1,357,981 research outputs found
Author Peter FitzSimons speaking at the National Library of Australia, Canberra, 13 November 2012 /
Title from acquisitions documentation.; Part of the collection: Portraits of author Peter FitzSimons speaking at the National Library of Australia, Canberra, 13 November 2012.; Acquired in digital format; access copy available online.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia
Safer Future Planning with Dr. Nancy Fitzsimons
What role does safety play in future planning? Can we really plan for a safer future? In this episode of Focus on the Future, host Allycia Wolff interviews Dr. Nancy Fitzsimons. Dr. Fitzsimons is a professor of social work at Mankato State University. She is also a board member of The Arc Minnesota. In their conversation, Allycia Wolff and Dr. Fitzsimons discuss how we can empower our children and re-think what it means to be safe
C.K. Brain tribute to V.F. Fitzsimons
A letter of tribute to V.F. Fitzsimons written by C.K. Brai
Hulda Beckley Fitzsimons: World War II as Experience and Memory
This interview is an oral history conducted by Dr. Rachel Schley, assistant professor of history at Linfield College, and Ruby Guyot, Linfield class of 2019, with Hulda (Beckley) Fitzsimons, Linfield class of 1944. The interview took place at Fitzsimons’s home on April 19, 2019.
Hulda Fitzsimons attended Linfield from 1940 to 1941, just before the outbreak of World War II. She grew up on a fruit farm in Salem, working the land with her family. Upon graduation from high school, Fitzsimons was unsure of her next steps until her uncle suggested that she should attend Linfield College. In this interview, Fitzsimons talks in detail about her living conditions at the girls co-op, as well as the classes she took and her employment at the movie theater. At Salem High, Fitzsimons had to compete with everyone for opportunities due to the large class size, whereas at Linfield she found the smaller student body size was less segregated by cliques and offered her many opportunities. At Linfield, she met her husband, who was stationed at Fort Stevens and was eventually deployed to Europe near the end of the war. After her first year, she did not have enough funds to continue at the college. She kept busy however, working at the shipyards, as a clerk at Safeway, as a key punch operator, and at her family’s fruit farm. Once the war ended, she and her husband had children; she notes that she loved being a homemaker. After her husband graduated, they moved around a lot to follow her husband’s various teaching opportunities, eventually settling in Beaverton, Oregon
Andrew Fitzsimons to John Kean, January 22, 1789
Andrew Fitzsimons wrote from Charleston to John Kean, addressed to Beaufort. He wrote asking John to send the indigo he intended to use to pay for the boat to Captain Satturs to be shipped to a General from New Jersey.https://digitalcommons.kean.edu/lhc_1780s/1248/thumbnail.jp
Andrew Fitzsimons to John Kean, January 7, 1789
Andrew Fitzsimons wrote from Paris Island to John Kean, addressed to Beaufort, SC. He passed John\u27s favor onto Mr. Stoney. He said he would call on him in a few day to discuss the land mentioned in his letter.https://digitalcommons.kean.edu/lhc_1780s/1240/thumbnail.jp
Fitzsimons U.S. General Hospital
An unused postcard of the Fitzsimons U.S. General Hospital located in Denver, Colorado.Postcard of the Fitzsimons U.S. General Hospital in Denver, Colorado. "Built at a cost of well over three million dollars, this new building at Fitzsimons U.S. General Hospital is 10 Stories high and contains 608 beds. The entrance is of white Colorado marble.
Time and Tide: The Life of Norman Creek
BACKGROUND: This is the signature documentary of a broader creative research project on the history and ecology of Norman Creek in inner city Brisbane, funded by Brisbane City Council. It forms part of the emerging field of exhibition-focused documentary, consistent with Andrea Witcomb's (2004) argument that digital media are central to the proliferation of exhibiting institutions in the 21st Century. It contributes to the field of environmentally focused social history and asks what the history of an urban place looks like when viewed from the perspective of waterways rather than land. It demonstrates Yi Fu Tuan's classic aphorism (1977) that Space plus History equals Place and in its various screening contexts demonstrates Bourriaud's (1998) relational aesthetics.
CONTRIBUTION: As personal documentary disappears from Australian public television and history gets taught to dwindling cohorts in formal education, this work innovatively finds new audiences and venues for audio-visual histories and documentaries. This work is based on substantial primary research, in a context where extant local histories ignore creek industries, inhabitants and stories. Alongside its companion work/s it explores new forms of parallel narrative.
SIGNIFICANCE: Its major sites of exhibition have been at events at the State Library of Queensland (Talking Water 2013); at Crane Arts, Philadelphia US; at the International River Symposium 2013 and online (Waterwheel 2013 - International Symposium on Water and Water arts) and the website of the Norman Creek Catchment Coordination Committee. This documentary's success at connecting with various public - both community and professional - underpinned a successful pitch to the Museum of Brisbane for a substantial in situ exhibition season (forthcoming June 2015).Full Tex
Fitzsimons U.S. General Hospital
An unused postcard of the Fitzsimons U.S. General Hospital located in Denver, Colorado.Postcard of the Fitzsimons U.S. General Hospital in Denver Colorado. "This new building at Fitzsimons U.S. General Hospital is ten stories high and contains six hundred and eight beds. It is a cream colored brick structure with an entrance of white Colorado marble and cost three and one half million dollars.
Fitzsimons General Hospital
An unused postcard of the Fitzsimons General Hospital located in Denver, Colorado.Postcard of the Fitzsimons General Hospital in Denver, Colorado. "Fitzsimons U.S. General Hospital is ten stories high. It is a cream colored brick structure with an entrance of white Colorado marble. It was erected at a cost of three and one half million dollars.
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