1,749 research outputs found

    Ehwald, R[udolf] an Herman Grimm (1 Brief)

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    EHWALD, R[UDOLF] AN HERMAN GRIMM (1 BRIEF) Ehwald, R[udolf] an Herman Grimm (1 Brief) (Br988) Brief 988 (Br988

    Metamorphosen.

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    Latin and German on opposite pages.1. Bd. Buch I-VII, erklärt von Moritz Haupt. 10. Aufl. Unveränderte Neuausg. der 9 Aufl. von Rudolf Ehwald, Korrigiert und bibliographisch erg. von Michael von Albrecht.--2. Bd. Buch VIII-XV, im Anschluss an Moritz Haupts Bearbeitung der Bücher 1-7 erklärt von Otto Korn. 5 Aufl. Unveran̈derte Neuausg. der 4. Aufl. von Rudolf Ehwald, korrigiert und bibliographisch erg. von Michael von Albrecht

    Armenbibel

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    hrsg. von Rudolf Ehwal

    Rudolf Otto filosofo della religione

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    Lo straordinario successo del Sacro (1917), che ha reso celebre Rudolf Otto, ha provocato, per contraccolpo, la diffusione di una figura stilizzata dell’autore, impoverita dall’oblio toccato al resto della sua produzione e da letture parziali e semplificative. Una ricostruzione genetica del modo in cui Otto impone la nozione di «heilig» nel lessico tedesco specializzato, muovendo da Lutero e opponendo al neokantismo una lettura friesiana del trascendentale, fa emergere la qualità filosofica di una teoria del religioso che rivela convergenze insospettate con la fenomenologia husserliana. The extraordinary success of The Holy (1917) made Rudolf Otto famous, but it also contributed to propagate a simplified figure of the author. The rest of his work was condemned to oblivion, which caused misleading interpretations of The Holy itself. A genetic reconstruction of the way in which Otto established the term «heilig» in the technical German proves to be fruitful. When considering his interpretation of Luther and his Fries-based opposition to a neoKantian approach to the concept of «transcendental», the philosophical relevance of Otto’s theory of religion can be fully recognized, as well as unsuspected links to Husserlian phenomenology

    Rudolf Mayer

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    The bachelor thesis deals with the life and work of Rudolf Mayer. In the first part, attention is given to the author and the reception of his work presented in period magazines and newspapers from the poet´s death in 1945. During the second part of his work is examined in terms of literary discursivity the subjective romanticism
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