452 research outputs found
Der Herausforderung von Digitalität und Sichtbarkeit praxeologisch begegnen: Positionierungspraktiken im Fokus einer dokumentarischen Subjektivierungsforschung: eine Replik zum Beitrag von Juliane Engel und Lara Karpowitz
No full textEs handelt sich um eine Replik zum Beitrag von Juliane Engel & Lara Karpowitz "Global forms of digitality intersect with local visual cultures - zu einer postdigitalen Relationalität von Bildungsprozessen" (https://doi.org/10.21241/ssoar.78312)
Educational research in (post-) digital spaces
No full textDemmer C, Engel J. Educational research in (post-) digital spaces. Zeitschrift für qualitative Forschung. In Press;23(01)
Séminaire : Juliane von Fircks, « Textile Merchants as Patrons of Art in Florence, Genoa, Bologna and Venice », Florence, Villa I Tatti, 19 mars 2020 à 18h30
No full textSpeaker: Juliane von Fircks (I Tatti / University of Jena) Details to follow Juliane von Fircks is Professor in Medieval Art History at the Friedrich-Schiller-Universität Jena. She is the author of Liturgische Gewänder des Mittelalters in St. Nikolai zu Stralsund (2008); Skulptur im südlichen Ostseeraum. Stile und Werkstätten im 13. Jahrhundert (2012) and co-editor of Oriental Silks in Medieval Europe (2016). Her forthcoming book is entitled Panni tartarici – Luxusgewebe aus Asien im spätmi..
Contemporary art, aesthetics and autonomy: Notes on Juliane Rebentisch’s aesthetics
No full textEn los últimos años, la reflexión filosófica dedicada al arte se ha visto, probablemente, en uno de sus mayores desafíos: enfrentarse al presente del arte. Desde distintas tradiciones teóricas y posiciones argumentativas la noción de “arte contemporáneo” es problematizada en el ámbito filosófico. En este trabajo presentamos algunas consideraciones de una autora que se puede inscribir en los herederos de la tradición crítica del Instituto de investigación social de Frankfurt como Juliane Rebenstisch. Intentamos destacar algunas advertencias que realiza esta autora con relación a las implicancias que el arte contemporáneo supone, en particular, si prestamos atención a las analogías que posee con la lógica del mercado y las formas del neoliberalismo.Over the last years, philosophical thoughts about art, has probably been confronted to one of its greatest challenges: facing the present of art. From different theoretical traditions and argumentative positions, the notion of “contemporary art” is problematized in the philosophical field. In this article I present some approaches of Juliane Rebenstisch who can be recognized as a heir of the Frankfurt Institute of Social Research critical tradition like. I try to highlight some warnings made by this author about the implications of contemporary art and the analogies it has with the logics of the market and the forms of neoliberalism.Fil: Garnica, Naím. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentin
Problematizando o conceito de qualidade em tradução em Juliane House
No full textDissertação (mestrado) — Universidade de Brasília, Instituto de Letras, Departamento de Línguas Estrangeiras e Tradução, Programa de Pós-Graduação em Estudos da Tradução, 2023.O presente trabalho apresenta um estudo teórico que visa problematizar o conceito de
qualidade em tradução em Juliane House. Sua realização seguiu os princípios de uma
pesquisa conceitual comparada, centrada no cotejamento entre o conceito de qualidade
de que faz uso Juliane House no seu modelo de avaliação da qualidade em tradução
(HOUSE, 2015) e os preceitos dos principais conceitos de qualidade praticados no
âmbito da disciplina Gestão da Qualidade da Fileira da Administração. Os resultados
obtidos indicam que para House “qualidade significa equivalência e equivalência
significa qualidade”. O conceito de qualidade retido pela autora é circunscrito ao
aspecto linguístico da tradução, baseado no conceito de equivalência linguística,
incidindo no produto e executado a posteriori, após o término do processo tradutório;
características estas diametralmente opostas ao conceito global, amplo e antecipativo
como é praticado no âmbito da disciplina Gestão da Qualidade. A metodologia seguida
foi baseada no método comparado e na análise de conceitos.The present work presents a theoretical study that aims to render problematic the
concept of quality in translation in Juliane House. Its realization followed the principles
of comparative conceptual research, centered on the comparison between the concept of
quality used by Juliane House in her model of quality assessment in translation
(HOUSE, 2015) and the precepts of the main concepts of quality practiced in the
discipline Quality Management of the Administration Rank. The results obtained
indicate that for House “quality means equivalence and equivalence means quality”. The
concept of quality retained by the author is limited to the linguistic aspect of the
translation, based on the concept of linguistic equivalence, focusing on the product and
executed a posteriori, after the end of the translation process; these characteristics are
fully opposed to the global, broad and anticipatory concept as practiced within the scope
of the Quality Management discipline. The methodology followed was based on the
comparative method and the analysis of concepts.Instituto de Letras (IL)Departamento de Línguas Estrangeiras e Tradução (IL LET)Programa de Pós-Graduação em Estudos da Traduçã
Discrimination of Two Auditory Durations by Pigeons
No full textTitle: Discrimination of Two Auditory Durations by Pigeons, Author: Juliane B. Kinchla, Location: ThodeAuditory duration discrimination in pigeons was investigated using a procedure designed to provide a direct analogue to the conventional "yes-no" signal detection task with humans. Two experiments were reported and discussed, the scope of which include development and maintenance of the discrimination using highly confusable durations, manipulation of the values of the auditory durations, achievement of stochastic stationary, manipulation of the probability of reinforcement and extinction of the discrimination.ThesisDoctor of Philosophy (PhD
“Challenging the Authority of Religious Interpretation in Saudi Arabia::The Transformation of Suhaila Zain al-Abedin Hammad
No full textTaking as its starting point that a male monopoly is a problem in the recognition of Islamic religious authority, especially in matters related to women, this chapter discusses the possibilities for challenging this monopoly. The author argues that it is necessary to create alternative sources of authority from within the realm of religious scholarship through women scholars laying direct claim to the interpretation of sacred texts. Al Fassi uses the works and experiences of the Saudi scholar, Suhaila Zain al-Abedin Hammad, as a specific example for this approach. Hammad, an accomplished religious scholar, has worked tirelessly through her writing, both in books and her weekly newspaper column, to address difficult issues in Islamic law, to rethink the use of weak hadiths, and to critique Saudi legal rulings. The chapter also considers the intense backlash against her work and her impact on Saudi public opinion. © 2020 selection and editorial matter, Dina El Omari, Juliane Hammer and Mouhanad Khorchide; individual chapters, the contributors
Haltungen. Zugänge aus Perspektiven qualitativer Bildungs- und Biographieforschung
No full textEngel J, Fuchs T, Demmer C, Wiezorek C, eds. Haltungen. Zugänge aus Perspektiven qualitativer Bildungs- und Biographieforschung. Schriftenreihe der DGfE-Kommission Qualitative Bildungs- und Biographieforschung. Vol 7. Opladen ; Berlin: Barbara Budrich; 2023
Differenz und Krise. Krisenthematisierungen in der Qualitativen Bildungs- und Biografieforschung
No full textWischmann A, Engel J, Demmer C, Vehse P, eds. Differenz und Krise. Krisenthematisierungen in der Qualitativen Bildungs- und Biografieforschung. Schriftenreihe der DGfE-Kommission Qualitative Bildungs- und Biographieforschung. Vol 11. Opladen ; Berlin: Barbara Budrich; 2024
ARTE CONTEMPORÁNEO, ESTÉTICA Y AUTONOMÍA.: ALGUNAS NOTAS SOBRE LA ESTÉTICA DE JULIANE REBENTISCH
No full textOver the last years, art’s philosophical thoughts, has probably been confronted to one of its greatest challenges: facing art’s present. From different theoretical traditions and argumentative positions, the notion of “contemporary art” is problematized in the philosophical field. In this article I present Juliane Rebentisch’s approaches to this topic. This philosopher can be acknowledged as an heir of the critical tradition of the Frankfurt Institute of Social Research. I try to highlight some warnings made by this author about the consequences of contemporary art and its analogies with market logics and the forms of neoliberalism.En los últimos años, la reflexión filosófica dedicada al arte se ha visto, probablemente, en uno de sus mayores desafíos: enfrentarse al presente del arte. Desde distintas tradiciones teóricas y posiciones argumentativas la noción de “arte contemporáneo” es problematizada en el ámbito filosófico. En este trabajo presentamos algunas consideraciones de una autora que se puede inscribir en los herederos de la tradición crítica del Instituto de investigación social de Frankfurt como Juliane Rebenstisch. Intentamos destacar algunas advertencias que realiza esta autora con relación a las implicancias que el arte contemporáneo supone, en particular, si prestamos atención a las analogías que posee con la lógica del mercado y las formas del neoliberalismo
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