116 research outputs found
Trey Ellis\u27s Platitudes: Redefining Black Voices
No full textTrey Ellis has emerged as a prominent African American writer of the late-twentieth century, despite the small number of his published works. The New Black Aesthetic, an essay that he first published in CaUaloo in 1989, one year after the publication of his first novel, Platitudes, stands as a manifesto that defines and articulates his perspective on the emerging black literary voices and culture of the time, and on the future of African American artistic expression in the postmodern era.1 According to Eric Lott, Ellis\u27s novel parodies the literary and cultural conflict between such male experimental writers as lshmael Reed and such female realist writers as Alice Walker.2 Thus, Ellis\u27s primary purpose in writing Platitudes is to redefine how African Americans should be represented in fiction, implying that neither of the dominant approaches can completely articulate late-twentieth-century black experience when practiced in isolation. In its final passages, Platitudes represents a synthesis of the two literary modes or styles, and it embodies quite fully the diversity of black cultural identities at the end of the twentieth century as it extends African American literature beyond racial issues. In this way, the novel exemplifies the literary agenda that Ellis suggests in his theoretical essay
[Introduction to] Platitudes: & the New Black Aesthetic
No full textA playful, irreverent look at the African-American literary community.
Trey Ellis\u27s uproariously funny debut novel Platitudes, first published in 1988, takes on conflicts within the African American literary community. Dewayne Wellington, a failing black experimental novelist, and Isshee Ayam, a radical feminist author, collaborate on Dewayne\u27s latest sexist comedy. Alternately telling the story about the coming of age of Earle and Dorothy - two black middle-class teenagers, sex-starved in New York City - the battling writers sneak ever, and dangerously, closer to reconciling their literary disputes.
This edition of Platitudes also includes The New Black Aesthetic, a groundbreaking essay by Ellis that appeared in the journal Callaloo.https://scholarship.richmond.edu/bookshelf/1085/thumbnail.jp
Success in Globalized Economy Requires New Attitude
No full textAuthor\u27s biography: Trey Denton is a professor of marketing and the director of the Center for Global Business at Georgia Southern University. He can be reached at [email protected]
U.S. Success in Globalized Economy Requires New Attitude
No full textAuthor\u27s Biography: Dr. Trey Denton is a professor of marketing and the director of the Center for Global Business at Georgia Southern University. He can be reached at [email protected]
It’S Best to Be Realistic about China
No full textAuthor\u27s biography: Luther “Trey” Denton is director of the Center for Global Business and Professor of Marketing at Georgia Southern University. You may contact him at [email protected]
Richard Halliburton Memorial Tower, Rhodes College, Memphis, Tennessee 1994
No full textColor postcard, 15.5 cm by 12 cm.This is a view of the Halliburton memorial Tower on the Rhodes College Campus. The gothic style tower is 140 feet high and was dedicated in 1962 in memory of the world famous traveler and author. Phote was taken by Trey Clark
6 - The Trey Ellis 1980s and the Discovery of an Artistic School
No full textTrey Ellis’s novel Platitudes, published within a year of his landmark essay “The New Black Aesthetic,” is the essay come to fictional life: a novel about a struggling experimental Black male novelist who “collaborates” with a Black feminist novelist to tell the competing-narrative story oftwo Black teen characters who maintain their personas throughout the novel, even though they exist in different historical eras. Ellis’s publication of “The New Black Aesthetic” alongside Platitudes allows students of 1980s Black cultural production to view Ellis’s manifesto and his novel as symbiotic texts that are companion pieces that comment on a nascent, post-Civil Rights Movement school of Black art that has come to be known as post-Blackness. These two texts not only grapple with Black feminism but also push back at a mid-twentieth-century prose style that was not limited to Black female writers, and Platitudes ultimately represents the unstable, fluid nature of Blackness itself. An examination of the way Ellis’s works present a coherent case for post-Blackness acknowledges Ellis’s late-twentieth-century position as a key transitional figure in African American literary history
Nicholas Smith Recreational Area at Gin Creek Dedication Ceremony
No full textStudent Association president senior Dakota Ellis pursued an idea inspired by President Bruce McLarty to clean up part of Harding\u27s backyard: Gin Creek. The recreation area was named in honor of Nicholas Smith, a Harding student who was tragically killed in an automobile accident on March 7, 2015.(Excerpt taken from The Bison, September 1, 2017, article titled SA President Leads Gin Creek Park Project )
The dedication ceremony was led by Dr. Bruce McLarty, Dakota Ellis, Richard and Amy Smith, and Trey Smith
Current Controversies in Medicine: Informed Consent. National Institutes of Health
No full textConference held in the Natcher Conference Center-Main Auditorium on November 18, 1999 from 8:30 a.m. to 12:30 p.m. Spiral bound booklet of references and resources and video available. Speakers and Topics are: Jeff Kahn on the Historical Introduction to Informed Consent; Panel on Capacity to Give Consent, Stephen Post, Trey Sunderland, Gary Ellis (moderator); Panel on Incentives and Compensation, Bert Spilker, Christine Grady; Panel on Cultural and Language Barriers, Jack Killen, Robert E. Johnson; Closing Speaker Warren K. Ash
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