2,377 research outputs found
FrancisCrickInstitute/Pachnis-lab: January_2022_Nature_Methods
No full textCode as used in:
Molecular profiling of enteric nervous system cell lineages
Yuuki Obata, Álvaro Castaño, Todd Fallesen, Ana Carina Bon-Frauches, Stefan Boeing, Almaz Huseynova, Sarah McCallum, Tiffany Heanue and Vassilis Pachnis
and:
Obata et al. Neuronal programming by microbiota regulates intestinal physiology.
Nature 578, 284–289 (2020). DOI: https://doi.org/10.1038/s41586-020-1975-
Alice Weston Todd Correspondence
No full textEntries include brief biographical information, a biographical book review newspaper clipping, and a handwritten letter of riposte from Todd responding to an introductory letter from the Maine State Library, wherein Todd spells out Maine drugstores displaying her book for sale followed by a biographical letter thanking the Maine State Library for the purchase of Life on Grandpa\u27s Farm for the Maine Author Collection
Zhengzhou (China), aerial view of closure structure at Huayuankou
No full textAirplane view of closure structure at Huayuankou, 1500 feet west of east end. August 20, 1947.Image is part of research conducted by O. J. Todd for the article: The Yellow River Reharnessed
Author(s): O. J. Todd
Source: Geographical Review, Vol. 39, No. 1 (Jan., 1949), pp. 38-56
Published by: American Geographical Society
Stable URL: http://www.jstor.org/stable/211156http://www.jstor.org/stable/211156Grayscal
Zhengzhou (China), aerial view of engineers' camp from the upstream at Huayuankou
No full textAirplane view of engineers' camp at Huayuankou just upstream from closure. Aug 20, 1947.Image is part of research conducted by O. J. Todd for the article: The Yellow River Reharnessed
Author(s): O. J. Todd
Source: Geographical Review, Vol. 39, No. 1 (Jan., 1949), pp. 38-56
Published by: American Geographical Society
Stable URL: http://www.jstor.org/stable/211156http://www.jstor.org/stable/211156Grayscal
China, aerial view of Yellow River
No full textAirplane view of Yellow River delta region from 4000 feet altitude. August 21, 1947.Image is part of research conducted by O. J. Todd for the article: The Yellow River Reharnessed
Author(s): O. J. Todd
Source: Geographical Review, Vol. 39, No. 1 (Jan., 1949), pp. 38-56
Published by: American Geographical Society
Stable URL: http://www.jstor.org/stable/211156http://www.jstor.org/stable/211156Grayscal
Letter from Todd Sullivan to Hal Riegger, July 17, 1984
No full textTodd Sullivan expresses his relief that they were able to work out the photo situation between them and let Riegger know that he has not worked with an author and publisher before with deadlines. Additionally Sullivan provides Riegger the final price for his services and photograghs totaling 30 down payment)
Margaret Burr and Charles D. Todd Correspondence
No full textEntry is the typed transcript of a letter from the Maine State Library in receipt of the Todd\u27s booklet on the history of Harpswell, Maine, and surrounding islands with the observation that besides the Maine Author Collection, Beautiful Harpswell would be of future help academically in the Maine State Library files
Jeff Todd Titon
No full textJeff Todd Titon received the B.A. from Amherst College, and the M.A. (in English) and Ph.D. (in American Studies) from the University of Minnesota, where he studied ethnomusicology and wrote his dissertation on blues music. He has done fieldwork on religious folk music, blues, and old-time fiddling. His teaching began at Tufts University, where he was assistant professor of English, then associate professor of English and music. He has been a visiting professor at Carleton College, Amherst College, Berea College, the University of Maine, and Indiana University. Since 1986 he has been professor of music (ethnomusicology) at Brown. He is the award-winning author or editor of seven books, and also plays guitar, fiddle, and banjo, and restores violins. His full biography can be found at www.brown.edu/Departments/Music/people/facultypage.php?id=10318https://digitalcommons.library.umaine.edu/songstorysamplercollectors/1010/thumbnail.jp
The Author of the De Qualitatibus Incorporeis. If not Albinus, Who?
No full textTodd R. B. The Author of the De Qualitatibus Incorporeis. If not Albinus, Who?. In: L'antiquité classique, Tome 46, fasc. 1, 1977. pp. 198-204
Todd Solondz: Author Not for Everybody
No full textAndrzej Pitrus zastanawia się nad wyjątkowością dokonań Todda Solondza na tle amerykańskiego kina niezależnego. Według autora odmienność ta wynika przede wszystkim z faktu, że reżyser wypracował swój bardzo wyrazisty styl, ale również z tego, że w jego filmach w specyficzny sposób ujawnia się „dyskurs autorski”. Solondz bowiem nie tylko zaznacza swoją obecność w dziele jako zewnętrzny sprawca (jego biografia przenika do fabuły filmu), ale także w swoisty sposób tematyzuje rozmaite warianty wpisania twórcy w dzieło. Dzięki temu jego realizacje bez trudu są rozpoznawane jako „filmy Todda Solondza”. Analizując twórczość tego reżysera, Pitrus wpisuje go (powołując się na rozpoznania Rogera Eberta i Rhondy Liebermann) w nurt „new geek cinema”, którego bohaterowie są nie tylko przegrani, ale też budzą politowanie, odrazę i grozę. Omawiając kolejne filmy reżysera (m.in. Strach, niepokój, depresja /Fear, Anxiety and Depression, 1989/, Witajcie w domu dla lalek /Welcome to the Dollhouse, 1995/, Happiness /1998/, Opowiadanie /Storytelling, 2001/, Palindromy /Palindromes, 2004/), autor dowodzi, że widz z trudem identyfikuje się z ich bohaterami. To właśnie oni są znakiem rozpoznawczym twórczości Solondza. W konkluzjach do artykułu Pitrus stwierdza, że oglądając filmy Solondza w kolejności powstania można w nich dostrzec konsekwentnie rozbudowywany projekt autora, który buduje intrygujący, ale spójny i rozpoznawalny świat. Swój wywód autor kończy znamiennym cytatem z wypowiedzi samego Solondza dotyczącej Opowiadania: Moje filmy nie są dla wszystkich. A zwłaszcza nie dla tych, którym mogłyby się spodobać.Pitrus considers the exceptional place of Todd Solondz work in the American independent cinema. According to the author this exceptional place is the result of the director’s characteristic style, and the author’s discourse visible in his work. Solondz, as the external creator of his film, not only makes his presence in his work visible and explicit (his biography mixes with the story presented in the film), but also explores various ways of writing the author into the project. Thanks to these techniques his work is immediately recognized as “Todd Solondz’s films”. Through the analysis of Solondz’s work, Pitrus, referring to Roger Ebert and Rhonda Liebermann’s works, classifies his films as belonging to the “New Geek Cinema”, whose main characters are not only losers, but arouse pity, disgust, and dread. With the help of further analysis of Solondz’s films (such as Fear, Anxiety and Depression, Welcome to the Dollhouse, Happiness, Storytelling, Palindromes), the author argues that the viewer finds it very difficult to identify with the persons portrayed in the films. And it is precisely they who are so characteristic of Solondz’s work. Pitrus concludes, that by watching Solondz’s films, in the order of their creation, one may observe the development of the author’ s vision - the creation of an intriguing and yet coherent and familiar world. Pitrus concludes his argument with Solondz’s famous quote about his film, the Storytelling: My movies are not for everybody, especially for people who like them
- …
