2,883 research outputs found
Cathcart vs Brooke: a Touring Actress and a Trial of Public Private Identity in the Australian Colonies
In this article Kate Flaherty examines the sensational contractual dispute that arose
between Gustavus Vaughan Brooke and Mary Fanny Cathcart during their Australian
colonial tour in 1855. She follows Brooke’s attempt to use his theatrical repertoire to
achieve and consolidate a legal victory over Cathcart, but argues that this strategy
ultimately backfired and elicited a form of judgement by the theatregoing public that
countered the judgement handed down by the Supreme Court. Conversely, coverage of
the case in Australian newspapers is identified as shaping reviews and sharpening the
edge of the stage dramas. The article provides a focused instance of the complex interplay
of dramatic works, cultural politics, gendered power, and publicity that characterized
nineteenth-century theatrical touring. Kate Flaherty is a lecturer in English and Drama at
the Australian National University, a member of the International Shakespeare Conference,
and a Senior Fellow of the Higher Education Academy. She is author of Ours as We Play
It: Australia Plays Shakespeare (University of Western Australia Press, 2011), as well as
numerous essays on how Shakespeare’s works play on the stage of public culture
Introduction: Learning locally
In the 1998 essay Post-colonial Shakespeare? Writing away from the centre, which inspires our title, New Zealand scholar Michael Neill argues that in postcolonial nations
the decentring of Shakespeare has generally been more rhetorical than real - [T]he long and complicated history of Shakespeare's entanglement with Empire has ensured that (for better or worse) his work has become deeply constitutive of all of us for whom the world is (to a greater or lesser degree) shaped by the English language - Through four hundred years of imperializing history our Anglophone cultures have become so saturated with Shakespeare that our ways of thinking about such basic issues as nationality, gender and racial difference are inescapably inflected by his writing. (Neill, 1998, 185)
Undoubtedly true as this observation still is, education in the excolonies has moved on, growing more complex and confident in its own locally-situated cultural authority. This applies equally to the teaching of Shakespeare (as Neill concludes his essay, the question is 'not whether but how he should be taught'). Binary approaches to understanding learning (active/passive, school/university, teaching/research) are no longer adequate to the realities of education in the modern world. The situation is ripe for engagement with the complexity theories that are increasingly being applied to the domain of human learning (see, for example, Barnett, 1999)
Guidelines for Data Annotation
Included here are a coding manual and supplementary examples of gesture forms (in still images and video recordings) that informed the coding of the first author (Kate Mesh) and four project reliability coders
Declining Unionization, Rising Inequality: an Interview with Kate Bronfenbrenner
Kate Bronfenbrenner is director of labor education research at the New York State School of Industrial and Labor Relations at Cornell University. She worked for many years as an organizer with the United Woodcutters Association in Mississippi and the Service Employees International Union in Boston. She is the author, co-author and editor of numerous books and articles on union strategies
Kate Richards: madness
Kate Richards’ bleakly beautiful, confronting and important book, Madness: A Memoir, describes her 15 years coping with psychosis and depression, and her long, hard-won journey back to sanity, with the help of a wise and compassionate psychologist.
In this video, she speaks with Ranjana Srivastava, an oncologist and fellow author, about her experience – and about being able to write from deep within it, with expertise as both a medical researcher and writer.
 
Book signing by SC author and illustrator Kate Salley Palmer
Photograph of Book signing by SC author and illustrator Kate Salley Palme
SC author and illustrator Kate Salley Palmer signing book
Photograph of SC author and illustrator Kate Salley Palmer signing boo
Replication Data for Statistical Analysis
Included here is a dataset with gesture form coding from the study author (Kate Mesh). Statistical analysis of the dataset was performed using R version 3.6.1 (R Core Team, 2019), with the package, lmer (Bates, Maechler, Bolcher & Walker, 2015). An R script is attached for the purposes of replication.
R Core Team (2019). R: A language and environment for statistical computing. R Foundation for Statistical Computing, Vienna, Austria. URL https://www.R-project.org/.
Douglas Bates, Martin Maechler, Ben Bolker, Steve Walker (2015). Fitting Linear Mixed-Effects Models Using lme4. Journal of Statistical Software, 67(1), 1-48. doi:10.18637/jss.v067.i01
Oral history interview with Kate Hart
Kate Hart, author and artist, talks her youth and how she became interested in writing young adult literature. She discusses her book, After the Fall, explaining the circumstances that led her to write the book. Hart comments on the creativity side as well as her process of writing and briefly talks about some of her other work.The Deep Roots: Oklahoma Authors Collection is a series of interviews with authors who discuss their lives, work, and creative processes
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