2,327 research outputs found

    Maeve Binchy : Maeve Binchy's Dublin 4, 1982 Emma Cooke : A Single Sensation, 1981

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    Rafroidi Patrick. Maeve Binchy : Maeve Binchy's Dublin 4, 1982 Emma Cooke : A Single Sensation, 1981. In: Études irlandaises, n°7, 1982. p. 290

    Maeve Binchy : Maeve Binchy's Dublin 4, 1982 Emma Cooke : A Single Sensation, 1981

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    Rafroidi Patrick. Maeve Binchy : Maeve Binchy's Dublin 4, 1982 Emma Cooke : A Single Sensation, 1981. In: Études irlandaises, n°7, 1982. p. 290

    Cooke, Oliver R.

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    Emma R. Cooke - wifehttps://stars.library.ucf.edu/cfm-ch-memoranda-1928/1227/thumbnail.jp

    Postcard from Mrs. D.L. Cooke to Sam Tanaka, August 1943

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    Postcard from Mrs. D.L. Cooke to Sam Tanaka in the Jerome incarceration camp including a greeting and update from Cooke.The Japanese American Archival Collection documents the people, places, and daily life of Japanese Americans, primarily those who lived in the once thriving community of pre-war Florin in the Sacramento region, as well as the conditions in American incarceration camps during World War II. The approximately 7,000 original items include personal and official letters, photographs, diaries, arts and crafts, newsletters, textiles, camps artifacts, yearbooks and other publications

    The Lintsing memorial hospital during war and famine

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    Four letters: 1. Letter (5 pages) dated 15 March 1928 from Francis F. and Emma Boose Tucker at Oberlin, Ohio, prior to departing for China; 2. Letter (2 pages) dated 3 July 1928 from Alma L. Cooke at Lintsing to Mrs. Ellis; 3. Letter (3 pages) dated 26 August 1928 from Doris in Portland, Oregon, to "Margaret, Fred, and all": 4. Report (8 pages), "The Lintsing memorial hospital during war and famine" by Hugh L. Robinson, fall of 1928; 5. Letter dated 10 October 1928 from Emma Boose Tucker at Tehchow, Chin

    Coat Cooke & Joe Poole | Coat Cooke & Rainer Wiens: Reviews

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    Coat Cooke album reviews by Randy Raine-Reusch. Coat Cooke (sax); Joe Poole (drums); Rainer Wiens (guitar)

    Political silences, an introduction

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    In 2018, numerous political silences loudly vy for our attention and response. From Emma Gonzales’s 3 minutes of silence as part of her address at the March for Our Lives to Trump’s attempts to silence the investigation into his campaign’s alleged collusion with Russia, along with the continuing revelations articulated by silence-breakers of sexual harassment strewn throughout, there are indeed multiple meanings and functions of political silence - all of which intersect at the nexus of power and agency. This introductory chapter sets out the volume’s conceptualisation of political silence(s) as productive expression(s) of agency, which it juxtaposes with existing works on the subject. The introduction also identifies the way in which the remaining chapters study political silence(s) and provides the reader with a roadmap to the volume which includes a diverse collection of interdisciplinary studies into the various ways silence, power and agency intersect in the realms of: environmental politics, diplomacy, digital privacy, radical politics, the politics of piety, commemoration, international organization and international law, among others

    Political Silence: Meanings, Functions and Ambiguity

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    The notion of ‘silence’ in Politics and International Relations has come to imply the absence of voice in political life and, as such, tends to be scholastically prescribed as the antithesis of political power and political agency. However, from Emma Gonzáles’s three minutes of silence as part of her address at the March for Our Lives, to Trump’s attempts to silence the investigation into his campaign’s alleged collusion with Russia, along with the continuing revelations articulated by silence-breakers of sexual harassment, it is apparent that there are multiple meanings and functions of political silence – all of which intersect at the nexus of power and agency. Dingli and Cooke present a complex constellation of engagements that challenge the conceptual limitations of established approaches to silence by engaging with diverse, cross-disciplinary analytical perspectives on silence and its political implications in the realms of: environmental politics, diplomacy, digital privacy, radical politics, the politics of piety, commemoration, international organization and international law, among others. Contributors to this edited collection chart their approaches to the relationship between silence, power and agency, thus positing silence as a productive modality of agency. While this collection promotes intellectual and interdisciplinary synergy around critical thinking and research regarding the intersections of silence, power and agency, it is written for scholars in politics, international relations theory, international political theory, critical theory and everything in between

    Flavilla Reprehending the Intention of the Author While He Explains the Allegory

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    Medium: stipple engraving and burin"Flavilla Reprehending the Intention of the Author While He Explains the Allegory" [1959.5514.000.000], Williamson, Thomas, Satchwell, R. WilliamArtist and Role: Satchwell, R. William, EngraverArtist and Role: Cooke, Charles, Artist IExtent: plate 15.5 x 9.

    Dr. Edwin Wright Letters: George Cooke

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    Notes - Mr. George Cooke writes of life in Athabasca Landing before the automobile arrived. Businesses, freighting, the fur trade and numerous settlers are mentioned by name (2 pages
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