368 research outputs found
Historiography and Print Collecting: Venice in the Sixteenth Century
In these dense essay the author presents an exhaustive analysis of the historiography and collecting of prints in Venice during the sixteenth centur
Porpoceras Buckman 1911
Genus Porpoceras Buckman, 1911 TYPE SPECIES. — Ammonites vortex Simpson, 1855 by monotypy.Published as part of Jattiot, Romain, Fara, Emmanuel, Brayard, Arnaud & Vennin, Emmanuelle, 2016, Revised stratigraphic range of the Toarcian ammonite genus Porpoceras Buckman, 1911, pp. 505-513 in Geodiversitas 38 (4) on page 508, DOI: 10.5252/g2016n4a3, http://zenodo.org/record/520834
FIG. 1 in Revised stratigraphic range of the Toarcian ammonite genus Porpoceras Buckman, 1911
FIG. 1. — Early and Middle Toarcian ammonite biostratigraphy for the NW European realm, with stratigraphic occurrences of the genus Porpoceras Buckman, 1911 in the NW European realm and Morocco (Guex 1973). Modified after Rulleau et al. (2013).Published as part of Jattiot, Romain, Fara, Emmanuel, Brayard, Arnaud & Vennin, Emmanuelle, 2016, Revised stratigraphic range of the Toarcian ammonite genus Porpoceras Buckman, 1911, pp. 505-513 in Geodiversitas 38 (4) on page 507, DOI: 10.5252/g2016n4a3, http://zenodo.org/record/520834
Una nota su Albrecht Dürer e Vitruvio
In this essay the author proposes an overall reconsideration of Albrecht Dürer’s relationship with Vitruvius’ De Architectura, paying constant attention to the surviving sources. Furthermore, the author also investigates an overlooked aspect of this relationship that concerns the significant reception of Dürer’s treatises among Vitruvius’ translators and commentators between the XVIth and the XVIIth centuries. In questo saggio l'autore propone una riconsiderazione globale del rapporto di Albrecht Dürer con il De Architectura di Vitruvio, prestando costante attenzione alle fonti rimaste. Inoltre, l'autore indaga anche un aspetto trascurato di questo rapporto, che riguarda la significativa accoglienza dei trattati di Dürer tra i traduttori e i commentatori di Vitruvio tra il XVI e il XVII secolo
FIG. 4. — A in Revised stratigraphic range of the Toarcian ammonite genus Porpoceras Buckman, 1911
FIG. 4. — A, Hildoceras sublevisoni Fucini, 1919 (UBGD 279080, Sublevisoni Subzone, Airvault); B-H, Porpoceras gr. vortex (Simpson, 1855) -verticosum Buckman, 1914 (B-E, UBGD 279078, Bifrons Horizon, Airvault; F-H, UBGD 279079, Bifrons Horizon, Airvault); I, Hildoceras bifrons (Bruguière, 1789) (UBGD 279081), Bifrons Horizon, Airvault); J, Haugia variabilis (d'Orbigny, 1844) (UBGD 279082), Variabilis subzone, Airvault). Scale bars: 10 mm.Published as part of Jattiot, Romain, Fara, Emmanuel, Brayard, Arnaud & Vennin, Emmanuelle, 2016, Revised stratigraphic range of the Toarcian ammonite genus Porpoceras Buckman, 1911, pp. 505-513 in Geodiversitas 38 (4) on page 510, DOI: 10.5252/g2016n4a3, http://zenodo.org/record/520834
FIG. 5. — A, B in Revised stratigraphic range of the Toarcian ammonite genus Porpoceras Buckman, 1911
FIG. 5. — A, B, Specimens of Porpoceras gr. vortex (Simpson, 1855) -verticosum Buckman, 1914 from the Variabilis Subzone of the Airvault quarry; A, UBGD 279076; B, UBGD 279077; C, specimen UBGD 279075 of Porpoceras gr. vortex-verticosum from the Bifrons Horizon of the Belmont quarry. Scale bars: 10 mm.Published as part of Jattiot, Romain, Fara, Emmanuel, Brayard, Arnaud & Vennin, Emmanuelle, 2016, Revised stratigraphic range of the Toarcian ammonite genus Porpoceras Buckman, 1911, pp. 505-513 in Geodiversitas 38 (4) on page 511, DOI: 10.5252/g2016n4a3, http://zenodo.org/record/520834
LA CONDIZIONE GIURIDICADELLE ENCLAVI IN EUROPA: UN'ANALISI COMPARATA.
The author analyses the legal status of enclaves. According to a strict interpretation, enclaves are portions of a country cut off from the national territory of another. Little has been written about the legal status of enclaves. The author analyzes the historical origin of enclaves and then focuses in particular on: Campione d’Italia, Llivia, Büsingen and Baarle-Hertog. The latter are the only four enclaves left in Europe. Notwithstanding the existence of relevant differences between these four entities, they all have in common very peculiar and complex legal relationships with both the enclavant country and with the exclavant country. The author describes in further detail Campione d’Italia, with particular attention for the novelties introduced by the reform of Title V of the Italian Constitution. As a conclusion, the author evaluates the possible consequences of the European integration process, and argues that this may lead to the solution of many of the concrete problems that regard the enclaves
Alcune osservazioni su Joachim Camerarius biografo (e traduttore) di Albrecht Dürer
In this essay the author reconsiders Joachim Camerarius’s long
preface to the Latin edition of Albrecht Dürer’s Human Proportion (De symmetria
partium in rectis formis humanorum corporum) translated by Camerarius himself
and published in 1532 in Nuremberg «at the expense of Dürer’s widow». This
edition is analyzed here in comparison with the Latin translations of Albrecht
Dürer’s Instruction on Measurement (Institutiones geometricae) and Instructions on
Fortification (De urbibus, arcibus castellisque condendis ac muniendis) published in
Paris by Christian Wechel between 1532 and 1535, without the widow’s permission.
Thanks to this analysis, with new evidence, the author investigates
how Camerarius himself helps to defend Dürer’s legacy, as a creative artist and
as a theorist on art.– In this essay the author reconsiders Joachim Camerarius’s long preface to the Latin edition of Albrecht Dürer’s Human Proportion (De symmetria partium in rectis formis humanorum corporum) translated by Camerarius himself and published in 1532 in Nuremberg «at the expense of Dürer’s widow». This edition is analyzed here in comparison with the Latin translations of Albrecht Dürer’s Instruction on Measurement (Institutiones geometricae) and Instructions on Fortification (De urbibus, arcibus castellisque condendis ac muniendis) published in Paris by Christian Wechel between 1532 and 1535, without the widow’s per-mission. Thanks to this analysis, with new evidence, the author investigates how Camerarius himself helps to defend Dürer’s legacy, as a creative artist and as a theorist on art
La recezione di Martin Schongauer incisore nell'arte e nella letteratura italiana del XVI e XVII secolo. Modelli di lettura
In this article the author proposes an overall reconsideration of the Martin Schongauer’s reception as engraver in Italian art and literature during the sixteenth and seventeenth centuries, paying constant attention to the surviving sources. Especially, the author investigates Schongauer’s position as Dürer’s master, his recognized role as initiator of the Nordic engraving, and the different ways in which his famous prints were reproduced in Italy
La ' città ideale' di Albrecht Dürer. Fonti e fortuna fra XVI e XVII secolo
In this article the author proposes an overall reconsideration of the Albrecht Dürer’s plan for a quadrate town published in his Treatise on Fortification (Nuremberg 1527), paying constant attention to the surviving sources. In particular, the author demonstrates that it is likely that Dürer drew formal inspiration for his quadrate town plan, and for the accurate external defensive system from earlier Italian architectural models – drawings by Leonardo and some parts of the Libro dell’arte della guerra by Machiavelli. For this reasons, it’s dismissed any dependence of Dürer’s quadrate town plan from utopian or different models, such as Thomas More’s Amauroto or the Aztec capital Tenochtitlan. Furthermore, in this article the author investigates also the significative reception of Dürer’s treatise in Italy, well-known thanks to the Latin version (Paris 1535)
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