402 research outputs found
Selecting films for sex research: Gender differences in erotic film preference
The official published version can be obtained from the link below.The aim of this study was to explore gender differences in sexual responsiveness to erotic films that had been selected for their differential appeal for men and women. A secondary objective was to identify variables that influence sexual arousal and explore whether these variables differ for men and women. Fifteen men (M age = 26 yrs) and 17 women (M age = 24 yrs) were presented with 20 film clips depicting heterosexual interactions, half of which were female- and the other half male-selected, and were asked to rate the clips on a number of dimensions. Overall, men found the film clips more sexually arousing than did the women. Gender differences in arousal were negligible for female-selected clips but substantial for male-selected clips. Furthermore, men and women experienced higher levels of sexual arousal to clips selected for individuals of their own gender. Cluster regression analyses, explaining 77% of the variance for male and 65% for female participants, revealed that men's sexual arousal was dependent upon the attractiveness of the female actor, feeling interested, and both imagining oneself as a participant and watching as an observer. For women, with all variables entered, only imagining oneself as a participant contributed to sexual arousal ratings. The findings suggest that how films are selected in sex research is an important variable in predicting levels of sexual arousal reported by men and women
El Tlacuache Núm. 932 (2020). 932 Año 19 (2020) mayo. El Tlacuache
- La pandemia COVID 19, un mar de angustias, dilemas y retos, I por Luis Miguel Morayta Mendoza. - Los virus y el Antropoceno. Las señales previas del desastre por Eduardo Corona Martínez. - Los huertos familiares en tiempos del COVID 19 por María Alejandra Elizabeth Olvera Carbajal. - Ante el Coronavirus , la ciudad en abandono por Erick Alvarado Tenorio
El Tlacuache Núm. 928 (2020). 928 Año 19 (2020) abril. El Tlacuache
- Botanicum fotográfico por Erick Alvarado Tenorio. - Parteras, curanderas y etnobotánica por Aurora Flores Vázquez
El Tlacuache Núm. 523 (2012). 523 Año 13 (2012) junio. El Tlacuache
Otra vez los Mayas... La falacia del fin del mundo De los Mayas? por Jorge Angulo Villaseñor. -Programa liberal: El Clero, Juárez, y Maximiliano por Erick Alvarado Tenorio
El Tlacuache Núm. 497 (2011). 497 Año 11 (2011) diciembre. El Tlacuache
La Memoria del Azúcar: Potencialidades de los ingenios como Patrimonio Cultural de Morelos por José Francisco Ruiz Ruiz. -Conmemoran a difuntas y no honran a las vivas: las mujeres zapatistas por Erick Alvarado Tenorio
El Tlacuache Núm. 531 (2012). 531 Año 13 (2012) agosto. El Tlacuache
Ehecatl. -Crónica de un reencuentro. Homenaje al Dr. David Grove por Joanna Morayta Konieczna. -Reflejos de la Tierra. Los pueblos de Morelos y la revolución mexicana por Erick Alvarado Tenorio
El Tlacuache Núm. 474 (2011). 474 Año 11 (2011) julio. El Tlacuache
El Rescate de la Hacienda de San Juan Chinameca por José Cuauhtli A. Medina Romero. -Las fértiles semillas de árboles y adolescentes por Elvira Pruneda.-Abriendo el surco, abriendo la vida por Erick Alvarado Tenorio
Pitching to buyers
Erick Garman, Trade Development Manager, Oregon Department of Agriculture.Title from PDF caption (viewed on June 14, 2022).This archived document is maintained by the State Library of Oregon as part of the Oregon Documents Depository Program. It is for informational purposes and may not be suitable for legal purposes.Mode of access: Internet from the Oregon Government Publications Collection.Text in English
El Tlacuache Núm. 676 (2015). 676 Año 13 (2015) mayo. El Tlacuache
La representación del Juicio final en la pintura mural de la Catedral de Cuernavaca por Laura Hinojosa Hinojosa. - Bob Schalkwijk: una visión fotográfica en Morelos por Vera Castillo y Erick Alvarado Tenori
Thinking the body transcendent: racial violence and the mystical imaginary in contemporary American literature
Twentieth-century literature and theory have offered no shortage of challenges to the unity of personal identity. What these undertakings leave largely unquestioned, however, is the prevailing understanding that personal identity is sealed within the confines of the physical body—the final uncontested frontier of Cartesian identity. Emerging from a matrix of recent American literature—by Don DeLillo, Charles Johnson, Tony Kushner, Toni Morrison, among others—is a counter-argument to the notion that the materially bounded self is separate from other such selves in space. For the “individual” to take shape as such, it must locate itself within a specific social identity, disavowing its connection with those who identify themselves differently: a process, these texts suggest,
that can unleash racial and ideological violence. My dissertation explores six late twentieth-century American novels and plays (1982 to 1998) that both dramatize this violent process and propose an alternative through images of humans dislocated from
their bodies and fusing metaphysically with other open selves across space. Whereas critics have shown how global magic realist literatures use images of the non-unified self to represent the split consciousness resulting from colonial domination, my project explores how recent American texts religiously inflect such images and then through them imagine the transcendence of racial divisions. Challenging the notion of the human as a material isolate, images of the open body represent a literary vision for more expansive inter-racial identifications and more actively inclusive social solidarities for twenty-first century America.Ph.D.Includes abstractVitaIncludes bibliographical referencesby Erick Samuel Sierr
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