4,880 research outputs found
Songwriting: Entrevista a Felicity Baker
No full textThe interview was conducted within the framework of Felicity Baker\u27s visit to Argentina and the holding of an international Workshop on Songwriting, organized by the Argentine Association of Music Therapy in December 2017.La entrevista se realizó en el marco de la visita de Felicity Baker a la Argentina y la realización de Workshop internacional sobre Songwriting, organizado por la Asociación Argentina de Musicoterapia en Diciembre del 2017
Entrevista Felicity Baker
No full textLa entrevista se realizó en el marco de la visita de Felicity Baker a la Argentina y la realización de Workshop internacional sobre Songwriting, organizado por la Asociación Argentina de Musicoterapia en Diciembre del 2017.Cátedra Libre Musicoterapi
Music Therapy and Mental Health Recovery : What Is the Evidence?
No full textDrawing on new paradigms and evidence-based discoveries in neuroscience, narrative psychology, and creativity theory, Creative Arts in Counseling and Mental Health by Philip Neilsen, Robert King, and Felicity Baker explores the beneficial ..
L'esprit de l'hospitalité chez Emile
No full textBaker Felicity. L'esprit de l'hospitalité chez Emile. In: Romantisme, 1972, n°4. «Voyager doit être un travail sérieux.». pp. 90-99
Working with impairments in pragmatics through songwriting following traumatic brain injury
No full textVoicework in Music Therapy: Research and Practice (Felicity Baker & Sylka Uhlig, Editors)
No full textThis is a review of the book "Voicework in Music Therapy: Research and Practice" edited by Felicity Baker & Sylka Uhlig.
Voicework in Music Therapy: Research and PracticeBy Felicity Baker & Sylka Uhlig (Editors)London: Jessica Kingsley (2011)368 pp, ISBN: 978-1-84-905165-
Coordinating respiration, vocalization, and articulation: Rehabilitating apraxic and dysarthric voices of people with neurological damage
No full textVoicework in music therapy: Pioneers and a new generation
No full textMusic therapy researchers and clinicians are beginning to appreciate the significance of the human voice as our most private and personal musical instrument. While our discipline has only just begun to discuss this in the literature, various individuals and communities throughout the centuries have long recognized the strong connection between the voice and the self. Vocal expressions have been described as magical, extraordinary, vety personal, and an extremely sensitive form of emotional and social communication. Today we are able to draw on various qualitative and quantitative research designs to study these magical and sensitive vocal experiences. By studying voicework in great depth we can begin to develop methods ofvocal practice for music therapy grounded in research evidence. We can connect knowledge emerging from scientific sources and combine this with what we already know about music therapy to design effective vocal approaches
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