1,721,017 research outputs found

    02_Figure_Hall – Supplemental material for 1960–1962. The international science film exhibition at the Museo Nazionale della Scienza e della Tecnica “Leonardo da Vinci” in Milan: The engineer’s solution to the problem of bridging museum, science, and cinema

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    Supplemental material, 02_Figure_Hall for 1960–1962. The international science film exhibition at the Museo Nazionale della Scienza e della Tecnica “Leonardo da Vinci” in Milan: The engineer’s solution to the problem of bridging museum, science, and cinema by Elena Canadelli and Simona Casonato in Public Understanding of Science</p

    01_Figure_The_Hall – Supplemental material for 1960–1962. The international science film exhibition at the Museo Nazionale della Scienza e della Tecnica “Leonardo da Vinci” in Milan: The engineer’s solution to the problem of bridging museum, science, and cinema

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    Supplemental material, 01_Figure_The_Hall for 1960–1962. The international science film exhibition at the Museo Nazionale della Scienza e della Tecnica “Leonardo da Vinci” in Milan: The engineer’s solution to the problem of bridging museum, science, and cinema by Elena Canadelli and Simona Casonato in Public Understanding of Science</p

    03_Figure_The_Bar – Supplemental material for 1960–1962. The international science film exhibition at the Museo Nazionale della Scienza e della Tecnica “Leonardo da Vinci” in Milan: The engineer’s solution to the problem of bridging museum, science, and cinema

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    Supplemental material, 03_Figure_The_Bar for 1960–1962. The international science film exhibition at the Museo Nazionale della Scienza e della Tecnica “Leonardo da Vinci” in Milan: The engineer’s solution to the problem of bridging museum, science, and cinema by Elena Canadelli and Simona Casonato in Public Understanding of Science</p

    Le collezioni bolognesi di storia naturale agli inizi del XIX secolo. La direzione "dimenticata" di Camillo Ranzani

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    La direzione di Camillo Ranzani del Museo di Storia Naturale, nei suoi quasi quarant’anni di attività (1803- 1841), ha giocato un ruolo importante nello sviluppo delle collezioni naturalistiche a Bologna. Il suo contributo alla storia naturale è molteplice: ha potenziato l’insegnamento della disciplina; ha garantito una continuità alla gestione delle collezioni; ha ammodernato l’allestimento delle sale; ha incrementato le collezioni, soprattutto nelle aree della storia naturale meno rappresentate; infine, ha avviato una stagione di studi dedicati agli esemplari posseduti dalla collezione. Lo scopo di questo contributo è perciò valorizzare la direzione Ranzani, soprattutto sul piano della gestione delle collezioni naturalistiche bolognesi, alla luce di una ricca documentazione archivistica, oggi ancora pressoché inesplorata.During his almost forty years of activity (1803-1841), Camillo Ranzani’s direction of the Natural History Museum in Bologna played an important role in the development of natural history collections. His contribution to natural history is multifaceted: he enhanced the teaching of the discipline; he ensured continuity in the management of the collections; he brought the layout of the rooms up to date; he increased the collections, especially in the less represented areas of natural history; and finally, he favored a series of studies dedicated to the specimens in the collection. The aim of this paper is therefore to emphasise Ranzani’s direction, especially in terms of how he managed the natural history collections in Bologna, in the light of a rich archival documentation that is still almost unexplored today

    CANADELLI_CASONATO_Captions_10_June_2018-online – Supplemental material for 1960–1962. The international science film exhibition at the Museo Nazionale della Scienza e della Tecnica “Leonardo da Vinci” in Milan: The engineer’s solution to the problem of bridging museum, science, and cinema

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    Supplemental material, CANADELLI_CASONATO_Captions_10_June_2018-online for 1960–1962. The international science film exhibition at the Museo Nazionale della Scienza e della Tecnica “Leonardo da Vinci” in Milan: The engineer’s solution to the problem of bridging museum, science, and cinema by Elena Canadelli and Simona Casonato in Public Understanding of Science</p

    04_Figure_Film_Programs_November_1962 – Supplemental material for 1960–1962. The international science film exhibition at the Museo Nazionale della Scienza e della Tecnica “Leonardo da Vinci” in Milan: The engineer’s solution to the problem of bridging museum, science, and cinema

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    Supplemental material, 04_Figure_Film_Programs_November_1962 for 1960–1962. The international science film exhibition at the Museo Nazionale della Scienza e della Tecnica “Leonardo da Vinci” in Milan: The engineer’s solution to the problem of bridging museum, science, and cinema by Elena Canadelli and Simona Casonato in Public Understanding of Science</p

    Behind the Exhibit: Displaying Science and Technology at World's Fairs and Museums in the Twentieth Century

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    International exhibitions, as well as great national fairs, were temporary and fleeting playgrounds where it was possible either to experiment with new display devices or to interpret already tested solutions. Focusing on the less-studied twentieth century, this volume looks in greater depth at how science and technology have been materially transmitted through these mega events, which objects the organizers and the communities behind these exhibitions have displayed, which narratives of science have been staged, and what roles have historical scientific artifacts played
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