teaching.
The research originates from the understanding of the fundamental role of materials in planning, executive and recovery processes of architecture and design. It studies the connections existing between the multiple features and spheres of interest of materials, in order to optimise their knowledge, which is at the same time particular and global. This knowledge will be transmitted through the explorative devices of MAED project. The research results are in particular directed to researchers and students, and they are addressed to an integrated approach towards materials, specifically to the interest towards the complementarity between the physical and perceptual dimensions of architectural products and design objects.
The research final choice has been to operate a first classification of the exploratory action, starting from the materials according to UNI norms. It is not possible to refer to a classification that allows to simply and exhaustively indicate all kinds of existing materials. So, we have referred to the most used classification, which proposes to subdivide the materials that have a technological interest, on the base of the characteristic chemical bond, in three main classes: metal, ceramic and polymeric materials. Another class has been added to these three classes: the class of composite materials, which are made through the combination of two or more materials belonging to the three main classes. The material summary table refers to the periodic table of the elements, also from the iconographic point of view.
The need of univocally defining the structure of the relationships between the main components of MAED computer database and physical museum, has worked on some key entries/words/links which are dynamically and physically interrelated through specific connections. These connections represent the basic concept of the whole research project.
Considering technological criteria and manufacturing and production processes, we have identified the main voices that have to be correlated to the materials inserted in the MAED logical-conceptual structure (manufacturing processes and impacts during the production phase, characterizing requirements and processes concerning spin-off, environmental evaluations, etc... ).
The definition of a base criterion that could inspire MAED conceptual philosophy on a single material, was able to improve some starting schematic distinctions, deducing precise entries for the database mock-up. Moreover, it was able to change other distinctions, like the question of composite materials, which was dealt since the preliminary phases of the taxonomic investigation. At the same time, some questions have lost their relevance. One of these, is the very debated question about starting from the glass or one of its elements, the sand, starting from the brick or the clay; at last, it was declared the shared belief of choosing the prime reference key: the base material.
Browsing the computer database, starting from material or going back to it, we will be able to consult a dedicated file, named base material, which illustrates its mechanical and physical chemical properties, manufacturing processes, field of application in architecture and design.
Gaining knowledge through the outcomes of the various phases of experimentation and conception, we have constituted and defined a database ‘architecture’, which was also transferred in the organisation of MAED Physical Museum. This architecture, starting from the base material entries and, as an option from these, the composite materials entries, has linked them to the entries concerning: technical elements, technological units, architectural organisms and architectural units. Symmetrically, starting from the common root of the technical elements and the technological units, we have interrelated the following entries: design components, design categories and design units.
The possibilities of interrogation and subsequent surfing start from an initial common level which individuates three different explorative accesses: materials, architecture, design, which are qualified through their differentiation in relation to the modalities of the interrogative path along two directions. One of these directions, accessing from the material key, requires and finds the sequence of the basic and technical manufacturing which, together with the environmental evaluations, lead to the technical elements. Later, this direction identifies the technological manufacturing which is connected to the technological units and, from here, to the architectural organisms, concretely exemplified by the architectural units. Therefore, we can imagine a first vertical path from the bottom to the top; the extremities of this path are materials and architectural units. Similarly, concerning to design, starting from technological units we have the options relative to design components, design categories and design units.
The other possibility which is shared by the access keys architecture and design, has a double analogy: it establishes a similar level of interrogation, which differentiates itself through the choice of the key word, instituting a descending path. In this case, we can say that the interrogation follows an opposite direction, from the top to the bottom, that is from architectural units, or design units, through the steps reread in the opposite direction, until it arrives, or returns, to the materials. So, the extremities of the explorative path prove to be inverted in their proceeding from the materialized exemplification, architectural units or design units, through the progressive discretization of the components, until the identification of the constituent base materials.
The primary purpose of MAED project is the creation of an interactive virtual database which can be consulted, and the staging of a correlated physical museum of materials. This museum is mainly focused on the architecture and the design that have the main purpose of creating a permanent and continuously in progress university structure for research and teaching.
The research originates from the understanding of the fundamental role of materials in planning, executive and recovery processes of architecture and design. It studies the connections existing between the multiple features and spheres of interest of materials, in order to optimise their knowledge, which is at the same time particular and global. This knowledge will be transmitted through the explorative devices of MAED project. The research results are in particular directed to researchers and students, and they are addressed to an integrated approach towards materials, specifically to the interest towards the complementarity between the physical and perceptual dimensions of architectural products and design objects.
The research final choice has been to operate a first classification of the exploratory action, starting from the materials according to UNI norms. It is not possible to refer to a classification that allows to simply and exhaustively indicate all kinds of existing materials. So, we have referred to the most used classification, which proposes to subdivide the materials that have a technological interest, on the base of the characteristic chemical bond, in three main classes: metal, ceramic and polymeric materials. Another class has been added to these three classes: the class of composite materials, which are made through the combination of two or more materials belonging to the three main classes. The material summary table refers to the periodic table of the elements, also from the iconographic point of view.
The need of univocally defining the structure of the relationships between the main components of MAED computer database and physical museum, has worked on some key entries/words/links which are dynamically and physically interrelated through specific connections. These connections represent the basic concept of the whole research project.
Considering technological criteria and manufacturing and production processes, we have identified the main voices that have to be correlated to the materials inserted in the MAED logical-conceptual structure (manufacturing processes and impacts during the production phase, characterizing requirements and processes concerning spin-off, environmental evaluations, etc... ).
The definition of a base criterion that could inspire MAED conceptual philosophy on a single material, was able to improve some starting schematic distinctions, deducing precise entries for the database mock-up. Moreover, it was able to change other distinctions, like the question of composite materials, which was dealt since the preliminary phases of the taxonomic investigation. At the same time, some questions have lost their relevance. One of these, is the very debated question about starting from the glass or one of its elements, the sand, starting from the brick or the clay; at last, it was declared the shared belief of choosing the prime reference key: the base material.
Browsing the computer database, starting from material or going back to it, we will be able to consult a dedicated file, named base material, which illustrates its mechanical and physical chemical properties, manufacturing processes, field of application in architecture and design.
Gaining knowledge through the outcomes of the various phases of experimentation and conception, we have constituted and defined a database ‘architecture’, which was also transferred in the organisation of MAED Physical Museum. This architecture, starting from the base material entries and, as an option from these, the composite materials entries, has linked them to the entries concerning: technical elements, technological units, architectural organisms and architectural units. Symmetrically, starting from the common root of the technical elements and the technological units, we have interrelated the following entries: design components, design categories and design units.
The possibilities of interrogation and subsequent surfing start from an initial common level which individuates three different explorative accesses: materials, architecture, design, which are qualified through their differentiation in relation to the modalities of the interrogative path along two directions. One of these directions, accessing from the material key, requires and finds the sequence of the basic and technical manufacturing which, together with the environmental evaluations, lead to the technical elements. Later, this direction identifies the technological manufacturing which is connected to the technological units and, from here, to the architectural organisms, concretely exemplified by the architectural units. Therefore, we can imagine a first vertical path from the bottom to the top; the extremities of this path are materials and architectural units. Similarly, concerning to design, starting from technological units we have the options relative to design components, design categories and design units.
The other possibility which is shared by the access keys architecture and design, has a double analogy: it establishes a similar level of interrogation, which differentiates itself through the choice of the key word, instituting a descending path. In this case, we can say that the interrogation follows an opposite direction, from the top to the bottom, that is from architectural units, or design units, through the steps reread in the opposite direction, until it arrives, or returns, to the materials. So, the extremities of the explorative path prove to be inverted in their proceeding from the materialized exemplification, architectural units or design units, through the progressive discretization of the components, until the identification of the constituent base materials
Teoria dell'illusione finanziaria, debito pubblico, privatizzazioni
No full textIl volume si apre con l'introduzione di Ranci, che indica il filo conduttore dei contributi successivi. Barca e Brioschi affrontano tre questioni centrali: la dimensione dell'impresa, la sua struttura finanziaria, l'allocazione della proprietà e del controllo. Tutti gli altri lavori mettono invece a fuoco i diversi aspetti della realtà contemporanea. Bianco e Trento confrontano i due grandi modelli di controllo societario: quello prevalente in Gran Bretagna e negli Stati Uniti e quello tipico della Germania. Termini verifica il ruolo dei fondi pensione, Florio esamina le privatizzazioni dal lato della finanza pubblica e infine Chilosi approfondisce il caso delle privatizzazioni nell'Europa dell'Est
L'INFLUENZA DEL GOTICO MEDITERRANEO NELL'ARCHITETTURA DEI FLORIO
No full textA scadere del centenario della targa Florio, evento di eco internazionale, l'Assessorato al turismo ha finanziato tante iniziative, tra quella di analizzare l'influenza del linguaggio aragonese nell'architettura dei Florio. Pertanto, dopo avere individuato il linguaggio precipuo in Sicilia dell'architettura aragonese, attraverso una mappatura a rete su tutto il territorio isolano, si sono analizzate le ricadute degli elementi architettonici rilevati nelle architetture commissionate dalla famiglia Florio nell'800.
Un percorso affascinante ed interminabile che disvela l'architettura siciliana del '400 e quella neoclassica di Palermo nelle committenze della potente familgia
Architettura & Disegnodal Centro Storico al concorso di Architettura
No full textIl volume raccoglie gli esiti degli interventi di undici architetti nazionali ed internazionali, chiamati a confrontarsi sul campo dell'architettura costruita e dell'architettura disegnata, in due cicli di conferenze, dai titoli: Centri storici e architettura e Il progetto nei concorsi di architettura, curati da Riccardo Florio, quale coordinatore della Commissione Cultura dell’Ordine degli Architetti di Foggia, e che hanno avuto luogo a Foggia dal 1992 al 1995
Fra diplomazia, arte e poesia: un soggiorno viennese
No full textIl contributo esamina la corrispondenza intercorsa tra Francesco e Daniele Florio da un canto, e il loro padre Sebastiano dall’altro. Essa è cronologicamente compresa tra il febbraio e il marzo 1734 e fu occasionata da un viaggio intrapreso dai due fratelli, i quali, partiti da Udine, raggiunsero Vienna. Francesco avrebbe dovuto svolgervi un delicato compito presso la Corte imperiale a favore del Capitolo di Aquileia, a cui apparteneva. Daniele lo accompagnava piuttosto con la prospettiva di conoscere la città e la società viennese. Le originali missive sono custodite in ASU, Fondo Florio, II, 181.4. Esse testimoniano non solo della missione diplomatica di cui era incaricato Francesco, ma anche degli interessi culturali di Daniele, il quale descrive al padre gli eventi cui ebbe occasione di partecipare, nonché le sue visite a importanti luoghi della capitale asburgica, tra cui la biblioteca di Eugenio di Savoia, la pinacoteca di Giovanni Adamo I Andrea del Liechtenstein, il giardino e il Palazzo del Belvedere dello stesso Principe Eugenio
Grandi e piccole imprese nel Centro-Nord e nel Mezzogiorno: un modello empirico dell’impatto occupazionale nel lungo periodo
No full textQuesto lavoro presenta una verifica dell'ipotesi formulata in Florio (1991, 1996) secondo cui le relazioni fra grandi e piccole imprese sono la risultante di due forze opposte. Da un lato le grandi imprese possono agire come propulsori di sviluppo locale secondo modelli di propagazione ben studiati dal punto di vista teorico ed empirico. D'altro canto le stesse grandi imprese, soprattutto in settori e contesti ambientali deboli, possono avere effetti di spiazzamento dell'offerta locale in particolare attraverso il reclutamento come dipendenti di potenziali piccoli imprenditori. Quale delle due forze prevalga non può essere detto in generale, ma va esaminato in diversi periodi, settori, contesti regionali. Il tema ha particolare rilevanza nel caso italiano sotto il profilo delle politiche pubbliche, in particolare del ruolo che le politiche di sviluppo regionale e per l'occupazione dovrebbero assegnare alle grandi imprese, anche in considerazione dei processi di ristrutturazione che le coinvolgono (Giunta, 1997). Fra queste politiche in Italia, ad esempio, vi sono i contratti di programma con i quali lo Stato sussidia grandi progetti industriali in aree depresse (Florio, Giunta, 1998). Il presente testo non intende rispondere in modo definitivo alla questione proposta, ma suggerisce una metodologia che potrà essere ulteriormente sviluppata. Per lo svolgimento dell'analisi è stata costruita una base-dati che comprende dati censuari e dati Inps a base provinciale. In particolare i dati dei censimenti sono stati raccolti dal 1951 al 1991, con una copertura quindi pari a mezzo secolo di storia economica nazionale, aggiornando e migliorando un analogo esercizio presentato in Florio (1991). Il lavoro è strutturato come segue: a) una prima sezione presenta alcune considerazioni suggerite dall'esame dei dati; b) la seconda sezione presenta un modello empirico; c) nella terza sezione sono esposti i risultati. In appendice, sono riportati per esteso i dati provinciali utilizzati. Gli autori saranno lieti di fornire tale base-dati su dischetto ad altri ricercatori che desiderino verificare o estendere l'analisi
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