405 research outputs found
Dalia Sofer, 32nd Annual ODU Literary Festival
No full textDalia Sofer, author of the award-winning novel Septembers of Shiraz, was born in Iran and fled at the age of ten to the United States with her family. She is the recipient of a Whiting Writers\u27 Award and has been a resident at Yaddo. A graduate of the MFA program at Sarah Lawrence College, she lives in New York City
COVID-19 in Jordan: Impacts on Production, Household Income & Food Systems
No full textPrepared by Dalia Elsabbagh1, Mariam Raouf1, Manfred Wiebelt2 1. International Food Policy Research Institute 2. Kiel Institute for the World Economy Last updated: 2 September 202
COVID-19 in Yemen: How the Drop in Remittances Affected Production, Household Income & Food Systems
No full textDalia Elsabbagh1, Sikandra Kurdi1, and Manfred Wiebelt2 1. International Food Policy Research Institute 2. Kiel Institute for the World Economy Last updated: January 202
The new corporation in Europe
Get PDFThis Policy Brief examines how Europeâ??s corporations are changing the way they do business since the 2004 EU Enlargement. Dalia Marin argues that firms are adapting to heightening global competition by shifting decision-making processes. The author gives policy recommendations in the areas of EU neighbourhood and trade policies.
The New Corporation in Europe. Bruegel Policy Brief 2008/07, September 2008
Get PDFThis Policy Briefing examines how Europe’s corporations are changing the way they do business since the 2004 EU Enlargement. Dalia Marin argues that firms are adapting to heightening global competition by shifting decision-making processes. The author gives policy recommendations in the areas of EU neighbourhood and trade policies
School milk initiative: Impact of adding milk to a micronutrient fortified school feeding program: An effectiveness trial in humanitarian settings
No full textPresentation given July 30, 2024 for CGIAR Research Initiative on Fragility, Conflict, and Migration given on behalf of Aulo Gelli, Dalia El Sabbagh, Monica George Michail, and the School Milk Initiative Trial Group.
IFPRI consultants: Monica George Michail, Dalia Elsabbagh, and in-country colleagues
Ficha bibliométrica autor USTA - Dalia Carreño Dueñas
No full textInforme de las métricas de autor de la Dra. Dalia Carreño Dueñas de las
publicaciones indexadas en Google Académico cuyo objetivo es entregar un insumo
para el fortalecimiento de las capacidades y potencialidades de los autores de la
Universidad Santo Tomás en el posicionamiento y visibilidad de sus publicaciones.Report of the author metrics of Dalia Carreño Dueñas of the publications indexed in
Google Scholar whose objective is to provide an input for the strengthening of the
capacities and potentialities of the authors of the Santo Tomás University in the
positioning and visibility of their publications.http://unidadinvestigacion.usta.edu.c
COVID-19 in Tunisia: Impacts on Production, Household Income & Food Systems
No full textPrepared by Zouhair ElKadhi2, Dalia Elsabbagh1, Thouraya Lakoud2, Manfred Wiebelt3, and Clemens Breisinger1 1. International Food Policy Research Institute 2. Tunisian Institute of Competitiveness and Quantitative Studies 3. Kiel Institute for the World Economy Last updated: 2 May 202
Muslim democrats: moderating Islam, modifying the State
No full textWhat explains the increase in moderate Islamists movements in the Middle East? Why do Islamist movements at times adopt moderate strategies while others do not? What conditions facilitate Islamist ideological moderation? And finally, what effect does the integration of Islamists into the political arena have on the state? The central claim of this study is that the moderation of opposition movements is the outcome of political processes that involve the tension among three variables: political inclusion, internal organization of the movement, and ideological frames. Over time, the interaction of these affects the trajectory of an Islamist movement, such as the Muslim Brotherhood, ultimately leading to sustained ideological change.Ph. D.Includes bibliographical referencesby Dalia Fikry Fahm
Signs of style in Balys Dvarionas’ opera "Dalia”
No full textStraipsnyje Balio Dvariono opera "Dalia" (1959) nagrinėjama iki šiol mažai tyrinėtais aspektais, siekiant nustatyti įvairias sąsajas su to meto istoriniu kontekstu, estetinėmis nuostatomis, socialiniais momentais, kvestionuojami kai kurie iki šiol su šiuo sceninės muzikos opusu susiję stereotipai bei norima nustatyti to istorinio laikotarpio bei paties kūrėjo paliktus stiliaus ženklus. Pasak autorės, opera "Dalia" tęsia romantizmo operų tradiciją, joje akivaizdi rusų kompozitorių įtaka. Čia gausu ryškių, įsimenančių melodijų, vyrauja homofonija, muzikoje persipina herojinis ir lyrinis pradai. Opera atitiko daugelį to meto sovietinių ideologų reikalavimų: sukurtas herojinis-istorinis libretas (pagal rašytojo ir dramaturgo Balio Sruogos dramą "Apyaušrio dalia"), jame atsispindi kovos momentai, vaizduojami liaudies kovotojai, šaržuojami aukštuomenės bei dvasininkijos atstovai. Operai būdingas epizodiškumas bei muzikinių vaizdinių kaleidoskopiškumas. Ypač svarbus vaidmuo teko orkestrui: jam pavesta visos operos muzikinės medžiagos vienytojo funkcija; orkestro partijoje jautriai reaguojama į dramaturginius niuansus, siužeto posūkius, jis tarsi komentuoja scenoje vykstančius įvykius. B. Dvariono "Dalia" buvo pastatyta tris kartus - du pastatymai Lietuvos nacionaliniame operos ir baleto teatre (1959 m. ir 2004 m.) ir Lietuvos televizijos filmas (1985 m.). Reikšminiai žodžiai: Balys Dvarionas; Opera "Dalia"; Lietuvių muzikos istorija; Lietuvių opera; Formalizmas; B. Dvariono muzikos stiliusThe article examines Balys Dvarionas’s opera "Dalia" (1959) in terms of aspects, which have not been extensively studied until present for the purpose of establishing different relations with the historical context of the period, the aesthetical provisions, social moments, questions certain stereotypes, related to the said opus and attempts to identify the signs of the style of the historic period and those, left by the creator himself. According to the author the opera "Dalia" continues the tradition of the Romanticist operas, the influence of Russian composers is obvious. The opera is plentiful with prominent and memorable melodies, homophony and heroic and lyrical subjects intertwine in the music. The opera complied with most Soviet ideological requirements of the period: a heroic – historical libretto (according to the drama “Apyaušrio Dalia” by Balys Sruoga), reflecting moments of fighting, depicting folk fighters and caricaturing the representatives of nobility and clergy. The opera characterizes with patchiness and kaleidoscopicality of musical imagery. The orchestra plays an especially important role, i. e. the function of unification of the musical material of the entire opera; the orchestra part sensitively responses to the dramaturgy nuances, turns of the plot, the orchestra comments the events on the stage. B. Dvarionas’s "Dalia" was staged three times – two stagings at the Lithuanian Opera and Ballet Theatre (in 1959 and in 2004) and as a Lithuanian Television film (in 1985)
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