13,607 research outputs found

    New Ireland: the Irish on Prince Edward Island

    No full text
    Adapted from the text of New Ireland : The Irish on prince Edward Island, an exhibition produced by the Prince Edward Island Museum & Heritage Foundation. Text by Edward MacDonald.Source type: Print(0

    Ties that Bind: the repeal movement on 19th century Prince Edward Island

    No full text
    The article discusses the involvement of residents of Prince Edward Island in the Irish Repeal Movement, which sought to repeal the Act of Union of 1800 between Great Britain and Ireland, focusing on the years 1843 and 1844. It comments on the Loyal National Repeal Association, led by Irish political leader Daniel O'Connell. The author examines immigration to Prince Edward Island from the British Isles, the involvement of various groups in the movement including clergy, women, and non-Irish people, and leaders of the movement within Prince Edward Island, including newspaper editor Edward Whelan

    Faber Poetry Podcast: Episode 6: Edward Doegar & Ishion Hutchinson

    No full text
    In the final episode of our first series, Rachael and Jack are joined in the studio by Edward Doegar and Ishion Hutchinson, who discuss the value of a 'fake' talisman and the violence and beauty that can be found in a game of marbles. Audio postcards & additional poems featured in this episode ‘Somewhere There’s a Nothing I’m a Part Of’ written and read by Elaine Kahn. ‘The Stages of Harriet’ written and read by Sara Peters. ‘War the War’ written and read by Jack Underwood. ‘Beef Cubes’ written and read by Rachael Allen

    Dr. Edward P. Wimberly, ITC, July 2011

    No full text
    This video is a conversation with Dr. Edward P. Wimberly. Dr. Wimberly talks about his book, "No Shame in Wesley's Gospel: A Twenty-First Century Pastoral Gospel". Brad Ost, AUC Woodruff Library, is the interviewer

    Self-consciousness and the image of self in the poetry of Stephen Spender, 1928 to 1934

    No full text
    The purpose of this thesis is twofold. First, to demonstrate the value and significance of Spender's early poetry in terms of its vision and technique. Through a series of close readings the thesis traces the ways in which Spender's early poetry not only shows itself to be self-conscious but also manipulates images of self. Presenting images of self, Spender achieves a balance between engagement with and distance from the self, and the reader shares in the process of poetic self-awareness. Secondly, to demonstrate the broader value of the poetry. Spender's poetry presents a distinctive exploration of the possibilities of self in relation to the external world. The resolution of Spender’s questioning and selection of both personal and public values, rooted in his contemporary situation and private circumstances, in his poetry takes the form less of historical document than of human record. The period on which I focus, 1928 to 1934, represents Spender’s first, and arguably most significant, poetic phase. The thesis is specifically concerned with four texts: Nine Experiments. Spender's contributions to Oxford Poetry (1929 and 1930), Twenty Poems and Poems (1933 and 1934). Nine Experiments marks the beginning of a particular approach and lyric style which finds its culmination in Poems (1933 and 1934). The earliest poetry is interesting largely insofar as it looks forward to later themes and techniques. In Nine Experiments and Oxford Poetry (1929 and 1930) we see Spender's often successful struggle to achieve effective forms in which to explore issues of self and value. Twenty Poems and Poems (1933 and 1934) concentrate on themes of love and friendship and the pressure on the poet of the contemporary political scene. The poetry does not reconcile the demands of the external, public world with his inner desires and aspirations, but presents a series of fascinatingly unresolved tensions. The thesis explores the way these poems strive for certainty. This striving stems from the tension between Spender's desire to politicize poetry and his tendency to the lyrical, personal statement

    The Author of Waverley

    No full text
    Medium: engravingprintssigned and dated."The Author of Waverley" [2017.0032.000.000], Goodall, Edward, Allan, WilliamArtist and Role: Goodall, Edward,Artist and Role: Allan, William, ArtistExtent: shee

    A study of Frederick William Faber’s hymns on the four last things in the context of his hymnody as presented in the collection of 1861

    No full text
    This thesis is a study of Frederick William Faber's hymns on the four last things as they are presented in the collection of 1861.The study provides an outline of Faber's biography and his spiritual pilgrimage. It takes note of the events leading up to his conversion to Roman Catholicism and deals briefly with the establishment of the London Oratory. The collection of hymns is studied as a whole, so that the place of those hymns on the four last things can be better understood. Reference is made to Faber's cultural and theological context, and that in which he ministered, which are seen to have formed his approach to hymnody and defined the structure of his collection. An assessment is made of the hymns in their historical context. An indication is given as to the degree to which Faber achieved the aims which he set for himself Comment is made on the lasting value of his hymns on the four last things. Faber’s greatest skill is perceived to be in illustrating and giving expression to the range of human emotions consequent on bereavement. In this way he provides a vehicle which has been used to enable others to respond to their own experiences, which is still valuable today

    The Environmental Pre-History of Prince Edward Island 1769--1970: A Reconnaissance in Force

    No full text
    Academic analysis of the historical interaction between humans and the environment has been extremely limited on Prince Edward Island. The following thesis is one of the first studies to utilize Island Studies research methodologies to examine Prince Edward Island as a case study in environmental history. Prince Edward Island's "islandness" plays a significant factor in this history because any environmental changes are amplified by the compression of the limited geographical area of the Island.The main question revolves around how Islanders' attitudes have evolved toward the environment. Before a conscious environmental movement began in the 1970s, Islanders have had concerns over the environment. These early concerns over the environment generally revolved around conserving natural resources that had economic value as opposed to preserving the environment for the sake of nature. However, there were some surprising examples of individuals who were ahead of their time as far as understanding the importance of preserving the environment. Thus, if such awareness toward environmental issues did not emerge in an organized way until the 1970s, this thesis examines changing attitudes over time, to create a "pre-history" of environmental concerns.The thesis is organized chronologically and thematically. The introduction describes the research method, environmental history historiography, the importance of conservation law in environmental history, Island Studies research methods, and the idea of garden and Eden mythologies effecting legislation on islands. Chapter One reviews the impact of the Aboriginal and French impact to the environment, because their limited footprint justifies why the study focuses on the British Colonial and post-Confederation periods. Chapter Two outlines the impact that the British settlement era had on the Island's environment. Chapter Three covers changing environmental attitudes from the post-Confederation period to the Second World War. The final chapter covers postwar environmental impacts until the watershed of the Comprehensive Development Plan in 1970.The thesis examines the evolution of attitudes toward the environment on Prince Edward Island through one major research method: the provincial government's legislative records. The Journals of the Legislative Assembly provided the bulk of the research material because they contain records of the legislation and government reports. Researching environmental related legislation is often the most fundamental research method in environmental history because it can be used to illustrate when and why humans became concerned for regulating and protecting the environment.This thesis adds to the historiography of Prince Edward Island by expanding environmental history scholarship. Aside from geographies, natural history articles, forestry research, and works by Alan MacEachern focusing on National Parks and the Institute of Man and Resources, environmental history has been limited on Prince Edward Island. However, Prince Edward Island has a long history of trying to protect the environment, which was accelerated by "islandness" and limited geographical area. It is hoped that this thesis will add historical perspective to policy makers working on sustainable development in the future.Source: Masters Abstracts International, Volume: 50-04, page: 2155

    Hostage Drama (Frank McGuinness, Someone Who’ll Watch Over Me Faber and Faber, 1992)

    No full text
    The musical and poetic elements of Frank McGuinness’s previous plays are brought to an even higher crescendo in his latest work, Someone Who’ll Watch Over Me, which had its world premiere at the Hampstead Theatre in London in July 1992, directed by Robin Lefevre (with concurrent publication by Faber and Faber). The play concerns three hostages in Lebanon, an American doctor, Adam (played by Hugh Quarshie), an Irish journalist, Edward (played by Stephen Rea), and an English academic, Michael (played by Alec McCowen), who find themselves in a cell, chained by their ankles to the walls. They are introduced one at a time, beginning with Adam, followed by Edward and then Michael, with the first two removed by death or release, so that Michael is left alone at the end of the play. This lends a tight ABCBA structure to the play: solos at each end, then dyads and a triad in the center

    Pelham; Or The Adventures Of A Gentleman / By Sir Edward Bulwer Lytton. Bart. With The Portrait Of The Author

    No full text
    PELHAM; OR THE ADVENTURES OF A GENTLEMAN / BY SIR EDWARD BULWER LYTTON. BART. WITH THE PORTRAIT OF THE AUTHOR Pelham; Or The Adventures Of A Gentleman / By Sir Edward Bulwer Lytton. Bart. With The Portrait Of The Author (3) Title page (3) Titelblatt Schriftenreihe (6) Frontispiz (Portrait) (9) Titelblatt (10) Preface To The Edition Of 1835 (12) Mortimer; Or, Memoirs Of A Gentleman (18) Preface To The Second Edition Of Pelham (42) Chapter I. - XX. (44) Chapter XXI. - XXX. (116) Chapter XXXI. - XLV. (165) Chapter XLI. - LIV. (210) Chapter LV. - LXV. (270) Chapter LXVI. - LXX. (340) Chapter LXXI. - LXXIX. (383) Chapter LXXX. - LXXXVI. (456) Fotodokumentation (514
    corecore