132,742 research outputs found

    The fowl and the pussycat: Love letters of Michael Field, 1876-1909

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    Michael Field was the pseudonym used by Katherine Bradley (1846-1914) and Edith Cooper (1862-1913) coauthors and lovers for the poetry and verse drama they published. This edition of the love letters of Michael Field brings together for the first time a personal correspondence thought lost by critics. As the first modern scholarly edition of any of Michael Field's writings, the 168 letters represent a treasure trove of almost untouched manuscript material, including many from the critical early years (1876-1885) of this aunt-niece collaboration. The letters contain both published and unpublished poems and insights into the dramas and their production and are supplemented by extensive annotation and a biographical introduction. Recent critical analysis of poetry and plays written by Michael Field has resulted in more complex interpretations of lesbian textuality, but our understanding of the lives of these poets remains obscured by a pervasive myth of unity. By drawing on previously neglected information about the early lives of Bradley and Cooper made available in these letters, Bickle is able to challenge many current perceptions about the poets' lives. She also shows how the letters provide a context for understanding the development of specific works and for reevaluating the significance of Michael Field as a late-Victorian writer. [from publisher's website

    Michael Rodriguez interviews fiction writer Michael Kimball

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    Author Michael Kimball talks about moving away from Michigan to become a successful writer, his education, the fiction reading series he has started in Baltimore, the life-story-on-postcard project, and his book "Dear everybody." Kimball is interviewed by Michigan State University Librarian Michael Rodriguez for the Michigan State University Libraries' Michigan Writers Series

    Fashioning Michael Field: Michael Field and Late-Victorian Dress Culture

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    This article explores how the late-Victorian poets Katharine Bradley and Edith Cooper, who wrote under the collaborative pseudonym Michael Field, used fashionable dress to construct and advertise their unique poetic identity. Using evidence from their journal Works and Days, I contextualise Bradley and Cooper's clothing in terms of late-Victorian dress culture, and the major dress reform movements of the nineteenth century. I demonstrate that Bradley and Cooper used fashion as a distinctively feminine way of participating in aesthetic culture, marking significant life events, and to advertise their poetic identity. This self-fashioning also exposed them to aesthetic scrutiny from their peers Oscar Wilde and Bernard Berenson. Finally, I argue that fashion played a crucial role in Bradley and Cooper's desire for one another – and that this desire can be understood in terms of erotic reciprocity

    Edith Cooper’s Sin: Mapping the Willful Bodies of Michael Field

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    Scandal has long been associated with the collaborative partnership of Michael Field (the pseudonym/collaborative identity of Katharine Harris Bradley and Edith Emma Cooper): In the 1880s, the English literary world was reportedly scandalized to discover the recently lionized young debut writer, Michael Field, was actually an aunt and niece from suburban Bristol. Rediscovered in the 1990s as lesbian lovers and writers, Bradley and Cooper re-emerged at the forefront of historiography on transgressive sexuality and the nature of female same-sex relationships, and current scholarship has extended this to argue this relationship embraced more complex and fluidly desiring bodies. If LGBTQ+ sexuality is no longer a site of scandal, nevertheless under the surface a modern discomfort with the spectre of aunt-niece incest remains. In some sense, “Michael Field” often represents the bellwether for scholarship on Victorian women writers. Using Sara Ahmed’s theory of wilfullness and digital humanities scholarship on The Diaries of Michael Field this chapter draws on Bickle’s transcription of the 1912 diary, written predominantly by Edith Cooper whilst dying of cancer. This volume, which begins with Cooper’s discussion of her sin in the context of her Catholic conversion and includes a tumultuous penultimate meeting with art historian Bernhard Berenson—central to several of Cooper’s love triangles—grants a unique vision into Cooper’s sense of her own sexuality, and how she viewed the morality of her most intimate relationships

    Michael Field's Letters

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    It is a sobering reflection that, had their diaries never existed, Michael Field scholarship still would be better served by Bradley and Cooper’s extensive body of letters than most other women writers. The sheer excess of autobiographical material that the joint journals bring to the table makes the large number of surviving letters seem superfluous, but this is an illusion. As a double-handed account of the lives of Bradley and Cooper, Works and Days begins with the 1888–89 volume, and the family’s removal from the Clifton area of Bristol to Blackboro’ Lodge in Surrey. It is in their letters alone that we find contemporary accounts of the 1880s, the decade in which Michael Field publish their first volume, Callirrhoë/Fair Rosamund (1884) and in which Bradley and Cooper begin to see themselves as lovers, yet their letters remain substantially unexplored

    Michael Rodriguez interviews author Paul Clemens

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    Author Paul Clemens talks about his book "Made in Detroit," the genre of memoir, and writing about race. Clemens is interviewed by Michigan State University Librarian Michael Rodriguez for the MSU Libraries' Michigan Writers Series. Held in the MSU Main Library

    Michael Rodriguez interviews author Tom Springer

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    Author Tom Springer is interviewed about his writing career and his newest book "Looking for hickories". Springer talks about his career following after earning an Environmental Journalism degree from Michigan State University. He calls his genre "creative non-fiction" and explains how he weaves his memories into his books about life in rural and wild Michigan. Part of the Michigan State University Libraries' Michigan Writers Series. Springer is interviewed by Librarian Michael Rodriguez

    Michael Rodriguez interviews author Gary Gildner

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    Author Gary Gildner explains why he left his tenured teaching position to move to Idaho to became a full-time writer of poetry. Gildner talks about donating his personal papers to Michigan State University Libraries' Special Collections, his writing style and how he approaches writing. Gildner is interviewed by MSU Librarian Michael Rodriguez for the MSU Libraries' Michigan Writer Series. Held at the MSU Main Library

    PREVIEW: Tonga needs Pōhiva’s message so kingdom can move forward: An interview with the biographer of 'Akilisi Pohiva, Michael Field

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    THE LATE Tongan Prime Minister ‘Akilisi Pōhiva was a clear visioned man whose message was still current, according to veteran Pacific journalist Michael Field. Field, who is writing a biography of Pōhiva, says a book about his life will be useful to the kingdom. Tongans needed Pōhiva’s message, he said (Field, 2020)

    Gold standard of UK degrees is lost in translation

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    Inflated marks, overworked staff and politically compromised courses are the price of exploiting offshore UK registered students, says Michael Day
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