1,721,019 research outputs found

    Rethinking the Theatre of the Absurd: Ecology, the Environment and the Greening of the Modern Stage

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    Rethinking the Theatre of the Absurd is an innovative collection of essays, written by leading scholars in the fields of theatre, performance and eco-criticism, which reconfigures absurdist theatre through the optics of ecology and environment. As well as offering strikingly new interpretations of the work of canonical playwrights such as Beckett, Genet, Ionesco, Adamov, Albee, Kafka, Pinter, Shepard and Churchill, the book playfully mimics the structure of Martin Esslin's classic text The Theatre of the Absurd, which is commonly recognised as one of the most important scholarly publications of the 20th century. By reading absurdist drama, for the first time, as an emergent form of ecological theatre, Rethinking the Theatre of the Absurd interrogates afresh the very meaning of absurdism for 21st-century audiences, while at the same time making a significant contribution to the development of theatre and performance studies as a whole. The collection's interdisciplinary approach, accessibility, and ecological focus will appeal to students and academics in a number of different fields, including theatre, performance, English, French, geography and philosophy. It will also have a major impact on the new cross disciplinary paradigm of eco-criticism

    Contemporary French Theatre and Performance

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    This is the first book to explore the relationship between experimental theatre and performance making in France. Reflecting the recent return to aesthetics and politics in French theory, it focuses on how a variety of theatre and performance practitioners use their art work to contest reality as it is currently configured in France

    Contemporary French Theatre and Performance

    No full text
    This is the first book to explore the relationship between experimental theatre and performance making in France. Reflecting the recent return to aesthetics and politics in French theory, it focuses on how a variety of theatre and performance practitioners use their art work to contest reality as it is currently configured in France

    Jean Genet: Performance and Politics

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    Jean Genet, Performance and Politics is the first book to explore the broad political significance of Genet's performance practice by focusing on his radical experiments, polemical subjects and formal innovations in theatre, film and dance. Its new approach brings together the diverse aspects of Genet's work through essays by international scholars and interviews with such key theatre directors as Richard Schechner, Terry Hands, Cornerstone Theatre and Jean-Baptiste Sastre. Where some of the contributors explore Genet's relationship with political discourses and movements (performance theory, sociology, situationism, postmodernism, post-structuralism), others trace his influence on contemporary practice (Butoh, Body Art, avant-garde theatre, site-specific performance and queer cinema). This exciting and original volume situates Genet as a key political playwright and as a major figure in the history of twentieth-century performance practice, and will be of interest to students of Theatre, Performance, Dance, Film and French

    Migration

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    Special issue on borders, boundaries, exile, odysseys, polyphonies, palimpsests, transmedia and metapmorphoses
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