1,383 research outputs found
Yield and spike fertility in a historic set of wheat cultivars in response to frost
No full textAriel Ferrante, Cesar M. Cossani, Jason A. Able, Victor O. Sadra
Why are (human) lives political? Interview with Ariel Colonomos
No full textSite du CERIHow do we price lives? This question, far from being rhetorical, refers to notions that lie at the core of the political. Ethically, from a principled approach perspective, lives have an infinite value. However, politically, lives can be valued in material terms, i.e. they can be put in balance with material interest, whether these interests are monetary or political (such as the national interest). Ariel Colonomos, author of the recently published Pricing Lives (Oxford University Press, 2023), answers our questions and helps us better understand this crucial philosophical question. Interview by Miriam Périer, CERI
On The Verge of Brilliance: A Cross-Cultural Study Between Susan Glaspell and Elena Ferrante
No full textIn this paper, I discuss how for Susan Glaspell and Elena Ferrante, violence is how their female characters respond to attempted entrapment in a cage when they are offered no escape. Susan Glaspell’s plays “Trifles” and “The Verge” in comparison to Elena Ferrante’s Neapolitan Quartet shows how women have had oppressive male forces acting upon them for decades. At times when feminists were campaigning for other issues, Glaspell and Ferrante advocated for proper divorce laws by showing the dark side of marriage through the physical and emotional abuse their brilliant female leads undergo alongside the female character’s resulting violence
Underwater theater show
No full text"Underwater Theater Show" is a collection of lyric poems tethered to ideas of performativity, the unknown, and the material world as it inevitably relates to the digital world.M.F.A.by Ariel Yele
Ariel Dorfman, 18th Annual ODU Literary Festival
No full textBorn in Argentina, Ariel Dorfman is a Chilean citizen who was forced into exile after the coup of 1973 that overthrew Salvador Allende. He is the author of the nonfiction books How to Read Donald Duck and The Empire’s Old Clothes; the novels Konfidenz, Mascara, The Last Song of Manuel Sendero, and Widows; short story collection, My House is on Fire; and a collection of poems, Last Waltz in Santiago. Dorfman’s books have been translated into twenty-seven languages. His play, Death and the Maiden, first performed in England in 1991, received the Time Out award as Best Play of the Year and the Sir Lawrence Olivier Award as Best Play of the Year. Juliet Stevenson received the same two awards as Best Actress. In the United States, Glenn Close won a Tony Award for Best Actress on Broadway in the same role. Recently, Sigourney Weaver, Ben Kingsley and Stuart Wilson along with director Roman Polanski have made Death and the Maiden into a film released in the United States in December of 1994. Mr. Dorfman, who is a regular contributor to the New York Times, the Los Angeles Times, the Village Voice, and The Nation lives in Durham, North Carolina, where he teaches at Duke whenever possible
Rodó y su Ariel : el Ariel de Rodó
No full textEl artículo presenta al autor de Ariel Rodó, como integrante de la promoción literaria uruguaya, como uno de los exponentes del modernismo y como pensador que pertenece a la generación de los Fundadores. Parte de la problemática Ariel- Calibán como símbolo latinoamericano y de la postulación de Ariel como discurso antiimperialista para situar la pregunta respecto de la función de la educación en la constitución del joven latinoamericano como sujeto social portador de sentido del proyecto nacional. Se tratan luego las figuras que se desprenden de los Prósperos, los Calibanes y los Arieles concebidos como la pluralidad de perspectivas desde las que transcurren las vidas de los sujetos y de los espacios desde los cuales las naciones se paran para mirarse unas a otras.This article introduces the author of Ariel, Rodó, as a member of the Uruguayan literary community, as well as one of the figures of expressionism, and as a thinker who belongs to the generation of the founders. It starts off from the Ariel-Calíban conflict as a Latin American symbol and from the postulation of Ariel as an antiilllpenallst discourse to pose the question about the function of education in the formation of the young Latin American as a social subject that bears the true sense of the national project. The study finally arrives at a meeting with the figures that derive themselves from the Prosperos, the Callbans and the Ariels conceived as the pluralism of the perspectives in which the lives of the subjects are Iived in the spaces from which the nations stand up in arder to take a look at one another.Fil: Alvarado, Mariana
Ariel Dorfman
No full textForced to flee Chile after the military coup in 1973, Ariel Dorfman has focused his writing on the trials of tyranny and exile. This program looks at how he has fought for human rights as a novelist, playwright, essayist, journalist, and professor of literature and Latin American studies. Many of the works of this multi-genre author are examined, including Death and the Maiden, his successful play which was turned into an international film by Academy Award-winning director Roman Polanski
Differences in yield physiology between modern, well adapted durum wheat cultivars grown under contrasting conditions
No full textAbstract not availableAriel Ferrante, Roxana Savin, Gustavo A. Slafe
Alienation and the Grotesque in Sylvia Plath's "Ariel" Poems
No full textThe author discusses several poems within Sylvia Path's "Ariel" to emphasize the presence of alienation and how it functions with images of the grotesqu
Yield determination, interplay between major components and yield stability in a traditional and a contemporary wheat across a wide range of environments
No full textAbstract not availableAriel Ferrante, Julia Cartelle, Roxana Savin, Gustavo A. Slafe
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