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    GUD (Genoa University Design): A Magazine about Architecture, Design and Cities 7 (special issue entitled Sinapsi / Synapse)

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    GUD (Genoa University Design): A Magazine about Architecture, Design, and Cities 7, special issue on Synapse, edited by Elisabetta Canepa, Andrea Giachetta, and Gaia Leandri. Contributions by Andrea Giachetta, Gaia Leandri, Dario Costi, Paolo Presti, Pietro Avanzini, Fausto Caruana, Giacomo Rizzolatti, Giovanni Vecchiato, Matteo Zambelli, Michele Valentino, Fabio Bacchini, Linda Buondonno, Germana Pareti, Marta Stragà, Manila Vannucci, Fabio Del Missier, Sergio Agnoli, Matteo Pericoli, Cinzia Di Dio, Davide Ruzzon, Sara Valentina Schieppati, Giulia Peretti, Federica Sanchez, Davide Massaro, Gabriella Gilli, Antonella Marchetti, Fabio Colonnese, Anna Anzani, Massimo Schinco, Veronica Riavis, Antonio Sorrentino, Eleonora Buiatti, Mahtab Mazlouman, Lorella Pizzonia, Roberto Ruggiero, Claudia Porfirione, Isabella Nevoso, Elena Polleri, Valeria Menchetelli, and Elisabetta Canepa

    Atmosfera

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    Here is the paper Elisabetta Canepa and Valter Scelsi submitted to the tenth Forum ProArch promoted by the Italian Scientific Society of Architectural, Urban, and Landscape Design Professors. The conference, entitled "Le parole e le forme" ("Forms and Images," in English), took place in Genoa, November 16-18, 2023. Their proposal reconstructs the genealogy, evolution, and semantic geography of the word “atmosphere,” mapping a taxonomy of definitions and design approaches to atmosphere forged over time by the architectural culture

    Atmosfera

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    Here is the abstract Elisabetta Canepa and Valter Scelsi submitted to the tenth Forum ProArch promoted by the Italian Scientific Society of Architectural, Urban, and Landscape Design Professors. The conference, entitled "Le parole e le forme" ("Forms and Images," in English), took place in Genoa, November 16-18, 2023. Their proposal reconstructs the genealogy, evolution, and semantic geography of the word “atmosphere,” mapping a taxonomy of definitions and design approaches to atmosphere forged over time by the architectural culture

    Generators of Architectural Atmosphere

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    This book was born as the legacy of the “Generators of Architectural Atmosphere” Symposium, an Interfaces event of the Academy of Neuroscience for Architecture (ANFA), sponsored by the EU’s Horizon 2020 MSCA Program — RESONANCES Project, the Perkins Eastman Studio, and the 2020 Regnier Chair. The event was hosted in the College of Architecture, Planning and Design (APDesign), Kansas State University, Manhattan, KS, on April 12, 2022. Recent advances in science are confirming many of the architect’s expert intuitions opening new doors to the perception of space and the meaning of architectural design. This volume collects three essays: “The Atmospheric Equation and the Weight of Architectural Generators” by Elisabetta Canepa; “Sensing the Atmospheric Space Through a Virtual Lens: Scrutinizing Opportunities and Limitations” by Kutay Güler; and “Locating Architectural Atmosphere” by Tiziana Proietti and Sergei Gepshtein. Bob Condia provided a critical introduction entitled “The Applied Science of Generating Atmospheres in Architecture.”https://newprairiepress.org/ebooks/1048/thumbnail.jp

    Atmosphere(s) for Architects: Between Phenomenology and Cognition

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    Interfaces 5 was born to home the dialogue that the neuroscientist Michael A. Arbib and the philosopher Tonino Griffero started at the end of 2021 about atmospheric experiences, striving to bridge the gap between cognitive science’s perspective and the (neo)phenomenological one. This conversation progressed due to Pato Paez’s offer to participate in the webinar “Architectural Atmospheres: Phenomenology, Cognition, and Feeling,” a roundtable hosted by The Commission Project (TCP) within the Applied Neuroaesthetics initiative. The event ran online on May 20, 2022. Bob Condia moderated the panel discussion between Suchi Reddy, Michael A. Arbib, and Tonino Griffero. This volume collects nine essays: the target chapter is “A Dialogue on Affordances, Atmospheres, and Architecture” by Michael A. Arbib and Tonino Griffero; there are four commentaries to this text by Federico De Matteis, Robert Lamb Hart, Mark Alan Hewitt, and Suchi Reddy; Michael A. Arbib and Tonino Griffero have independently responded to the commentaries, emphasizing the opportunities and challenges of their respective approaches: cog/neuroscience and atmospherology applied to architecture; Elisabetta Canepa offers “An Essential Vocabulary of Atmospheric Architecture,” developing an atmospherological critique of the Marianna Kistler Beach Museum of Art on the Kansas State University campus in Manhattan to evaluate the accuracy, coherence, and adaptability of her lexicon. Bob Condia and Mikaela Wynne provide an introduction entitled “On Becoming an Atmospherologist: A Praxis of Atmospheres.

    Designing Atmospheres: Theory and Science

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    This book was born as the legacy of the “Designing Atmospheres: Theory and Science” Symposium, an Interfaces event of the Academy of Neuroscience for Architecture (ANFA), sponsored by the EU’s Horizon 2020 MSCA Program — RESONANCES Project, the Perkins Eastman Studio, and the Architecture Department at Kansas State University. The event was hosted in the College of Architecture, Planning and Design (APDesign), Kansas State University (K-State), Manhattan, KS, on March 28, 2023. Recent advances in science confirm many of the architects’ deep-rooted intuitions, improving knowledge about the perception of space and the meaning of architectural and urban design. This volume collects four essays: “Investigating Atmosphere in Architecture: An Overview of Phenomenological and Neuroscientific Methods” by Elisabetta Canepa; “Rhythms of the Brain, Body, and Environment: A Neuroscientific Perspective on Atmospheres” by Zakaria Djebbara; “A History of Tool-Atmospheres” by Kory Beighle; and “Atmospheric Histrionics” by Harry Francis Mallgrave. Bob Condia provided a critical introduction entitled “The Design of Atmospheres.”The RESONANCES project (Architectural Atmospheres: The Emotional Impact of Ambiances Measured through Conscious, Bodily, and Neural Responses) received funding from the European Union's Horizon 2020 research and innovation program under the Marie Skłodowska-Curie grant agreement no. 101025132. The content of this book reflects only the authors' view. The European Research Executive Agency is not responsible for any use that may be made of the information it contains. For further information, please visit the project website: www.resonances-project.co

    Pammatone 257: Franco Albini, Franca Helg

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    Pammatone 257 is the fourth issue of the "Guide di Architettura Contemporanea Genovese" book series, edited by Vittoria Bonini, Elisabetta Canepa, and Valter Scelsi. The series, published by Sagep Editori (2021), is made of eight books about contemporary buildings constructed in Genoa between 1950 and 1990. Specifically, this volume describes a business, commercial, and residential complex in Piccapietra (2/5/7 Pammatone street) by Franco Albini and Franca Helg (1955/1962) and their project for the Genoese Center of Arts in Acquasola Park (1955/1969)

    Orizzonti di ricerca tra architettura e neuroscienze: A vent'anni dalla nascita di ANFA — The academy of neuroscience for architecture

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    GUD (Genoa University Design): A Magazine about Architecture, Design, and Cities 7 (2023), special issue on Synapse, edited by Elisabetta Canepa, Andrea Giachetta, and Gaia Leandri. As GUD 7 editor, Elisabetta Canepa offers a critical overview of the twenty published papers (written by scholars of interiors, architecture, and city design in collaboration with cognitive scientists), situating the contributions in a more complete and complex context of reference. The ANFA 20th Anniversary Conference (September 2023) provides a fruitful prompt to analyze potentials, challenges, and horizons of the convergence of architecture (the art of building) and neuroscience (the experimental study of experience), now invoked with enthusiasm as demonstrated by the progressive and constant increase of publications, symposiums, exhibitions, workshops, and academic curricula dedicated to this interdisciplinary field.This essay was developed within the RESONANCES project — Architectural Atmospheres: The Emotional Impact of Ambiances Measured through Conscious, Bodily, and Neural Responses. This project received funding from the European Union's Horizon 2020 research and innovation program under the Marie Skłodowska-Curie grant agreement no. 101025132. The content of this text reflects only the author's view. The European Research Executive Agency is not responsible for any use that may be made of the information it contains

    History of the Future. Volume I: Ordinary Rooms

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    ORDINARY ROOMS è il primo capitolo delle cronache di “History of the Future”, viaggio nel diorama architettonico del XX e XXI secolo. Il progetto didattico raccontato nella presente pubblicazione ha avuto inizio durante l’anno accademico 2015–2016, nell’ambito del Laboratorio di Progettazione Architettonica 2B del Dipartimento Architettura e Design (dAD) della Scuola Politecnica di Genova, diretto dai docenti Francesco Librizzi e Valter Scelsi, con la collaborazione di Paolo Boero, Damiano Boldrini e Elisabetta Canepa. L’anno successivo, tale esperienza progettuale è stata approfondita e integrata con i contributi degli studenti del Laboratorio di Progettazione Architettonica 2A, corso tenuto da Valter Scelsi, con il supporto di Francesco Bacci, Elisabetta Canepa e Angelo Torre. *** L’esercitazione sviluppata si declina in due tracce complementari: [A] la serie monumentale (a.a. 2015–2016), composta da nove episodi residenziali innestati su archi di trionfo e portali urbani; [B] la serie domestica (a.a. 2016–2017), raccontata attraverso quattordici case d’autore del Novecento trasposte all’interno del territorio genovese. La collezione dei ventitré disegni di architettura nasce da un esercizio simbiotico di progettazione e rappresentazione, in cui opere di singolare natura (archi di trionfo, porte monumentali o ville d’autore) vengono sottoposte a un ciclo di indagine che prevede quattro fasi progressive: studio della preesistenza, decontestualizzazione, dislocazione e risignificazione funzionale tramite un compiuto progetto di architettura. *** Graficamente, l’intero processo di studio viene restituito attraverso l’elaborazione di una tavola di sintesi costruita con la tecnica della sezione prospettica. Da ogni esemplare sono gemmate dieci riproduzioni litografiche su supporto cartaceo (formato 30 x 42 centimetri), ottenute mediante stampa offset da Risograph

    Guide di Architettura Contemporanea Genovese

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    Collana composta da otto volumi monografici su edifici realizzati a Genova tra il 1950 e il 1990. Titoli della collana: 01. Beatrice Moretti — Stadio comunale Luigi Ferraris (Gregotti Associati), 978-88-6373-788-2 02. Francesco Bacci — Quartiere residenziale Forte Quezzi (Luigi Carlo Daneri, Eugenio Fuselli), 978-88-6373-778-3 03. Luigi Mandraccio — Palazzo di Giustizia (Giorgio Olcese, Giovanni Romano, Giulio Zappa), 978-88-6373-779-0 04. Elisabetta Canepa — Pammatone 2 5 7 (Franco Albini, Franca Helg), 978-88-6373-780-6 05. Stefano Passamonti — Ex Palazzo INA Piccapietra (Robaldo Morozzo della Rocca), 978-88-6373-781-3 06. Vittoria Bonini — Palazzo Sigla Effe (Luigi Carlo Daneri), 978-88-6373-782-0 07. Antonio Lavarello — Il Palazzo della Rinascente (Aldo Molteni, Marco Lavarello), 978-88-6373-783-7 08. Gian Luca Porcile — Museo d’Arte Orientale E. Chiossone (Mario Labò), 978-88-6373-784-4A series of eight books about contemporary buildings constructed in Genoa between 1950 and 1990. Titles in the series: 01. Beatrice Moretti — Stadio comunale Luigi Ferraris (Gregotti Associati), 978-88-6373-788-2 02. Francesco Bacci — Quartiere residenziale Forte Quezzi (Luigi Carlo Daneri, Eugenio Fuselli), 978-88-6373-778-3 03. Luigi Mandraccio — Palazzo di Giustizia (Giorgio Olcese, Giovanni Romano, Giulio Zappa), 978-88-6373-779-0 04. Elisabetta Canepa — Pammatone 2 5 7 (Franco Albini, Franca Helg), 978-88-6373-780-6 05. Stefano Passamonti — Ex Palazzo INA Piccapietra (Robaldo Morozzo della Rocca), 978-88-6373-781-3 06. Vittoria Bonini — Palazzo Sigla Effe (Luigi Carlo Daneri), 978-88-6373-782-0 07. Antonio Lavarello — Il Palazzo della Rinascente (Aldo Molteni, Marco Lavarello), 978-88-6373-783-7 08. Gian Luca Porcile — Museo d’Arte Orientale E. Chiossone (Mario Labò), 978-88-6373-784-
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