918 research outputs found
Der Tiroler Faust : (Pfeifer Huisele) ; mit 15 "höllischen" Zeichnungen / Martin Reiter; Eva Schwaiger ; Redigiert und gestaltet von Wolfgang Ingenhaeff
No full textDER TIROLER FAUST : (PFEIFER HUISELE) ; MIT 15 "HÖLLISCHEN" ZEICHNUNGEN / MARTIN REITER; EVA SCHWAIGER ; REDIGIERT UND GESTALTET VON WOLFGANG INGENHAEFF
Der Tiroler Faust : (Pfeifer Huisele) ; mit 15 "höllischen" Zeichnungen / Martin Reiter; Eva Schwaiger ; Redigiert und gestaltet von Wolfgang Ingenhaeff (1)
Cover (1)
Vortitelblatt (10)
Titelblatt (12)
Der Pfeifer Huisele (14)
Der Tiroler Faust (18)
Vorlaut und arbeitsscheu (20)
Der Pakt mit dem Teufel (26)
"Huisele im Glas" (29)
Der lebendige Baumstrunk (34)
Der Kapuziner (38)
Der verhexte Schlegkübel (42)
Der "Maiser Student" (48)
Das sprechende Schwein (60)
Der "Wettermacher" (65)
Die Teufelsprobe (93)
Das Ende (100
Faust Rossi
No full textFrom the video archives of the Cornell Law School Heritage Project. The interviewer is Peter W. Martin; the videographer, Michael d’Estries. This video covers Faust Rossi’s reflections on his career as a law professor. A 1960 graduate of Cornell Law School, Rossi began his legal career as a trial attorney in the United States Department of Justice Honors Program. He subsequently became a litigation partner in a Rochester law firm, and joined the Cornell Law School Faculty in 1966. He retired in 2013.
Professor Rossi is the author of a text on expert witnesses and coauthor of the Handbook of New York Evidence. He was a national winner of the Roscoe Pound Jacobson Award for excellence in teaching Trial Advocacy. Professor Rossi was a recurring visiting professor at Central European University in Budapest and a regular faculty member in the Cornell Summer Institute of International and Comparative Law in Paris. He has also given hundreds of lectures to lawyers and judges in the United States and Europe.
Faust Rossi is Samuel S. Leibowitz Professor of Trial Techniques, Emeritus
Narrating the past: virtual environments and narrative
No full textThis paper explores how traditional narrative language used in film and theatre can be adapted to create interactivity and a greater sense of presence in the virtual heritage environment. It focuses on the fundamental principles of narrative required to create immersion and presence and investigates methods of embedding intangible social histories into these environments. These issues are explored in a case study of Greens Mill in the 1830’s, interweaving the story of the reform bill riots in Nottingham with the life of George Green, mathematician and proprietor of the Mill
Eva Brandl : Faust ou la tentation du possible
No full textLamarre provides a detailed description of Brandl's second project devoted to Faust. The author then grounds his interpretation on the notion of ambiguity. Biographical notes. 11 bibl. ref
Illustrations to Goethe's Faust / By Paul Konewka, Author Of Illustrations .... The English Text From Bayard Taylor's Translation
No full textILLUSTRATIONS TO GOETHE'S FAUST / BY PAUL KONEWKA, AUTHOR OF ILLUSTRATIONS .... THE ENGLISH TEXT FROM BAYARD TAYLOR'S TRANSLATION
Illustrations to Goethe's Faust / By Paul Konewka, Author Of Illustrations .... The English Text From Bayard Taylor's Translation (1)
Cover (1)
Title page (3)
Titelseite (5)
Publisher's Note (7)
Illustrations to Goethe's Faust (9)
Kolophon (34
Illustrations To Goethe's Faust / By Paul Konewka, Author of Illustrations to ... The English Text From Bayard Taylor's Translation
No full textILLUSTRATIONS TO GOETHE'S FAUST / BY PAUL KONEWKA, AUTHOR OF ILLUSTRATIONS TO ... THE ENGLISH TEXT FROM BAYARD TAYLOR'S TRANSLATION
Illustrations To Goethe's Faust / By Paul Konewka, Author of Illustrations to ... The English Text From Bayard Taylor's Translation (1)
Cover (1)
Widmung (3)
Titelseite (7)
Publishers' Note (9)
Illustrations to Goethe's Faust (10
»(Ist fortzusetzen.)«
No full textFor the late Goethe; questions of continuation; connection; and closure play a central role. It is not without reason that he repeatedly uses the formula »(To be continued).« to mark the incompleteness of his works and to raise the question of the continuity of literary and scientific texts. In ten essays; this volume addresses the question of Goethe’s poetics of continuation; which has so far been neglected in Goethe studies. In addition to the central connection between continuation and the form of the novel for the Wilhelm Meister complex; the volume examines the problem of continuation in the two parts of Faust; before finally considering the question of continuability of works in relation to serial publication and the material conditions of writing. With contributions by Michael Auer | Michael Bies | Sean Franzel | Eva Geulen | Ines Gries | Oliver Grill | Wolfgang Hottner | Anja Lemke | Helmut Müller-Sievers | Cornelia Ortlieb | Cornelia Zumbusc
Faust
No full textFAUST
Faust ( - )
Cover ( - )
Mephistopheles and Faust in Henry Clarke, Forest and Cavern, 1925 (II)
Titelseite (III)
Contents (V)
List of Illustrations (VII)
Notes on the Author and Contributors (XI)
Series Editor's Preface (1)
Introduction (3)
Acknowledgments (10)
Chapter One / Faust's Ancestors: The Earliest Sources (15)
Chapter Two / From Superstition to Scepticism (53)
Chapter Three / An Icon is Born (92)
Chapter Four / Romantics to Realists (125)
Chapter Five / Humanists versus Brown Shirts: Fausts for the Twentieth Century (161)
Chapter Six / From Bare Boards to Computer Graphics: Faust in Performance (192)
Chapter Seven / Musical Fausts: From Broadsheet to Rock Opera (241)
Chapter Eight / From Woodcut to Manga: 100 Images of a Magus (276)
Chapter Nine / The Moving Image (312)
Chapter Ten / Faust Globalised (347)
Chapter Eleven / The Popular Imagination (375)
Chapter Twelve / Cartoons and Comics (398)
Conclusion / 'Faustus and the Potters': A Short Story by Derek Sellen (419)
Postscript: 'Some little well-made Flask' (422)
Index (423
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