111 research outputs found
LB2-94PIX03 - Photographs of Maggio 'Re Filippo d'Egitto' Piazza al Serchio company at Gragnanella 17/7/94
No full textPhotographs of Maggio 'Re Filippo d'Egitto' Piazza al Serchio company at Gragnanella 17/7/94 Performers Re Filippo - Silvano Fontanini Timante - Luciano Tramontana Alessio - Giuseppe Malaspina Ulisse (Scudiero) - Flavio Orsi Roncinello (servo) - Leo Sarteschi Re turco - Andrea Pietrini Antinesca - Ada Rossi Alba - Barbara Bertolucci Morgante - Attilio Piagentini Pulicardo (duca) - Attilio Piagentini violinista - Giuesppe Ballerini fisarmonica - Giorgio Ennio. Language as given: Italia
Novos territórios no final do século XIX. Augusto Ballerini no Museu de La Plata
No full textThis work studies one of the works created by the artist Augusto Ballerini for the Museo de La Plata: the mural Selva misionera. It begins with a brief biography of the author and goes on to analyze and interpret his painting. Ballerini (1857-1902) was a multifaceted artist who worked as a teacher, illustrator, decorator, manager and visual artist. He executed several commissions in La Plata city for different government agencies, and he painted three large murals in the Museo de La Plata: Salvajes provocando fuego (1887), Vista de los Andes (1887) –both in the rotunda at the entrance to the Museum– and Selva misionera (n.d.), on the upper floor of this rotunda. Only the last of these murals is preserved today. Like many artists at a time when the matter of landscape was in full debate, and with the explicit intention of capturing different geographies of the country, Ballerini traveled through Patagonia, the Northwest, Mesopotamia, the Gran Chaco and the mountain regions in pursuit of the inclusion of national art within the iconography of the emerging Nation.En este trabajo se estudia una de las obras que el artista Augusto Ballerini realizó para el Museo de La Plata: el mural Selva misionera. Se inicia con una breve biografía y luego se analiza e interpreta su pintura. Ballerini (1857-1902) fue un artista polifacético que actuó como docente, ilustrador, decorador, gestor y artista visual. Ejecutó varios encargos en la ciudad de La Plata para distintas dependencias gubernamentales, y en el Museo de esta ciudad pintó tres murales de gran tamaño: Salvajes provocando fuego (1887), Vista de los Andes (1887) –ambos en la rotonda de ingreso al Museo– y Selva misionera (s/f), en el piso alto de esta rotonda. Solamente el último mural se conserva en la actualidad. Como muchos artistas de una época en la que la cuestión del paisaje estaba en pleno debate, con la intención expresa de captar distintas geografías del país, Ballerini recorrió la Patagonia, el Noroeste, la Mesopotamia, el Gran Chaco y las regiones serranas en busca de la inclusión del arte nacional en la iconografía de la Nación emergente.Este trabalho estuda uma das obras que o artista Augusto Ballerini criou para o Museu de La Plata: o mural Selva misionera. Inicia-se com uma breve biografia e em seguida sua pintura é analisada e interpretada. Ballerini (1857-1902) foi um artista multifacetado que atuou como professor, ilustrador, decorador, gestor e artista visual. Executou várias encomendas na cidade de La Plata para diferentes órgãos governamentais, e no Museu desta cidade pintou três grandes murais: Salvajes provocando fuego (1887), Vista de los Andes (1887) – ambos na rotunda de entrada do Museu – e Selva misionera (sem data), no piso superior desta rotunda. Apenas o último mural está conservado atualmente. Como muitos artistas de uma época em que a questão da paisagem estava em pleno debate, com a intenção expressa de captar diferentes geografias do país, Ballerini viajou pela Patagônia, pelo Noroeste, pela Mesopotâmia, pelo Gran Chaco e pelas regiões montanhosas em busca da inclusão da arte nacional na iconografia da Nação emergente
New clinical application of indocyanine green in fluorescence-guided laparoscopic lymph-node biopsy in case of lymphoma. Preliminary results on a case series
No full textBackground - Indocyanine Green (ICG) fluorescence-guided surgery is widely used for intraoperative visualization of lymphatic structures. To date, there are no reports indicating this dye being used in lymph node biopsies for suspected or relapsed lymphoma.
Methods - Between October 2021 and June 2022, 12 patients underwent a fluorescence-guided laparoscopic lymph node biopsy (FGLLB) using ICG. The following was retrospectively evaluated: the dosage of ICG, the injection site, the number of patients where fluorescence was obtained after ICG administration, and additionally, the parameters indicating the outcome of the surgical procedure.
Results - The median duration of the surgery was 90 min. A laparotomy conversion was required in one case due to bleeding. Fluorescence was obtained in 10/12 (83.3%) patients by means of subcutaneous/perilesional injection in six of the patients, and intravenously in the other four. Hospitalization had a mean duration of three days. There were no major postoperative complications. FGLLB was used in seven patients to follow lymphoproliferative disease progression, and in five patients to establish a diagnosis. In all cases, FGLLB provided the information necessary for the correct diagnosis.
Conclusions - Fluorescence with ICG offers a simple and safe method for detecting pathological lymph nodes. FGLLB in suspected intra-abdominal lymphoma can largely benefit from this new opportunity which has not yet been tested to date. Further studies with large case series are needed to confirm its efficacy
IL-1β-releasing human acute myeloid leukemia blasts modulate natural killer cell differentiation from CD34+ precursors
No full textNew territories at the end of the 19th century. Augusto Ballerini at the Museo de La Plata
No full textEn este trabajo se estudia una de las obras que el artista Augusto Ballerini realizó para el Museo de La Plata: el mural Selva misionera. Se inicia con una breve biografía y luego se analiza e interpreta su pintura. Ballerini (1857-1902) fue un artista polifacético que actuó como docente, ilustrador, decorador, gestor y artista visual. Ejecutó varios encargos en la ciudad de La Plata para distintas dependencias gubernamentales, y en el Museo de esta ciudad pintó tres murales de gran tamaño: Salvajes provocando fuego (1887), Vista de los Andes (1887) –ambos en la rotonda de ingreso al Museo– y Selva misionera (s/f), en el piso alto de esta rotonda. Solamente el último mural se conserva en la actualidad. Como muchos artistas de una época en la que la cuestión del paisaje estaba en pleno debate, con la intención expresa de captar distintas geografías del país, Ballerini recorrió la Patagonia, el Noroeste, la Mesopotamia, el Gran Chaco y las regiones serranas en busca de la inclusión del arte nacional en la iconografía de la Nación emergente.This work studies one of the works created by the artist Augusto Ballerini for the Museo de La Plata: the mural Selva misionera. It begins with a brief biography of the author and goes on to analyze and interpret his painting. Ballerini (1857-1902) was a multifaceted artist who worked as a teacher, illustrator, decorator, manager and visual artist. He executed several commissions in La Plata city for different government agencies, and he painted three large murals in the Museo de La Plata: Salvajes provocando fuego (1887), Vista de los Andes (1887) –both in the rotunda at the entrance to the Museum– and Selva misionera (n.d.), on the upper floor of this rotunda. Only the last of these murals is preserved today. Like many artists at a time when the matter of landscape was in full debate, and with the explicit intention of capturing different geographies of the country, Ballerini traveled through Patagonia, the Northwest, Mesopotamia, the Gran Chaco and the mountain regions in pursuit of the inclusion of national art within the iconography of the emerging Nation.Facultad de Ciencias Naturales y Muse
Large Forgings: Microstructural Evolution and Residual Stresses Due to Quenching Treatments—A Combined Numerical and Experimental Approach
No full textBased on numerical and experimental data, an FEM model was implemented to simulate quench treatments on large forging components. After experimental validation of convection coefficient laws between water and component surface, time–temperature curves were determined for a large forged piece for different corss section of the component itself. Then superimposing these curves to the continuous cooling transformation diagram for the material, it was possible to identify the microstructural constituents of the steel after quenching. The component residual stress field was obtained by implementing the volumetric expansion law due to the phase transition during cooling. The ability to simulate the heat treatment of heavy size parts must be considered very useful due to quickly managing of all variables that govern the problem (initial and final temperatures, holding times, quenching mode, size, and geometry of components) and the possibility to predict final characteristics of the workpiece
Gymnocoronis spilanthoides (Asteraceae, Eupatorieae), a new naturalized and potentially invasive aquatic alien in S Europe
No full textGymnocoronis spilanthoides, a naturalized South American neophyte introduced as an aquarium and aquatic ornamental plant, is recorded for the first time from southern Europe. Two populations were found in irrigation canals and in a rice field in northern Italy. Distribution, invasion status, ecology, and pathways of introduction of the species are presented. Additionally, the modes of dispersal, never investigated before in the European continent, are discussed and the potential invasive behaviour and impacts in the new growing sites are assessed
“Lándar,” “Lándra,” “Barlánd” (Bunias erucago L.): a Neglected Crop from the Po Plain (Northern Italy).
No full text- …
