2,148 research outputs found
Austin Papers: Series II, Part II, 1818-1847
Copy of transcript for a letter from Ferguson and Co. to James F. Perry, confirming the shipment of cloth for Stephen F. Austin's military uniform, inquiring about the delivery of Perry's goods to Texas, and offering their condolences for Samuel Perry's death
Austin Papers: Series III, 1831-1834
Copy of transcript for a letter from Ferguson & Co. to James F. Perry, on February 17, 1831, informing him that they have sent the cloth for Stephen F. Austin's coat to Austin & Taylor in New York, and offering their condolences on the death of Samuel Perry
Dr. James Henry Salisbury portrait
This engraving is an oval portrait of James Henry Salisbury, M.D. (1823-1905), a physician who specialized in the study and treatment of infectious diseases. Salisbury has wavy hair and a substantial beard. The subject's signature is located at the bottom center of the white border. The engraver's name and location are printed underneath the image ("Samuel Sartain, Phila.").
Salisbury was born in Scott, New York, on January 12, 1823. He graduated from Albany Medical College in 1850 and practiced his medical specialty in New York and later in Cleveland, Ohio. A pioneer in the germ theory of disease, he became very interested in the relationship between diet and illness. He experimented with diets, using himself and other healthy individuals as subjects. He served as a physician during the American Civil War and treated soldiers suffering from intestinal ailments with a diet of coffee and minced beef patties thereafter known as "Salisbury steak."
In 1864 Salisbury moved to Cleveland, where he helped establish the Charity Hospital Medical College. He was the author of many books and articles; among his best-known works is "The Relation of Alimentation and Disease" (1888).
Between 1858 and 1861, Salisbury and his older brother, Charles Babock Salisbury, researched the earthworks and mounds of the Ohio Valley. In 1862-63 the brothers presented the American Antiquarian Society with their findings (charts, maps, sketches).
James Salisbury died in Dobbs Ferry, New York, on September 23, 1905 and was buried in Cleveland, Ohio
His Majesty's advocate : Sir James Stewart of Goodtrees (1635-1713) and Covenanter resistance theory under the Restoration monarchy
This thesis is the first to explore the life and political thought of Sir James
Stewart of Goodtrees (1635-1713). The first part reviews the life of his father, Sir
James Stewart of Kirk field (1608-1681) to 1661, and Goodtrees' own life from birth
to his admission to the Scots bar in 1661. This provides the backdrop of history
necessary to appreciate his contributions as both writer and radical activist.
Particular attention focuses on the conflict between Charles I and Charles II, on the
one hand, and the Church of Scotland, on the other; the National Covenant (1638)
and the Solemn League and Covenant of(1643); the British wars of religion; and
the upheavals following the Restoration in the 1660s, culminating in the Pentland
Rising of 1666.
The next part develops Goodtrees' political philosophy from his two most
important writings. Chapter 3 reviews and interprets Naphtali (1667), a defence of
those who rose at Pentland. Chapter 4 reviews Andrew Honyman's Survey of
Naphtali (1668, 1669), a rebuttal of Naphtali and standard Anglican case for royal
absolutism. Chapter 5 reviews and interprets Goodtrees' Jus Populi Vindicatum, or
The People's Right, to defend themselves and their Covenanted Religion, vindicated
(1669), his rejoinder to Honyman. His Calvinist, covenantal constitutionalism is
shown to be an important link between earlier resistance theorists like John Knox
and Samuel Rutherford and the later Whigs, represented preeminently by John
Locke.
The third part (chapters 6-7) reviews Goodtrees' life and minor writings as radical critic of the Restoration monarchy; a participant in plots among British
exiles in Holland to overthrow it; a member briefly of James's Scottish government
before the Revolution; and lord advocate and churchman pursuing political, legal,
and ecclesiastical reforms afterwards
Plan shewing the situation of the allotments for sale at Darlinghurst Elizabeth Bay [cartographic material] : the property of Alexr. Mcleay Esqre. by Mr S. Lyons /
Map showing allotments and location of various private residences, windmills and relief shown by hachures.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.map-f596; Ferguson collection Map F 596
Writing and the rights of reality: usurpation and potentiality in Derrida, Plato, Nietzsche, and Beckett
The thesis critically evaluates Jacques Derrida's conferral of the rights of reality on writing, focussing on his theory of an arche-text in light of the speculative nature of this theory. The theory is initially considered in the context of Derrida's elucidation of the usurpatory status of writing within the Platonic and Nietzschean texts. This consideration reveals an admission of writing's usurpatory status by both writers while at the same time demonstrating their awareness of the intrinsically speculative nature of this view, the significance of writing lying in its ability to exteriorise the radically indeterminate status of consciousness m relation to reality rather than its ability to displace consciousness or reality The analyses, therefore, not only bring the Derridean hypothesis of a repressive or phonocentric metaphysical episteme into question but also exhibit the historical and philosophical role of potentiality in relation to writing, writing's ultimate significance lying in its capacity to exteriorise our existence as a mode of potentiality. Accordingly, in the second half of the thesis the Derridean theory of writing is countered with a specifically Aristotelian theory of the text as it is exhibited in the prose of Samuel Beckett, an author whose significance lies in his close alignment with Derridean theory within contemporary criticism. It is demonstrated that this identification has obviated an awareness of the significance of potentiality within the Beckettian text, his work consequently being appraised in the previously neglected context of Aristotelian metaphysics
A call for continuity: the theological contribution of James Orr
James Orr (1844-1913) was a Scottish theologian, apologist
and polemicist. He was the leading United Presbyterian theologian
at the time of the United Free Church of Scotland union of 1900, and
beyond his own church and nation he came to exercise a significant
influence in North America. This study is an examination of Orris
theological contribution, what he believed and how he expressed it,
in its historical setting Particular attention is paid to the
convictions which undergirded and gave impetus to his activities.
The study reveals that while Orr was far from unaffected by
the intellectual movements of the late-Victorian period, his contribution
may best be described as a call for continuity with the central tenets
of evangelical orthodoxy. He was one of the earliest and principal
British critics of the Ritschlian theology, and a strong opponent
of rationalistic biblical criticism. He emphatically rejected all
evolutionary interpretations of man's moral history, and held firmly
to orthodox Christological formulations in the face of alternative
assessments of the historical Jesus.
While factors of temperament affected the tenor of his work,
his contribution was most decisively shaped by the convictions that
evangelical orthodoxy is ultimately self-authenticating, that truth
comprises a unity or interconnected whole, that genuine Christian
belief implies a two-story supernaturalist cosmology, and that the
rationalism of the times was a temporary malaise.
A general lack of support for his views within the scholarly
community, combined with his own deep-seated populist instincts and
common sense convictions, led Orr in later years to direct his
appeals primarily toward the Christian public. The conclusion reached
is that Orr deserves to be recognized, not so much as a brilliant or
particularly original thinker, but as an able and exceptionally
vigorous participant in a period of dramatic theological challenge
and change
Samuel Beckett and the Writers of Port-Royal
It has been observed that ‘the literary influences on Beckett have been far more important than has been acknowledged, and more important indeed, than the philosophical influences’ (Smith 2002: 3). The truth of this statement is evidenced by the description that scholars have given of Samuel Beckett’s relationship to seventeenth century French classicism. To date, critical interest has been limited for the most part to the figure of the philosopher René Descartes on the (fragile) grounds that Beckett was exclusively concerned with the Cartesian imperative of clarity and order, the fundamental dualism between body and mind, and Nominalism.
Together with the assumption that Beckett’s vision was essentially Cartesian, his literary filiation with Pascal was suggested by critics, but only in terms of Beckett’s formal approach to the theatre. In his short article on En attendant Godot in 1953, the playwright Jean Anouilh was among the first reviewers to suggest that Beckett’s drama synthesizes the encounter between ‘classicism’ and a ‘modern’ form of art. It is well known that Beckett retained a lifelong admiration for Pascal – indeed, Pascal was one of his ‘old chestnuts’ (Knowlson 1997: 653). Little attention has been paid, however, to the originality of Pascal’s thought, the specific nature of his prose, and the impact these might have had upon Beckett’s mature work, especially the trilogy and the subsequent short prose. Yet, in the literary and philosophical context of post-war France, Beckett’s filiation with Pascal, their corresponding preoccupations, were evident to his contemporaries, who identified Pascal as an underlying presence in his works
Part of Southern Australia from the 132° to 141° degree of East longitude [cartographic material].
From: Plan of a company to be established for the purpose of founding a colony in Southern Australia, Ridgway and Sons. 1831.; Inset: Map of Australia.; Map of South Australia showing features to be seen from ships and the recent discovery of the Murrumbidgee River.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.map-f490.; Ferguson Collection Map F 490.Plan of a company to be established for the purpose of founding a colony in Southern Australia
An analysis of a broad selection of the poetry and philosophical prose of James Beattie within its eighteenth-century context.
This study explores the significance and relevant contexts of the collected poems of James Beattie, within a detailed study of his own prose works and wider eighteenth-century intellectual debates. His position on the periphery of the literary canon means that this thesis deals largely with primary material, which permits a more thorough and objective analysis than has been conducted before. The first half of this study deals with Beattie’s poetic output. Chapter 1 focuses on Beattie’s first volume of poetry, Original Poems and Translations. In this chapter I analyse the poems within the context of other eighteenth-century poets, and explore Beattie’s engagement with patronage, the eighteenth-century conventions for success as a new poet, and poetic genius. Chapter 2 deals with Beattie's second volume, Poems on Several Subjects, to illustrate the evolution in his ideas concerning the usefti๒ess of poetry as a vehicle for philosophical investigation, and his engagement with eighteenth-century social and political issues. Chapter 3 explores his best known poem, The Minstrel: Or, the Progress of Genius. This chapter discusses the poem in its entirety and within the context of Beattie’s career as a poet and philosopher. Chapter 5 focuses on Beattie's final volumes of poetry, which represent his desire to control his poetic legacy. The second half of the study deals with selected critical and philosophical works, which provide insight into the development of Beattie’s poetry and express in prose many of the subjects in lus poetry. The most detailed attention in this section is given to the Essay on Truth, although there are also chapters examining other relevant critical works including Dissertations Moral and Critical. On Poetry and Music and On Laughter and Ludicrous Composition, and Beattie's collection of "Scoticisms." There are few modem critical studies of Beattie, and many of them are limited to The Minstrel and to specific areas of interest within this work. This study's comparative and interdisciplinary approach to Beattie’s poetry and selected prose aims to justify Beattie’s inclusion in our study of the eighteenth century. It is also intended to raise awareness of Beattie’s importance in the eighteenth-century and to illustrate his influence on three first- generation Romantic poets of generally recognised importance, namely Scott, Coleridge, and Wordsworth
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