27,274 research outputs found
Entrevue avec M. F. Goulin présidente de l'association parisienne pour la crèche collective
Goulin M. F., Hamelin Simone. Entrevue avec M. F. Goulin présidente de l'association parisienne pour la crèche collective. In: Cahiers du féminisme, n°4, 1978. Les équipements d'accueil de la petite enfance (mai 1978) pp. 21-22
Carbonate channel network in the Miocene syn-rift Sardinia basins
Murru M., Simone Lucia, Vigorito M. Carbonate channel network in the Miocene syn-rift Sardinia basins. In: Géologie Méditerranéenne. Tome 28, numéro 1-2, 2001. Anatomy of Carbonate Bodies / Anatomie des corps carbonates. International Meeting / Colloque international. Marseille, 9-12 mai 2001, France, sous la direction de Marc Floquet, Jérôme Hennuy et Jean-Pierre Masse. pp. 133-137
Microlinices benthovus Simone 2014
benthovus, Microlinices Simone, 2014 Microlinices benthovus Simone, 2014: 575–578 (figs 6A–J, 7A–H, 11A–C). Gastropoda, Naticidae Paratypes (22 spc): MZSP 105269. Paratypes 1 (15 spc): MZSP 105270. Paratypes 2 (16 spc): MZSP 105271. Paratypes 3 (7 spc): MZSP 105272. Localities: Brazil, Espírito Santo, off Itaúnas, Abrolhos Slope, 18°59' S, 37°50' W, MD55 sta. DC 73, 637 m depth, 27 May 1987; 1) 19°00' S, 37°48' W, MD55 sta. DC72, 950– 1050 m, 27 May 1987; 2) off Regência, 19°40' S, 37°48' W, MD55 sta. CB77, 790– 940 m depth, 27 May 1987; 3) off Itaúnas, Abrolhos Slope, 19°01' S, 37°47' W, MD55 sta. CB79, 1500–1575 m depth, 28 May 1987. Collectors: P. Bouchet, J.H. Leal and B. Métivier. Preservation: Dry. Remarks: Former MNHN, Paris. The catalogue number MZSP 105250 is mentioned twice in Simone’s (2014) paper, among the paratypes of M. ibitingus Simone, 2014 and M. benthovus. This duplicity was a mistake by the author: the latter is an erroneous designation and should be disregarded. The only valid paratype lots for M. benthovus are the ones shown above.Published as part of Cavallari, Daniel C., Dornellas, Ana Paula S. & Simone, Luiz Ricardo L., 2016, Second annotated list of type specimens of molluscs deposited in the Museu de Zoologia da Universidade de São Paulo, Brazil, pp. 1-59 in European Journal of Taxonomy 213 on page 10, DOI: 10.5852/ejt.2016.213, http://zenodo.org/record/384012
Atti del Convegno dal titolo: «Trasformare l’educazione per rinascere dalla crisi. Giornate di studio in onore di Claudio Naranjo»
A Metaethical Study of Simone Weil’s Notion of Attention Through Critical Practical Analogy
This research provides an example of art practice employed within a metaethical framework by addressing Simone Weil‘s ethical notion of attention. In this thesis, 'metaethics‘ is defined as a second order inquiry into first order questions of normative ethics, more specifically, an inquiry into the metaphysical and epistemological premises of Weil‘s discourse on the ethical value of attention.
On one hand, I demonstrate how Weil‘s notion of attention can expand the scope of art so as to include metaethics. On the other hand, I use art to widen the current knowledge of Weilian attention.
The research projects described and analysed in this thesis are predicated on a method which I designate 'critical practical analogy‘; this is an analogy which includes art practical operations for the purpose of critical investigation. This method subsumes both theoretical and practical inquiries. I used two analogies:
– Normative analogy compares (a) the dualistic relation that Weil postulates between agent and reality in her discourse on attention to (b) the relation that I postulate between my agency through observational drawing and the object of observation. The analogy operates by using Weil‘s assertions on attention normatively in observational drawing.
– Imaginal analogy compares (a) Weil‘s use of tautology and contradiction in her arguments for ethical attention to (b) tautology and contradiction considered as argument forms. The analogy operates by giving aesthetic presence to these forms, i.e. by turning them into images through artworks.
The analogies obtained the following outcomes:
– The normative projects afford a practical knowledge of Weilian attention by interpreting it as an ethical practice of detachment. The projects also demonstrate that, notwithstanding Weil‘s transcendent view of truth, such a practice of detachment is compatible with a subjective notion of truth.
– By capitalising on the non-propositional mode of representation which is typical of visual art, the imaginal projects engender a scepticism which favours dialogue and values questions as positive research results.
The outcomes indicate the following implications for visual arts practice:
– The outcomes of the normative projects demonstrate how contemporary artists who regard notions of universal truth with scepticism need not necessarily disavow ethical intentions in their practice.
– Due to its propositional character, theoretical metaethics can reach an impasse from which it can only point discursively to the limits of language. The outcomes of the imaginal projects evidence that art can move beyond these limits non-propositionally.
The use of critical practical analogy also indicates a methodological implication for art practical, interdisciplinary research. Critical practical analogy could provide artists with both a heuristic research tool and a template for articulating a discursive representation of art practice which both acknowledges the non-linearity and indirectness of practice-led research and the need for
interdisciplinary intelligibility
Simone Weil. In cerca delle radici eterne
Considera la vita di Simone Weil e il suo sforzo di ricerca di nuovi valori
Microlinices ibitingus Simone 2014
ibitingus, Microlinices Simone, 2014 Microlinices ibitingus Simone, 2014: 573–574 (figs 4A–G, 5A–F, 11F–G). Gastropoda, Naticidae Paratypes (3 spc): MZSP 105250. Paratypes 1 (3 spc): MZSP 105251. Paratypes 2 (6 spc): MZSP 105252. Localities: Brazil, Espírito Santo, off Regência, 19°40' S, 37°48' W, MD55 sta. CB77, 790– 940 m depth (type locality), 27 May 1987; 1) off Itaúnas, Abrolhos Slope, 18°59' S, 37°48' W, MD55 sta. DC73, 607– 620 m, 27 May 1987; 2) off Conceição da Barra, Abrolhos Slope, 18°58' S, 37°49' W, MD55 sta. CB 76, 637 m, 27 May 1987. Collectors: P. Bouchet, J.H. Leal and B. Métivier. Preservation: Dry. Remarks: Former MNHN, Paris.Published as part of Cavallari, Daniel C., Dornellas, Ana Paula S. & Simone, Luiz Ricardo L., 2016, Second annotated list of type specimens of molluscs deposited in the Museu de Zoologia da Universidade de São Paulo, Brazil, pp. 1-59 in European Journal of Taxonomy 213 on page 30, DOI: 10.5852/ejt.2016.213, http://zenodo.org/record/384012
Mitromorpha sama Simone & Cunha 2012
sama, Mitromorpha Simone & Cunha, 2012 Mitromorpha sama Simone & Cunha, 2012: 770–771 (fig. 9A–F). Gastropoda, Mitromorphidae Paratypes (2 spc): MZSP 102673. Locality: Brazil, Espírito Santo, off Itaúnas, Abrolhos Slope, 19°00' S, 37°48' W, MD55 sta. DC73, 602– 620 m depth, 27 May 1987. Collectors: P. Bouchet, J.H. Leal and B. Métivier. Preservation: Dry. Remarks: The specimens listed above were referred to as MZSP 102973 in the original description. This was merely a typographical error. Former MNHN, Paris.Published as part of Cavallari, Daniel C., Dornellas, Ana Paula S. & Simone, Luiz Ricardo L., 2016, Second annotated list of type specimens of molluscs deposited in the Museu de Zoologia da Universidade de São Paulo, Brazil, pp. 1-59 in European Journal of Taxonomy 213 on page 45, DOI: 10.5852/ejt.2016.213, http://zenodo.org/record/384012
Low energy vs. high energy depositional settings related sedimentary bodies in early Senonian rudist bearing carbonate shelves (central-southern Italy)
Carannante Gabriele, Laviano A., Ruberti D., Simone Lucia, Sirna G., Sirna M., Tropeano M. Low energy vs. high energy depositional settings and related sedimentary bodies in early Senenian rudist bearing carbonate shelves (central-southern Italy). In: Géologie Méditerranéenne. Tome 28, numéro 1-2, 2001. Anatomy of Carbonate Bodies / Anatomie des corps carbonates. International Meeting / Colloque international. Marseille, 9-12 mai 2001, France, sous la direction de Marc Floquet, Jérôme Hennuy et Jean-Pierre Masse. pp. 37-40
A comparative study of form and theology in the works of Flannery O'Connor and Simone Weil
In this comparative study of the form and theology of Flannery O'Connor and Simone Weil I interrogate how Weil's philosophical writings and her theology illuminate O'Connor's use of both narrative and non-fictional forms, and her Catholicism. The Introduction analyses how Weil's concept of superposed reading provides a new method of approaching both O'Connor, her writings, and O'Connor
studies, and focuses on how such apparently different women interconnect. Chapter One explores how both Weil and O'Connor attempt to write their theologies on the
souls of their readers yet are each subject to constraints imposed by form. Weil's concept of locating equilibrium between incommensurates is discussed, and her
distinctively philosophical approach to fictions and fictionality is used to investigate O'Connor's notion of prophetic fictions and the writer's role. Chapter Two assesses how both writers revivify Christian paradoxes. Weil's monstrous concept of affiiction, and O'Connor's use of the grotesque genre to jolt secular man into an
awareness of the sacred are scrutinised. Chapter Three studies how both writers consider an encounter between God and man is possible through the action of grace. My Conclusion interrogates how Weil's work can deepen our understanding of O'Connor's writings, and examines how successful O'Connor is at realising a truly
Christian literature. I conclude that despite being a writer of powerful fictions, O'Connor can not be totally successful in her mission as writer-prophet because
ultimately fiction escapes orthodoxy
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