2,075 research outputs found
Harmonies of political economy / by Frédéric Bastiat ; translated from the French, with a notice of the life and writings of the author, by Patrick James Stirling
No full textTranslation of the first 10 chapters of "Harmonies économiques"Advertisement on p. [299]Bastiat, Frédéric, 1801-1850Stirling, Patrick James, 1809-1891Physical description: xl, 298, [1] p. ; 23 cmLocation of original: Center for Historical Social Science Literature, Hitotsubashi University -- Call no. : Franklin:91Technical requirements: DjVu plugin is required to read text
Art, Biography, Sexuality: Patrick Procktor and Keith Vaughan
No full textThis critical review forms a reflection on the research published within the following publications:
Patrick Procktor: Art and Life (Unicorn Press, 2010)
Keith Vaughan: The Mature Oils 1946-1977, (Sansom & Co., 2012)
The research is on two artists, Patrick Procktor (1936-2003), and Keith Vaughan (1912-1977). The monograph on Procktor – previously one of the least documented of the generation of artists who came to prominence in London in the Sixties – positions him in a history of art from which he had been notably absent. The research on Vaughan asserts a new reading of his work, one that is both deeper and more nuanced in its analysis of the ways in which personal experience and sexuality are encoded autobiographically within his work. Crucially, in both artists biography and work are symbiotically linked; the research therefore examines the links between life and art.
Revisionary in intent, the work examines trajectories of experience of gay British (or rather, English) artists in the twentieth century, artists who sought to express themselves and forge careers within the constraints of a heteronormative society, albeit one in which attitudes to sexuality were undergoing change. As gay men, both were constrained by the social mores of their times, and each used painting as a means to affirm personal and sexual identities. A key research interest is in the ways in which sexuality and persona are reflected in critical responses to the artist’s work: in Vaughan, Procktor and other gay male artists of the period. The writing on both Procktor and Vaughan examines the relationship between their personal and professional/artistic lives, framed within a broader socio-political and art historical context. It asserts the place of biography as a means to understand and form new readings of the work. The work adds substantially to the literature and wider discourse on post-war British painting and social history
Appropriation and innovation in archaic Lakonian art
No full textThis dissertation argues that the artists of Archaic Lakonia – the region of ancient Greece controlled by Sparta – developed innovative approaches to narrative imagery by appropriating, modifying, and combining Corinthian, Attic, and Near Eastern precedents. It focuses on ways in which foreign compositions were changed and juxtaposed by the Lakonian vase painters who decorated the circular interiors of black figure kylikes, but the scant related remains of Archaic Spartan architectural sculpture are also addressed. This dissertation concludes that Spartan artists adjusted borrowed conventions in order to suit local viewers in specific contexts and contradicts the prevalent view that Lakonian art is derivative and provincial.Ph.D.Includes abstractVitaIncludes bibliographical referencesby Patrick James Colema
U.S. Senator James O. Eastland Staff Reading Stories on L. Patrick Gray Nomination
No full textU.S. Senator James O. Eastland staff member reading news stories about L. Patrick Gray nomination as Director of the Federal Bureau of Investigation
Pedo-geophysics teaching and research in the Adelaide hills
No full textPlease see page 6 of PDF for this item.Graham Heinson, Nick Direen, Mark Thomas, Andrew Baker, Rob Fitzpatrick, Patrick James, Brendan Coleman, Matthew Hutchens, Hashim Carey and the 3rd year Mineral and Environmental Geophysics Clas
Comparative analysis of war photography and working methods of Patrick Chauvel and James Nachtwey
No full textThe goal of Comparative analysis of war photography and working methods of James Nachtwey and Patrick Chauvel bachelor thesis is to compare methods of war photography of two respected photographers, Patrick Chauvel and James Nachtwey. Author analyses and compares their professional life with focus on their professional milestones. The purpose is to describe their working methods, composition and subject selection, therefore how war is diplayed in their pictures supposing to document the conflict. This work is based on the assumption that photographers' distinct personality traits and strong opinions on war journalism necessarily influence their photographic style. Author analyses their respective iconic war photographies using visual analysis
Models for XFL: Naming Functions in Binaries with Extreme Multi-label Learning
No full text<p>The models and PSQL tables accompanying the paper <a href="https://arxiv.org/abs/2107.13404" target="_blank" rel="nofollow noreferrer noopener"><em>XFL: Naming Functions in Binaries with Extreme Multi-label Learning</em></a> by James Patrick-Evans, Moritz Dannehl and Johannes Kinder, which has been presented at the <a href="https://sp2023.ieee-security.org/index.html" target="_blank" rel="nofollow noreferrer noopener">IEEE Symposium on Security & Privacy 2023</a>.<br><br>The repository to use these artifacts is available <a href="https://github.com/lmu-plai/xfl" target="_blank" rel="noopener">on github</a>.<br>Read the <a href="https://github.com/lmu-plai/xfl/tree/main/xfl-r/README.md" target="_blank" rel="noopener">README</a> of XFL refactoring for more details.</p>
<p> </p>
<p>Please cite the paper as</p>
<div>
<pre><code>@inproceedings{oakland23-xfl,
author = {James Patrick-Evans and Moritz Dannehl and Johannes Kinder},
title = {{XFL}: Naming Functions in Binaries with Extreme Multi-label Learning},
booktitle = {Proc. IEEE Symp. Security and Privacy (S\&P)},
pages = {1677-1692},
publisher = {IEEE},
year = {2023},
doi = {10.1109/SP46215.2023.00096},
}</code></pre>
</div>
<p> </p>
<p>Please cite the record as:</p>
<div>
<pre><code>@misc{artifacts-xfl,
author = {Tristan Benoit},
title = {{Models for XFL}: Naming Functions in Binaries with Extreme Multi-label Learning},
publisher = {Zenodo},
year = {2024},
doi = {10.5281/zenodo.10733597},<br> url = {https://doi.org/10.5281/zenodo.10733597},
note = {Available at \url{https://doi.org/10.5281/zenodo.10733597}}<br>} </code></pre>
</div>
The Seasons / By James Thomson
No full textVorlageform des Erscheinungsvermerks: Leipzig Printed For John Sommer MDCCXCIV.Frontisp
'Pure and undefiled religion': the function of purity language in the Epistle of James
No full textWhereas commentators frequently restrict the categories for purity language in James
to either ritual or metaphorical (and uniformly conclude the language is a metaphor
for personal morality) this is overly restrictive and ignores how purity language was
used in the first-century. Current research of purity language in ancient Israel calls
into question the rigid either/or categorization of purity language in James. Such
descriptions are not only unjustifiably restrictive, but they also fail to account for the
function or meaning of the purity language within the rhetorical goals of the
composition.
The central argument of this investigation is that purity language both articulates and
constructs the composition's worldview and thus serves as an important theme in the
text. Chapter two discusses the different methods of analysis of purity and offers a
taxonomy of purity language. This taxonomy provides a more precise approach to
understanding the function of purity language. Chapter three argues for several
important aspects of the structure and strategy of the text. Specifically the three
interdependent characteristics of 1) an epistolary structure; 2) a coherent rhetorical
argument based on polar oppositions; 3) and the special function of James 1: 2-27 as
an introduction are suggested.
While attuned to the textual issues argued in chapter three, the categories developed in
the taxonomy were applied as a heuristic guide to understand the function of purity
and pollution in chapter four. This analysis demonstrated four specific things: 1)
though purity language occurs relatively infrequently, it is used at crucial points of the
composition (1: 26-27; 3: 6,17; 4: 8); 2) that the use of purity and pollution specifically
functions within the overall strategy of contrasts which leads readers to a decision; 3)
that the majority of the time purity language labeled the world (and by extension those
associated with it) as set against the implicit purity of God; and therefore, 4) the
readers of James must be separate from the impure world ("pure") in order to be
wholehearted in devotion to God ("perfect").
Because the purity of the audience is directly related to their proximity to the world,
chapter five asks what kind of separation is envisioned by the use of purity language.
While purity is indeed boundary language, the cultural stance of James is complex.
The author shows signs of acculturation, yet this acculturation is employed to call the
audience to specific points of separation from surrounding culture, namely separation
from patron-client relationships with the "rich" and use of inappropriate and deceitful
speech. Thus the composition is not calling for sectarian separation from the
surrounding culture, but rather is a complex document demonstrating cultural
accommodation while calling forth specific socio-cultural boundaries between the
readers and the world
Father Andrew Mullen 1790-1818: a study in early nineteenth century spirituality
No full textThis thesis is laid out in three parts: Part I. The life and death of Andrew Mullen. The life is based, to a large extent, on a long letter to his mother, Catherine Mullen, dated 7 January 1810. The letter gives a definite insight into his spirituality based on his membership of the Archconfraternity of the Blessed Sacrament. There is a hint that he had a premonition of an early death. Part II. The burial of Andrew Mullen and the immediate cult to him This is based on documentary evidence. Part III. Most of this part is a catalogue of testimonies taken from 1993 onwards. Then there is the conclusion on the popular devotion to Andrew Mullen stressing the theological aspect of the subject. In the course of writing the thesis it was decided to separate the documentary evidence from the oral tradition. This was advantageous in developing the thesis, and the documents provided a secure basis for the oral tradition. Two pieces of information were found in March 1997. They are death notices: 2 January 1819, The Leinster Journal and 7 January 1819, The Car low Morning Post. There is a slight discrepancy between the two on the date of his death. Also this discrepancy shows a slight difference from the date of the tombstone
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