756 research outputs found

    Autour de Ledoux : architecture, ville et utopie

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    In October 2006, the Maison des sciences de l'homme et de l'environnement Claude Nicolas Ledoux (Besançon) brought together some twenty French and foreign researchers from a wide range of disciplines - architecture, history, art history, philosophy and anthropology - at the Saline Royale d'Arc-et-Senans to commemorate the bicentenary of Ledoux's death by examining the significance, challenges and future of his work. Ledoux was an architect who left behind a number of famous works, including the UNESCO World Heritage-listed Saline, but he was also the author of an often enigmatic book on architecture, the strangeness of which specialists continue to question. His work, both written and built, raises a number of questions relating to the history of architecture, the development of utopian currents and the regenerative project of the Enlightenment. The volume is divided into three parts. The first brings together studies devoted to Ledoux himself, both as a writer and an architect. The second attempts to place Ledoux in his context by studying influences, competition and legacies. Finally, the third extends the focus to ideal cities by examining the exchanges between architecture and utopia

    Proposition d'un modèle couplé pour la simulation conjointe des écoulements de surface et des écoulements souterrains sur un bassin hydrologique / Suggestion for a coupled model of surface and groundwater simulation on a watershed

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    La société hydrotechnique de France a décerné en 1983 le Prix Henri Milon à Monsieur Emmanuel Ledoux, pour son mémoire intitulé: Modélisation intégrée des écoulements de surface et des écoulements souterrains sur un bassin hydrologique. L'article ci-après reflète l'œuvre, couronnée par le jury, qui représente une voie originale et très intéressante prenant en compte, dans une modélisation à l'échelle d'un bassin hydrologique, à la fois les phénomènes superficiels et les phénomènes souterrains avec leurs interactions

    Numerical simulation of the Fontainebleau Sandstones cementation

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    Thiry Médard, Maréchal Benoit, Goblet Patrick, Ledoux Emmanuel. Numerical simulation of the Fontainebleau Sandstones cementation. In: Transferts dans les systèmes sédimentaires : de l'échelle du pore à celle du bassin. Réunion spécialisée SGF-TRABAS/CNRS, Paris 27-28 septembre 1999. Résumés. Strasbourg : Institut de Géologie – Université Louis-Pasteur, 1999. pp. 139-142. (Sciences Géologiques. Mémoire, 99

    Was there ever a “Female Gothic”?

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    This article examines the reception history of women-authored Gothic texts from the late eighteenth and early nineteenth century, arguing that the generic descriptor “Female Gothic” more accurately reflects the ideological goals of second-wave feminist literary criticism than the narratives of early women Gothic writers. While several critics have attempted to destabilize the term Female Gothic, its usage persists as a short-hand form to describe narratives in which distressed female heroines are imprisoned in the domestic sphere and threatened with extortion, rape and forced marriage. This essay asks why criticism clings to an understanding of this genre as one depicting female victimization despite overwhelming textual evidence that represents a much more complicated picture of women’s use and engagement with the Gothic mode. It is argued that the answer to this question rests in looking at how Gothic women’s writing was received in the early nineteenth century and how that reception history shaped the discursive strategies of second-wave feminist literary critics.Peer reviewe

    “Florizel and Perdita Affair, 1779-80”

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    This article examines the cultural and political significance of the Prince of Wales’s early 1780s involvement with Drury Lane actress and poet Mary Robinson. Rather than just a romance between two public figures, the “Florizel and Perdita Affair” had wide-ranging effects that, when examined, offer meaningful insight into everything from the weakening influence of the Hanover dynasty and the campaigns of Whig opposition candidates to the aesthetics of formal portraiture, political cartoons, and popular fashion.Peer reviewe

    Reform Ideology and Generic Structure in Matthew Lewis's Journal of a West India Proprietor

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    My study of the Journal of a West India Proprietor examines the political implications of the text's generic strategies and explores how these generic strategies catalogue interior struggles between idealism and self-interest.Peer reviewe

    Defiant Damsels: Gothic Space and Female Agency in Emmeline, The Mysteries of Udolpho, and Secresy

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    This is an Author's Accepted Manuscript of an article published in Women's Writing 18:3 (2011), 331-347, copyright Taylor & Francis, available online at: http://www.tandfonline.com/doi/abs/10.1080/09699082.2010.508889

    Working Mothers on the Romantic Stage: Sarah Siddons and Mary Robinson

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    Reproduced by permission of Rowman & Littlefield (https://rowman.com/). All rights reserved. Please contact the publisher for permission to copy, distribute or reprint

    The Queer Contact Zone: Empire and Military Masculinity in the Memoirs of Hannah Snell and Mary Anne Talbot, 1750-1810

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    The cross-dressed female soldier played a prominent role within Anglophone popular culture from the American Revolution through the Napoleonic Wars, appearing in ballads, comic operas, plays, and life writing. Feminist and queer analyses of these figures have largely been celebratory, framing historical military cross-dressers as working-class heroines or important examples of an emerging model of female masculinity. However, these interpretations have yet to acknowledge how these transgressive figures’ claims to subjectivity as representatives of the British military depend upon active participation in the imperial project. These female soldiers’ ability to perform masculinity is contingent upon a narrative and discursive investment in colonialism, violence, and racial hegemony. Using concepts from contemporary decolonial theory as a point of entry into eighteenth- and nineteenth-century popular culture, this article documents how the memoirs of two combat veterans--Hannah Snell and Mary Anne Talbot--serve as early examples of what Jasbir Puar and others describe as “homonationalism.” By repeatedly marking the difference between their own “queerness” and the strangeness of the cisgender women, slaves, and indigenous people they encounter, Snell and Talbot garner legitimacy within the dominant by aligning themselves with masculinity, patriotism, and imperialism. Re-examining these warriors’ self-proclaimed “surprising adventures” within their colonial context reveals an unsettling relationship between queer historicism and the history of imperialism.Peer reviewe

    [En ligne] Annales du Centre Ledoux : "Le métier de l’architecte au XVIIIe siècle. Études croisées" / textes réunis par Yvon Plouzennec, 2020

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    Parution du premier numéro des Publications en ligne du GHAMU. Annales du Centre Ledoux (Nouvelle série) Après un numéro inaugural (Varia), ce premier opus des Publications en ligne du GHAMU. Annales du Centre Ledoux (Nouvelle série) rassemble une partie des communications des tables-rondes sur le « Métier de l’architecte au XVIIIe siècle », tenues à l’Université de Paris Nanterre les 24 février, 17 mars et 28 avril  2017. Ces rencontres, organisées par Emmanuel Château-Dutier (Universit..
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