1,727,538 research outputs found
Ericka Beckman & Marianna Simnett at FACT Review
No full textA review of the exhibition Ericka Beckman & Marianna Simnett at FACT, Liverpool, 26th March–16th June 2019. Focusing on how these two moving image artists represent and explore societal expectations placed upon women. Considering their use of voice, song and fairly tale motifs. Works discussed: Cinderella (1986) and Hiatus (199-2015) by Ericka Beckman. The Udder (2014), Blood (2015) and Faint with Light (2016) by Marianna Simnett
Ericka Goerling and Eileen Spencer oral history recording
Full text linkAn audio recording of an oral history of Ericka Goerling, Washington County Coordinator of Community Development, and Eileen Spencer, Washington County Victim Assistance Program Director, on trends in crime and law enforcement in Hillsboro, Oregon from 1980-2005. There is a transcript of this interview
Addressing Domestic Violence as a Wicked Problem with Ericka Kimball
Full text linkEricka Kimball is an associate professor at the School of Social Work at Portland State University. Kimball\u27s research focuses on domestic violence and healthcare domains to understand and develop alternatives to current practices. This work is informed by a wicked problems framework that addresses the complexity of interactions between systems at the intersection of domestic violence and healthcare.
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Interview with Ericka Huggins - OH 248
Full text linkIn her May 1994 interview with Ron Chepesiuk, Ericka Huggins discussed her part in the 1960s radical movements. Huggins described motivation for joining the BPP and her time as a member, her current work as an AIDS activist, and her work with prison inmates. Huggins covered several topics of the time, including Black Power, Huey Newton, separation movements, FBI involvement, the US Organization, and Charles Hamilton. She also discussed the Thomas-Hill hearings, COINTELPRO and its involvement, the NAACP, the Oakland Community Learning Center, her husband, AIDS and HIV, and her work at the Shanti Project. This interview was conducted for inclusion into the Louise Pettus Archives and Special Collections Oral History Program.https://digitalcommons.winthrop.edu/oralhistoryprogram/1125/thumbnail.jp
2019-02-26 John Uzodinma, violin and Ericka Kudry, piano - Master\u27s Recital
No full textThis recital is given in partial fulfillment of the requirements of the Master of Music degree. John is from the Studio of Prof. Espen Lilleslatten. Ericka is from the Studio of Dr. Ana Maria Otamend
Image Games: Ericka Beckman
No full textImage Games was the first major international film retrospective of the US artist’s works, screening examples from the 1970s to 2013 including many newly restored prints. They were shown alongside work by her (then) more recognised contemporaries, such as Mike Kelley, Vito Acconci, Michael Smith and Julia Heyward, as well as works from an emerging generation of contemporary moving image artists. The programme was accompanied by panel discussions with leading art historians, curators and artists
Sisters of the Soil...Surviving Collective, Cultural Traumatization: Intertextualities between Hagar, the Ethiopian Virgin Girls in the Book of Esther, and Mother Africa
Full text linkAssessing ancient Israel and Africa as contexts, this paper evaluates the intersections between colonialism, patriarchy, and the sexual exploitation of Mother Africa and Africana girls. Specifically, the stories of Hagar, in the book of Genesis, and the virgin girls, in the book of Esther, are explored. I argue that the Africana girls represented in both texts are exploited by multiple sets of patriarchs and empires, who sexually objectify and commodify them. The girls' anatomical/material bodies are sexually invaded, silenced, displaced and ultimately erased. Similarly, Mother Africa's geopolitical and socio-cultural body is physically and sexually exploited and regulated by colonial forces. Often, the sexual exploitation of Africana girls and women are overshadowed and marginalized in the reception histories of Genesis and Esther through narrative focus on Israel/the Jews. Moreover, many interpreters engage solely in gender analysis, ignoring the intersectional oppression of Africana females. These experiences of Africana females described in the biblical texts reflect the lives and experiences of colonized, diasporized, Africana women in contemporary contexts and Mother Africa herself, who continues to be raped and pillaged by colonial forces. As such, both Africa and Africana girls and women are positioned socio-historically as sex objects. This sexual objectification and exploitation constitutes collective, cultural trauma
Ericka Beckman
Full text linkA la suite des expositions qui ont eu lieu au Magasin de Grenoble et à la Kunsthalle de Berne, et après avoir publié un DVD de sa Super-8 Trilogy (1978-1981), l’éditeur JRP-Ringier fait paraître ce catalogue plus que complet sur Ericka Beckman. Il contient des présentations richement illustrées de tous ses films de 1974 à 2014, un entretien avec l’artiste, des essais commandés pour l’occasion, ainsi qu’une anthologie de textes parus dans les années 1980. Cette somme comble le vide de littérat..
Ericka L. Taylor, circa 1998 ROTC Cadet
No full textEricka L. Taylor was a member of the Jacksonville State University ROTC program. Taylor was in the Scabbard and Blade and received her commission (Chemical Corps) on April 27, 2001. (circa 1998-2001)https://digitalcommons.jsu.edu/rotc_photos/10339/thumbnail.jp
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