8,038 research outputs found
Ji su fei qing ge cang bei. v.1
No full text楊守敬用雙鈎法摹出自秦至唐古碑33種彙刊[成]此書."香港中文大學圖書館中國古籍庫"提供電子版.Yang Shoujing yong shuang gou fa mo chu zi Qin zhi Tang gu bei 33 zhong hui kan [cheng] ci shu.Cover title."Xianggang Zhong wen da xue tu shu guan Zhongguo gu ji ku" ti gong dian zi ban
Electrodeposited Ni/Ge and germanide schottky barriers for nanoelectronics applications
No full textIn recent years metal/semiconductor Schottky barriers have found numerous applications in nanoelectronics. The work presented in this thesis focuses on the improvement of a few of the relevant devices using electrodeposition of metal on Ge for Schottky barrier fabrication. This low energy metallisation technique offers numerous advantages over the physical vapour deposition techniques. Electrical characteristics of the grown diodes show a high quality rectifying behaviour with extremely low leakage currents even on highly doped Ge. A non-Arrhenius behaviour of the temperature dependence is observed for the grown Ni/Ge diodes on lowly doped Ge that is explained by a spatial variation of the barrier heights. The inhomogeneity of the barrier hights is explained in line with an intrinsic surface states model for Ge. The understanding of the intrinsic surface states will help to create ohmic contacts for doped n-MOSFETs. NiGe were formed single phase by annealing. Results reveal that by using these high-quality germanide Schottky barriers as the source/drain, the subthreshold leakage currents of a Schottky barrier MOSFET could be minimised, in particular, due to the very low drain/body junction leakage current exhibited by the electrodeposited diodes. The Ni/Ge diodes on highly doped Ge show negative differential conductance at low temperature. This effect is attributed to the intervalley electron transfer in Ge conduction band to a low mobility valley. The results show experimentally that Schottky junctions could be used for hot electron injection in transferred-electron devices. A vertical Co/Ni/Si structure has been fabricated for spin injection and detection in Si. It is shown that the system functions electrically well although no magnetoresistance indicative of spin injection was observed
"Dall'avanguardia al romanzo: tempo, modo e struttura nell'evoluzione della narrativa di Ge Fei negli anni Novanta"
No full textIl contributo analizza l'evoluzione dell'opera dello scrittore cinese Ge Fei da un punto di vista prettamente narratologico, da autore dell'avanguardia narrativa a romanziere. Il percorso narratologico permette di identificare alcune grandi tendenze socio-letterarie della narrativa cinese alla fine del Novecento
CHINA’S AVANT-GARDE LITERATURE IN TRANSLATION: GE FEI
No full textThis thesis project focuses on my process of translating the novella Flock of Brown Birds and the short story “Ring Flower” into English. Both pieces of literature are written by the author Ge Fei, one of China’s most renowned avant-garde writers. In this thesis, I explore the dynamics of translating Chinese literature into English, as well as the unique challenges that arise when translating avant-grade literature. The beginning of the first chapter is an introductory look at the sociopolitical background of China’s literary avant-garde genre during the 1980s. The second half of the chapter is a literary analysis of Flock of Brown Birds and “Ring Flower”, as my interpretations of the two pieces was an important part of the translation process. Chapter 2 is a commentary on my translations. In this chapter, I examine the historical background of Chinese and Western translation theory. I also discuss the translation theories that were most influential in my thought process while translating, as well as examine several practical and theoretical challenges that I encountered while writing my translation. Chapters 3 and 4 are my translations of Flock of Brown Birds and “Ring Flower”
Chen Dapeng du Fei Xiaotong Feng Youlan
No full textSide A. 1. 我這一年 / 费孝通. 2. 我參加了革命 / 冯友兰 -- Side B. 1. 我參加了革命 / 冯友兰.陈大鹏.Live recording.Electronic reproduction from Rulan Chao Pian Audio Cassette Collection.Spoken in Chinese.Chen Dapeng.Side A. 1. Wo zhe yi nian / Fei Xiaotong. 2. Wo can jia liao ge ming / Feng Youlan -- Side B. 1. Wo can jia liao ge ming / Feng Youlan
The Tradition of Telling and the Desire of Showing in Ge Fei’s ‘Fictional Minds’
No full textThis paper examines Ge Fei 格非’s attempt to reconcile the inner world oh his characters and the outward reality in his in his recent trilogy,
Renmian taohua 人面桃花 (Peach Blossom-beauty, 2004), Shanhe ru meng 山河入梦 (Mountains and Rivers Fall Asleep, 2007) and Chunjin jiangnan 春尽江南 (End of Spring in Jiangnan, 2011). Since his novel, Diren 敌人 (The Enemy, 1991), Ge Fei has focussed on the individual search to negotiate between his/her own subjectivity and the objective world around. Pesaro tries to show how the author, in depicting history and the reality as perceived by these fictional centres of consciousness, tends to gradually move from an indirect approach to a direct one. Chen Zhongyi 陈众议 (2012) points out the inner contradiction of Ge Fei’s style, which he defines as ‘classical’ (gudian 古典) and ‘avant-garde’ (xianfeng 先锋) at the same time, actually, as Pesaro points out, a sophisticated merging of both styles rather than a contradiction, ‘the sublimation of some modernist techniques within a more traditional, essentially Chinese, narrative frame.’ Ge Fei choses to narrate the human mind in its complexity and in its constant interaction with the outer world by combining traditional subjectivity and implicitness with modern devices such as stream of consciousness, the descriptions of actions and objects, and the use of poetry to represent emotions and mental activities. Thus he creates a completely new and independent narrative style, achieving both continuity and discontinuity with Chinese tradition
Yi chun sheng yi: si juan. v.1
No full text費伯雄著 ; [費]應蘭編次 ; [費]榮祖, [費]承祖, [費]紹祖校字.綫裝.框17.3x11.3公分, 8行18字, 小字雙行同, 無界行. 白口, 左右雙邊, 單黑魚尾. 版心上鐫題名, 中鐫卷次, 下鐫葉次.書名頁刻"光緖戊子年鐫, 上洋掃葉山房藏板". 又有紅色戳記"掃葉山房督造書籍".《中國中醫古籍總目》06998著錄.鈐"莊兆祥印"朱, 白文各一方.Xian zhuang.Kuang 17.3 x 11.3 gong fen, 8 hang 18 zi, xiao zi shuang hang tong, wu jie hang. Bai kou, zuo you shuang bian, dan hei yu wei. Ban xin shang juan ti ming, zhong juan juan ci, xia juan ye ci.Detailed notes in vernacular field only.Detailed notes in vernacular field only.Fei Boxiong zhu ; [Fei] Yinglan bian ci ; [Fei] Rongzu, [Fei] Chengzu, [Fei] Shaozu jiao zi.Qian "Zhuang Zhaoxiang yin" zhu, bai wen ge yi fang
Subversion, transcendence, and rejection history in the fiction of contemporary Chinese avant-garde writers Su Tong, Yu Hua, and Ge Fei
No full textThis thesis explores the different patterns of history presented in the fiction of the three major contemporary Chinese avant-garde writers Su Tong, Yu Hua, and Ge Fei as well as their respective views of history. Based on detailed case studies of the three writers, the thesis examines the complicated and intertwined relationships of contemporary Chinese avant-garde fiction with previous Chinese traditions—Confucian, the May Fourth, and Communist—and with foreign influences. It also assesses the overall literary achievement of Chinese avant-garde fiction, its position in the history of modern Chinese literature, and its impact on the Chinese writers of later generations.
Unlike most previous research on this subject, which overemphasizes the "alien" nature of Chinese avant-garde fiction or its discontinuity with Chinese tradition, this thesis aims at a more balanced investigation. Not only is the "newness" of Chinese avant-garde fiction deeply explored, its "Chineseness" or its profound continuity with Chinese literary and cultural conventions is also carefully examined. By comparison, the thesis attaches more importance to the "Chineseness" of Chinese avant-garde fiction.
My analysis demonstrates that, while Su Tong aims at the total subversion of the Communist interpretation of the Chinese revolution and history, while Yu Hua attemptsto transcend the Maoist materialistic view of history through reincorporating subjectivity into historical interpretation, Ge Fei totally rejects the conceptualization of history and the underlying rationalistic assumption of human experience as a perceptible and understandable unity.Arts, Faculty ofAsian Studies, Department ofGraduat
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