260 research outputs found
close
View of T. Scott Roberts home in Anniston, AL. Shows the flowering shrubs, trees, and ivy growing up the sides of the house. The house, with its blue awnings and red tile roof, look beautiful on the sloping land surrounded by greenery. Postcard is a color print of the scene. Postmarked 1949. Divided back postcard.Printed on front: 'Atop Sunset Drive. Home of T. Scott Roberts. Anniston, Ala.' ; Printed on back (text is damaged): '6--Edwards Cigar & Tobacco Co., Anniston, Ala., Distributo..,, 'Genuine Curteich-Chicago "C.T. American Art" post card (Reg.U.S ...'Trascription is damaged. Written on back: 'Mon Eve. Hello honey. We ... almost in Columbus ... Seen many cotton fields ... today in Alabama. ... hot. I took my coat off ... still am warm. ... you are fine. I am ... to write a letter ... Love Mother & Dad, Shirley Mae Borton, 979 Xenia Ave, Wilmington, Ohio'
close
Color print of the Samuel Noble Monument in Anniston, AL. Mable statue of a man dressed in double breasted, long overcoat and pants with his hand tucked inside front of coat. Writing on monument "Erected by citizens of Anniston 1895 - Samuel Noble." Matured trees and paved roads in background. Divided back postcard.Printed on front: 'Samuel Noble Monument, Anniston, Ala.', '1B923-N' ; Printed on back: '14-Edwards Cigar & Tobacco Co., Anniston, Ala., Distributors', 'Genuine Curteich- Chicago "C. T. American Art" Post Card (Reg. U. S. Pat. Off.)
close
Color print view of the Business and Professional Women's Clubhouse located in Anniston, AL. Rustic log cabin with two stone chimneys. Porch across front entrance of cabin. Landscaped with stone outline around trees and shrubs. Postmarked February 19??. Divided back postcard.Printed on front: '7 - Clubhouse of Business and Professional Women's Club, Anniston, Ala.' Printed on back: 'Edwards Cigar & Tobacco Co., Anniston, Ala., Distributor. Genuine Curteich-Chicago "C. T. American Art" Post Card.'Written on back: 'Mon. Eve. Dear Farrell we are expecting to reach you tomorrow. Beautiful Weather today. Made several stops today sight seeing. Daddy said to tell you we have been seeing a lot of nice Jersey cows & heifers. Will write a letter tonite love Mother & Dad. - Farrell Borton 979 Xenia Ave. Wilmington Ohio.
close
Color print of the Enlisted Men's Club at Ft. McClellan, Anniston, AL. Sitting room furnished with sofas and chair. Table with folding chairs available on other side of wall divider. Overhead lighting provided by three chandeliers. Green window treatments. Divided back postcard.Printed on front: 'Interior, Enlisted Men's Club, Ft. McClellan, Anniston, Ala.' ; Printed on back: 'Ft. McClellan. One of the largest military reservations in the Fourth Area, is located immediately outside the city limits. It comprises 19,600 acres.', '18-Edwards Cigar & Tobacco Co., Annston, Ala., Distributors', 'Genuine Curteich-Chicago "C.T. American Art" Post Card (Reg. U.S. Pat. Off.)'Written on back: 'My bub is a Jr. & my nick name is Pinky, so that explains it. over there', 'To Pinky From Junior
[Bill and son in front of home]
Photograph of Bill behind his son in front of a home. Bill is shown wearing a hat and holding a cigar in his right hand
Edwards, John, 1748-1837 (SC 3417)
Finding aid, scan and typescript (Click on Additional Files below) for Manuscripts Small Collection 3417. Letter, 12 December 1824, of John Edwards, Lexington, Kentucky to George W. Williams, Paris, Kentucky. The former U.S. senator offers to discuss the terms on which Williams is to hire out slaves for Edwards’s factory business, but declines his request to train them in cigar-making. He also reports on his law studies, his hopes for financial success, and on a recent visit to Frankfort, Kentucky, where he found state legislators to be “mere factionists,” “without intelligence, without principle, dignity, [or] virtue.
By Appointment / Propositions [curated by Close But No Cigar]
A “CLOSE BUT NO CIGAR” research project started as a proposal to the ICA to launch the project “By Appointment”, inviting unknown artists to suggest ideas for an exhibition at the ICA. The aim was to bypass the “invitation only” approach to exhibition programming and to raise questions regarding the value and kudos contemporary institutions offer artists.For this project, I made Remasculation: putting the dick back into art, a 150-word proposal for a solo exhibition, at the ICA. As text based art, it contributed to the field of conceptual art, referencing artists like Barbara Kruger, Jenny Holzer, or, more explicitly, the humour in Martin Creed’s work or Richard Prince’s monochrome joke paintings. Of course, the use of humour in my work, to highlight the childishness of artists chasing recognition, fortune and fame, differs greatly to Princes’ satirical ‘one-liners’. The humour in my text is more oblique, and might not be recognised at all. Even if this is the case, I feel the self-indulgence of the artist comes through.The proposal was exhibited as part of a group exhibition (of proposals) called “By Appointment/Propositions curated by Close But No Cigar – a research project in itself.Taking inspiration from projects by Free Class Frankfurt, which draw attention to “the humiliating competition for a place among those 5 per cent, who at least temporarily survive from their income as artists” I wanted to question why artists continue to make competitive applications (Propositions if you like) when the process can indeed be considered humiliating, hierarchical (the artist submits to the judgement of a panel), stressful, and, of course, unpaid.I was interested by Close But No Cigar’s use of the work Kudos and instead of attacking the institution, or art system, I decided to turn my attention to the artists reconsidering them as potentially attention-seeking and self indulgent. At the same time I wanted to explore the macho culture associated with the career of the Fine Artist – who has to constantly take rejection on the chin and keep pressing on, sure of their artistic worth drawing on misguided, but romantic, notions of the suffering artist.</p
Turning over a new leaf? The Havana cigar revisited
Discusses the historical and contemporary context of the crisis and reforms in the Cuban cigar sector. Author focuses on developments in the period 1992-94 when Cuba sank to, and pulled out of, the depths of the post-1989 crisis. This was when competition from the post-1992 boom of cigars made with Havana seed leaf grown outside Cuba became fierce. She concludes by considering scholarly interpretations of the 1990s agrarian reforms and emphasizes the need to foreground the interplay between external and internal factors
Texas A & M University versus Fordham University at the Cotton Bowl
Texas A & M University versus Fordham University at the Cotton Bowl. Spectators S. R. Featherson, Wichita Falls, Texas, left, and Mr. and Mrs. Bryant Edwards, ranch people from Henrietta, Texas. Mr. Featherson and Mr. Edwards are wearing suits and hats. Mr. Edwards is holding a cigar in his left hand. Mrs. Edwards is wearing a dress and hat. She\u27s holding a purse in her left arm. Spectators are seated in the background. Star-Telegram Morning January 2, 1941https://mavmatrix.uta.edu/specialcollections_startelegram1940s/6308/thumbnail.jp
Respiratory symptoms and outcomes among cigar smokers: findings from the Population Assessment of Tobacco and Health (PATH) study waves 2–5 (2014–2019)
Abstract Background The mechanisms by which cigarette smoking increases the risk of respiratory disease have been studied. However, less is known about risks of respiratory symptoms and outcomes associated with smoking cigars, and risks by cigar types have not been previously explored. The aim of this study was to examine associations between cigar use, including traditional cigars, cigarillos, filtered cigars, and dual cigar and cigarette use, and functionally important respiratory symptoms (FIRS), lifetime asthma diagnosis, uncontrolled asthma, and new cases of FIRS. Methods Data from Waves 2–5 (2014–19) of the Population Assessment of Tobacco and Health (PATH) Study, a nationally representative longitudinal study, were analyzed in two ways. For cross-sectional analysis, the analytic sample included adults 18 and older at each wave, resulting in 44,040 observations. Separately, longitudinal analyses were assessed among adults 18 and older at Wave 2, resulting in 7,930 individuals. Both analyses excluded adults with chronic obstructive pulmonary disease (COPD) or non-asthma respiratory disease. Results Current established cigarillo smokers had higher odds of having FIRS (Adjusted odds ratio (AOR): 1.72; 95% CI: 1.08, 2.74) compared to never smokers of cigarillos and cigarettes, after adjusting for covariates. Current established filtered cigar smokers had higher odds of asthma diagnosis (AOR: 1.35; 95% CI: 1.10, 1.66) while current established dual smokers of filtered cigars and cigarettes had higher odds of uncontrolled asthma (AOR: 5.13; 95% CI: 1.75, 15.02) compared to never smokers of filtered cigars or cigarettes. Both current established cigar smokers and current established dual smokers of cigarettes and cigars had higher odds of new FIRS compared to never cigar or cigarette smokers (AORs: 1.62; 95% CI: 1.02, 2.60 for exclusive cigars and 2.55; 95% CI 1.57, 4.14 for dual smokers). Conclusions This study provides evidence that cigar smokers or dual smokers of cigars and cigarettes have greater odds of FIRS, asthma, and uncontrolled asthma and that new incidence of FIRS is higher among any cigar smokers compared to never cigar or cigarette smokers. Understanding health impacts associated with cigar use provides information for supporting policy development, as well as for designing clinical interventions focused on smoking cessation for cigars
- …
