5,958 research outputs found
1988-1989: Precious Memories
No full textFrom left: Richard Halverson as Crutch Holston, Tom McDermott as Benjamin Pitman, and Jason Fitz-Gerald as Oats PyattPrecious Memories;Grayscal
1988-1989: The Torch
No full textForeground: Jason Fitz-Gerald as Tordo and Rose Pickering as Pepa de OroThe Torch;Grayscal
1988-1989: The Torch
No full textVillage People, from left: Larry Dean Birkett, Tom Van Vorhees, Jason Fitz-Gerald, Kenneth Albers (center), Ric Oquita, and James PickeringThe Torch;Grayscal
1988-1989: The Torch
No full textVillage People, from left: Holly Smith, Jason Fitz-Gerald, Ric Oquita, Johanna Melamed, Rose Pickering, James Pickering, Catherine Lynn Davis, Kenneth Albers, and Sandra Docwra-JonesThe Torch;Grayscal
1988-1989: Precious Memories
No full textFrom left: Catherine Lynn Davis as Judy (with back turned), Norman Moses as Avery, James Pickering as Elmer, Richard Halverson as Crutch Holston, Mark Corkins as Shelby, Tom McDermott as Benjamin Pitman, and Jason Fitz-Gerald as Oats PyattPrecious Memories;Grayscal
Tawâskweyâw = ᑕᐋᐧᐢᑫᐧᔮᐤ = A Path or Gap Among the Trees : A Touring Survey of Artworks by Jason Baerg
No full text"Featuring texts by Marcus Miller, Stephen Foster, Ryan Rice, and Dr. Gerald McMaster, this publication catalogues Tawâskweyâw ᑕᐋᐧᐢᑫᐧᔮᐤ / A Path or Gap Among the Trees, a touring survey exhibition of works by Jason Baerg.
During the past twenty-five years, Baerg’s work has investigated community, ritual, urban migration, Cree cosmology, native relationality, survivance, an indigenized anthropocene, language revitalization, and Indigenous futurisms. Between interactive immersive generative media projection pieces and laser cut painting installations, Baerg’s approach to drawing and painting has, as Stephen Foster writes in the publication’s Introduction, “important and significant political positioning as it seeks to transform an art system and generate space for a new generation of contemporary Indigenous artists”." -- Distributor's website
Jason Bond Family History
Full text linkJason Bond authored this family history as part of the course requirements for HIST 550/700 Your Family in History offered online in Fall 2017 and was submitted to the Pittsburg State University Digital Commons. Please contact the author directly with any questions or comments: [email protected]
Wolf! Wolf!
No full textA lively and colorful paperback. Jason shepherds goats. There is a happy ending: Jason beats the wolf with his crook and forces him over the cliff.Elizabeth and Gerald Ros
Jason vs GIJOE
No full textThesis (Master's)--University of Washington, 2019Jason vs GI JOE is partly an exercise in autobiography, an experiment in relational aesthetics, and an interdisciplinary artist project at the intersection of comic books, creative writing and performance art. This comic book, Jason vs. GIJOE, is a postmodern double erasure, based on the comic book GIJOE: Cobra II (Issue 1). The original pictures from the comic book have been removed, and replaced by a series of short narratives, describing autobiographical events from the life of the author: me, Jason. Speech bubbles from the original have been left to comment back over top of the stories, obscuring meaning but creating moments of unplanned dialogue. The comic is a readymade, twice erased: once to replace the drawings of the initial comic, and again when using the original dialogue bubbles to speak back to the narrative
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