1,721,014 research outputs found
LES VOIX MULTIPLES D'AMELIA ROSSELLI (1930-1996): FIGURES ET VARIATIONS D'UN SUJET POETIQUE EN LUTTE
Full text linkAmelia Rosselli’s work took shape, within Italian lyric poetry, as an experience of subversion of the process of sublimation and of stylisation of the female body. Through the translation and the analysis of the content of poems chosen from the collections Cantilena (1953), La Libellula (1958) and Variazioni belliche (1964), I conducted a critical exegesis of the texts. I performed an analysis according to suggestions of a dialogical practice with the poetical text and with a female subjectivity often hidden, anchored to my critical investment inside feminist comparatism. From petrarchist idea of deletion and “suppression” of women’s body – deletion, of which Pasolini talked already in relation to the genesis of Italian poetry and its characterisation of the lyrical canon – I analysed how the attempt to ease the impact potentially dangerous of love affection has caused the denial of sensuality.
The language of camouflaged sorrow is then established as a deliberated choice included in some poetics where it is not the statement that reveals, but the poetical word, which in its cryptic canonical measure, is able to make resonate beyond declarations. We can observe the deployment of a “sursensual device”, similar process to what Gilles Deleuze perceived in Sacher-Masoch's literary personality. The process of subversion does not seem a reconstitution of identity roles, but rather a deconstruction of the traditional model. The starting point for the analysis of those deconstructions is based on the hypothesis that the non-functionality of the desiring organisms (desiring subject and desired object) will lead to a reject of the organic and at the same time to a revelation of an eccentric subjectivity.
The revision of the literary model of the canon lies in the hypothesis that a set of female figures of the mythical and literary repertoire in Greco-Roman antiquity are placed in the imaginary practice of Amelia Rosselli's poetical writing, with a view to incorporate the nature of the characters born and conceived inside and by the patriarchal imaginary and to form the body of a subject that aims at making them speak through the voice of a female poet
A Tree Partitioning Dynamic Policies for OVSF Codes Assignment in Wideband CDMA.
No full textThis paper proposes some novel techniques to accommodate users with different rate requirements in a Wideband CDMA system employing orthogonal variable spreading factor codes. Several static and dynamic code assignment strategies areput forth and their behavior investigated, in terms of call blocking probability and number of required reassignments. The efficiency they exhibit under various traffic profiles is demonstrated, quantitatively comparing their performance to some codeassignment schemes recently presented in literature
A Lagrangean Heuristic for Prize Collecting Travelling Salesman Problem
No full textIn this paper we consider the Prize Collecting Travelling Salesman Problem (PCTSP), that is a variant of the Travelling Salesman Problem (TSP) where a tour visiting each node at most once in a given graph has to be computed, such that a prize is associated with each node and a penalty has to be paid for every unvisited node; moreover, a knapsack constraint guarantees that a sufficiently large prize is collected. We develop a Lagrangean heuristic and obtain an upper bound in the form of a feasible solution starting from a lower bound to the problem recently proposed in the literature. We evaluate these bounds utilizing both randomly generated instances and real ones with very satisfactory results
On the Worst-Case Performance of Some Algorithms for the Asymmetric Traveling Salesman Problem
No full text- …
