12,197 research outputs found
Schuberg, Raymond Eric, NX73330
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/415701Surname: SCHUBERG. Given Name(s) or Initials: RAYMOND ERIC. Military Service Number or Last Known Location: NX73330. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 15556.236347
Item: [2016.0049.47962] "Schuberg, Raymond Eric, NX73330
177. Havelock (Eric Α.). Preface to Plato.
No full textWeil Raymond. 177. Havelock (Eric Α.). Preface to Plato.. In: Revue des Études Grecques, tome 78, fascicule 371-373, Juillet-décembre 1965. pp. 690-692
177. Havelock (Eric Α.). Preface to Plato.
No full textWeil Raymond. 177. Havelock (Eric Α.). Preface to Plato.. In: Revue des Études Grecques, tome 78, fascicule 371-373, Juillet-décembre 1965. pp. 690-692
Raymond Williams and the limits of cultural materialism
No full textCultural materialism has become an influential discipline in recent
years, particularly so in 'Renaissance' studies, but also more generally in
'English', as well as departments defined as practising 'cultural' or
'communications' studies. The phrase is usually linked with the name of
Raymond Williams, but a cursory examination of Williams's own work
quickly establishes that it is a phrase he rarely uses, and only schematically
attempts to define. The thesis therefore takes the form of an investigation into
the way cultural materialism has come to be understood, by examining in
detail the trajectory of Raymond Williams's theoretical development, and how
his own engagement with various theoretical positions has helped to set
'limits' on the meaning of cultural materialism.
Chapters 1 and 2 deal with some of Williams's earliest work,
particularly Reading and Criticism, as a way of investigating how reasonable
it is to tag him as a 'Left-Leavisite', arguing that Leavis's undoubted
influence is resisted (though not entirely rejected) from a very early stage. The
first chapter considers in detail Leavis's work at Cambridge, the influence of
Eliot, and the significance of the 'Organic Community'. Chapter 2, which is
based around a comparative analysis of Williams's and Leavis's readings of
Dickens, argues that Williams rejects the 'organic community' in favour of his
'knowable community'. Chapters 4 and 5 deal with specific 'theoretical'
issues: the first, based around a reading of Terry Eagleton's critique of
Williams's use of the Marxist metaphor of 'base and superstructure', shows
some of the problems which arise from Williams's cultural model, as well as
suggesting refinements; the second deals with the influence of Volosinov's
theories on Williams. Chapter 6 comes out of Williams's readings of the
'Country-House' poems in The Country and the City, showing how his
practice of literary criticism relies on an acceptance of 'ideology' apparently
denied in his more 'theoretical' writings. This analysis is extended as a result
of investigations into the 'De L'Isle' manuscripts relating to the Penshurst
estate. Chapter 7 argues that it is possible to see the work of Fredric Jameson
as developing Williams's cultural materialism into Jameson's debates on
postmodernism.
In the Introduction and Conclusion, I have taken the opportunity to
look briefly at the activity of cultural materialism as it has developed since
Raymond Williams's death in 1988. The Introduction emphasizes what I see
to be important methodological differences between 'cultural materialism'
and 'new historicism'; the Conclusion deals with the continuing debate over
the value of a cultural materialist approach by considering the 'appropriation'
of Shakespeare
Eric Birley, Research on Hadrian's Wall. Kendal, Éd. T. Wilson, 1961
No full textThouvenot Raymond. Eric Birley, Research on Hadrian's Wall. Kendal, Éd. T. Wilson, 1961. In: Revue des Études Anciennes. Tome 66, 1964, n°1-2. pp. 266-267
Raymond Johnson Interview
No full textTechnical Sergeant Raymond Johnson served with the U.S. Marine Corps from 1948 – 1952. This interview covers his Marine Corps career and his experiences during the Korean War
Eric Hobsbawm, Age of Extremes : the Shart Twentieth Century 1914-1991, London, Abacus, 1995
No full textRaymond Henri. Eric Hobsbawm, Age of Extremes : the Shart Twentieth Century 1914-1991, London, Abacus, 1995. In: L'Homme et la société, N. 131, 1999. Politique des sciences sociales. pp. 156-157
Jean-Jacques Rousseau : Essai sur l'origine des langues. Introduction et commentaires par Eric Zernik, 1983
No full textTrousson Raymond. Jean-Jacques Rousseau : Essai sur l'origine des langues. Introduction et commentaires par Eric Zernik, 1983. In: Dix-huitième Siècle, n°17, 1985. Le protestantisme français en France. pp. 417-418
Eric Foulon, Raymond Weil et Patrice Cauderlier (Éd.), Polybe. Histoires. Livres XIII-XVI
No full textBertrand Jean-Marie. Eric Foulon, Raymond Weil et Patrice Cauderlier (Éd.), Polybe. Histoires. Livres XIII-XVI. In: L'antiquité classique, Tome 67, 1998. p. 335
Raymond Gervais : 3 x 1
No full text"Raymond Gervais 3 X 1 traces and elucidates the important or little-known moments in the practice of Raymond Gervais, an artist who has explored the notion of the aural imagination since the mid 1970s. An erudite author, Gervais joins forces here with Nicole Gingras, a researcher and curator interested in what connects sound, image, and words. The first major publication on the work of a conceptual artist questioning whether thought is acoustic" -- p. [4] of cover
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