175,880 research outputs found

    Visible skin colouration predicts perception of male facial age, health and attractiveness

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    Synopsis Although there is evidence that perception of facial age, health and attractiveness is informed by shape characteristics as well as by visible skin condition, studies on the latter have focused almost exclusively on female skin. Recent research, however, suggests that a decrease in skin colour homogeneity leads to older, less healthy and less attractive ratings of facial skin in both women and men. Here, we elaborate on the significance of the homogeneity of visible skin colouration in men by testing the hypothesis that perception of age, health and attractiveness of (non-contextual) digitally isolated fields of cheek skin only can predict that of whole facial images. Facial digital images of 160 British men (all Caucasian) aged between 10 and 70 were blind-rated for age, health and attractiveness by a total of 147 men and 154 women (mean age similar to 22.95, SD similar to 4.26), and these ratings were related to those of corresponding images of cheek skin reported by Fink et al. (J. Eur. Acad. Dermatol. Venereol. in press). Linear regression analysis showed that age, health and attractiveness perception of mens faces could be predicted by the ratings of cheek skin only, such that older men were viewed as older, less healthy and less attractive. This result underlines once again the potent signalling role of skin in its own right, independent of shape or other factors and suggests strongly that visible skin condition, and skin colour homogeneity in particular, plays a significant role in the perception of mens faces

    rizdeology | S1E2: Mike Fink

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    Longest-serving faculty member in the history of Rhode Island School of Design, Literary Arts & Studies Professor Mike Fink discusses how he singlehandedly saved Carr House Cafe, his hope to become the next RISD president, and his love for South Park. Please excuse the audio quality as Mike\u27s wonderful beard slightly interfered with the microphone. Graphic Design by Aanya Arora, AR \u2724https://digitalcommons.risd.edu/library_rizdeology/1001/thumbnail.jp

    Gefühlte Geschichten : unentscheidbares Erzählen und emotionales Erleben

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    Palmier J-P. Gefühlte Geschichten : unentscheidbares Erzählen und emotionales Erleben. Paderborn: Fink; 2014

    Stanley Kubrick. Einführung in seine Filme und Filmästhetik

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    Palmier J-P, Kaul S. Stanley Kubrick. Einführung in seine Filme und Filmästhetik. directed by, 1. München: Fink; 2010

    Zu Teun A. van Dijks Aufsätzen "Generative Semantik und Texttheorie" und "Textgenerierung und Textproduktion"

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    Kindt W, Wirrer J. Zu Teun A. van Dijks Aufsätzen "Generative Semantik und Texttheorie" und "Textgenerierung und Textproduktion". In: Kindt W, Schmidt SJ, eds. Interpretationsanalysen: Argumentationsstrukturen in literaturwissenschaftlichen Interpretationen. Grundfragen der Literaturwissenschaft : N. F. Vol 2. München: Fink; 1976: 116-132

    Denken mit dem Bild : philosophische Einsätze des Bildbegriffs von Platon bis Hegel

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    Grave J, Schubbach A, eds. Denken mit dem Bild : philosophische Einsätze des Bildbegriffs von Platon bis Hegel. Eikones. Paderborn: Fink; 2010

    "... und du übernimmst den Fall!" Krimis für Kinder auf CD-ROM: ein Überblick

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    Josting P. ".. und du übernimmst den Fall!" Krimis für Kinder auf CD-ROM: ein Überblick. In: Vogt J, ed. MedienMorde. München: Fink; 2004: 218-241

    Hubert Damisch

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    Grave J. Hubert Damisch. In: Busch K, Därmann I, Eikones NFS Bildkritik, eds. Bildtheorien aus Frankreich. Ein Handbuch. Eikones. München: Fink; 2011: 103-110

    Der Weltsport und seine Medien

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    Werron T. Der Weltsport und seine Medien. In: Axter F, Jäger J, Sicks K, Stauff M, eds. Mediensport.Strategien der Grenzziehung. Mediologie. Vol 19. Paderborn: Fink; 2009: 23-42

    Das Auge der Architektur. Zur Frage der Bildlichkeit in der Baukunst

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    Beyer A, Burioni M, Grave J, eds. Das Auge der Architektur. Zur Frage der Bildlichkeit in der Baukunst. Paderborn: Fink; 2011
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