2,343 research outputs found
Joseph Boulanger M.D.
No full textNotes - A poem written by Max Puellet about Joseph Boulanger is the first part of the document. The poem expresses the grief the author feels about the doctor leaving Athabasca Landing. Joseph Boulanger's thoughts are contained in the remaining documents - his attitude toward the "Progress" occurring in Athabasca Landing and in Edmonton in the early years of the twentieth century. He recalls the destruction of old buildings to put up new ones, and the filling in of empty spaces for the sake of "progress". Also included is a brief history of the different locations in north central Alberta where Dr. Boulanger practised medicine. Photos are included (2 pages
Gli acquarelli pompeiani di F. Boulanger
No full textRoger Hanoune, Mariette e Arnold De Vos, Gli acquerelli pompeiani di F. Boulanger. Casa dei Bronzi, Casa del Labirinto, p. 841-878.
Gli acquerelli dell'architetto francese Florimond Boulanger (1807-75), pensionnaire dell'Accademia di Francia a Roma (1837-42), documentano alcune pitture parietali pompeiane di terzo stile oggi scomparse. Le più interessanti di cui, situate nella Casa dei Bronzi (VII 4, 59) appena scavata a quel tempo, furono una dimostrazione di lealismo verso il principato da parte del committente. Boulanger riproduce fedelmente lo stile manierato e i dettagli miniaturistici di queste pitture di epoca giulio-claudia. Non terminati, gli acquerelli dovevano servire forse per progetti architettonici o decorazioni che Boulanger si proponeva di eseguire in futuro.
Durante la sua permanenza a Roma egli si entusiasmò per le idee utopistiche di Charles Fourier, impegnandosi a fondo corne intellettuale ed architetto nella realizzazione del Fourierismo.Hanoune Roger, De Vos Mariette, De Vos Arnold. Gli acquarelli pompeiani di F. Boulanger. In: Mélanges de l'École française de Rome. Antiquité, tome 97, n°2. 1985. pp. 841-878
Selected Songs of Nadia Boulanger: Formal Analysis and Adaptation for Brass Chamber Music
No full textWorth can be a difficult thing to understand and define, even under the best of circumstances. Nadia Boulanger is known to have told her teacher, Gabriel Fauré, that “if there is one thing of which I am certain, it is that my music is worthless.” As a teacher, Boulanger empowered her students to listen for the internal logic present in the pieces of art that she considered valuable. This document will apply Nadia Boulanger’s teachings to her compositions to demonstrate that her music does have worth. To that end, these analyses will compile data to discern the internal logic in her pieces.
As a performer, Nadia Boulanger coupled her analytical beliefs to her performance practice; her concerts were shaped by and carefully crafted to present her analyses. Her formal classes included an informal ticket to hear her commentaries in action. Therefore, in addition to analytical validation, the author intends to demonstrate the value of Nadia Boulanger’s music through the arrangement and performance of her compositions as brass chamber music. as brass chamber music
Dr. Joseph Boulanger
No full textPhotograph - Dr. Joseph Boulanger (left) and another man, Jasper Park, Albert
"Faust et Hélène. Lili Boulanger". Paroles d' Eugène Adenis. Cantate pour 3 soli et orchestre. Partition d'orchestre (manuscrit autographe)
No full textTitre uniforme : Boulanger, Lili (1893-1918). Compositeur. [Faust et Hélène]Concours de Rome 1913. - Signé à la fin. - Au crayon. - Nombr. corr. et indic. à l'encre rouge. - Le v° des f. vid
Nadia Boulanger and Her World
No full textNadia Boulanger (1887–1979) was arguably one of the most iconic figures in twentieth-century music, and certainly among the most prominent musicians of her time. For many composers— especially Americans from Aaron Copland to Philip Glass—studying with Boulanger in Paris or Fontainebleau was a formative moment in a creative career
Speculum Religionis, being Essays and Studies in Religion and Literature from Platon to von Hügel, with an Introduction by F. C. Burkitt, 1929
No full textBoulanger André. Speculum Religionis, being Essays and Studies in Religion and Literature from Platon to von Hügel, with an Introduction by F. C. Burkitt, 1929. In: Revue des Études Anciennes. Tome 32, 1930, n°2. pp. 175-176
F. Boulanger, Etude comparative du droit international privé des successions en France et en Allemagne
No full textF. Boulanger, Etude comparative du droit international privé des successions en France et en Allemagne. In: Revue internationale de droit comparé. Vol. 17 N°2, Avril-juin 1965. pp. 503-504
F. Boulanger, Etude comparative du droit international privé des successions en France et en Allemagne
No full textF. Boulanger, Etude comparative du droit international privé des successions en France et en Allemagne. In: Revue internationale de droit comparé. Vol. 17 N°2, Avril-juin 1965. pp. 503-504
Œuvres d'Horace, texte Latin avec un commentaire critique et explicatif, des introductions et des tables, par F. Plessis, P. Lejay et E. Galletier : Odes, épodes et chant séculaire, publiés par Frédéric Plessis (Collection des éditions savantes), 1924
No full textBoulanger André. Œuvres d'Horace, texte Latin avec un commentaire critique et explicatif, des introductions et des tables, par F. Plessis, P. Lejay et E. Galletier : Odes, épodes et chant séculaire, publiés par Frédéric Plessis (Collection des éditions savantes), 1924. In: Revue des Études Anciennes. Tome 27, 1925, n°2. pp. 172-173
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